To see the summer sky for Violin and Viola falls into four movements. The first movement opens with the two instruments sounding almost as one playing very high glassy harmonics. Gradually an expressive viola solo emerges withboth instruments descending to their lower ranges. A livelier quasi scherzando solo for violin accompanied by viola pedal notes leads to a chorale like passage the violin at the top of its range whilst the viola is at itslowest. The movement ends with the two instruments coming together once again on a unison Bb and fades away almost as it has begun but this time in the husky lower registers.The second movement is much faster and openswith a downward flurry for both instruments. A continuous pizzicato line for viola is interrupted by more violent passages in the violin. The two instruments come together in a dance-like passage before the roles are reversed.Finally an ecstatic melody surfaces in the viola and is later continued in the violin before the movement closes with the spiky figures of its opening the two instruments ending in unison.The third movement encompasses isthe most delicate and still music of the piece. After a very tranquil opening an expressive violin melody is accompanied by a gentle rocking figure in the viola. Tentative at first intensity and speed gather until the violinreaches stratospheric heights. Both of the instruments play at the extremes of their registers before moving to common ground for a more lively textural passage. This is followed by a passionate reminder of the movement’s opening gradually fading away to nothing.The piece ends with a Moto Perpetuo. The instruments begin by dovetailing a single line which develops into two strands before a more violent section appears punctuated by strident doublestops. Both instruments have slightly manic solo episodes before the movement quickly dies away in the single line of its opening

Viola-Violn-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces maybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemblescore downloads are available for use with this title.

Six Sonatas for Violin and Viola Hob. VI:1?6-The title ?Solo per il Violino? which Haydn gave these sonatas in his ?Entwurf-Katalog? (the handwritten catalogue he maintained of his own works) already gives us an indication: it is only the Violinwhich is treated as a solo instrument in these six sonatas the Viola has an accompanying role. Haydn might have written these ?soli? for himself; but they also might have been for Luigi Tomasini the ?first violinist? atEsterházy?s court. Today these duos enjoy great popularity particularly for teaching purposes. We are now proud to present the definitive Henle edition following the text in the Complete Edition of Haydn?s Works withthe addition of specially composed cadenzas.

Les duos à cordes ont tendance à être quelque peu éclipsés par d\'autres instruments pour la musique de chambre pour cordes - en particulier les quatuors à cordes, pourtant le duo à cordes est une introduction idéale au monde de la musique de chambre pour toute personne qui apprend un instrument. Fabian Payr et Ruth Bamberger ont sélectionné 15 ?uvres de clavecin appropriées de la période baroque et les ont arrangées pour deux instruments à cordes. Ces pièces pour duo, faciles à jouer, sont particulièrement appropriées comme matériel pour les leçons d\'instrument mais aussi comme répertoire pour les spectacles d\'étudiants. Elles encouragent l\'étude de la pratique de l\'interprétation baroque et promeuvent le sujet quelque peu négligé du jeu d\'ensemble en musique de chambre. / Partitions classique / Cordes / Autres cordes frottées / RICORDI

Par ROLLA ALESSANDRO. Trois duos concertants pour violon et alto. 4e livre de duos de violon et alto. Edition : Paris, Imbault, s.d. (=c.1809).Edition originale en deux parties séparées : Violon - Alto.Page de titre de la partie de violon : une collette anglaise couvre le nom de l'éditeur (que l'on trouve sur la partie d'alto). / Niveau : Facile / Répertoire / Violon et Alto, Duos et/ou Pour 2 Altos (Fac-simil

In Classic Hits For Violin And Viola well-known melodies from the Baroque Classical and Romantic period are arranged by Vladimir Bodunov for Violin and Viola. Both players are of equal standing the role of soloist and accompanist changing constantly. The arrangements stand out for their fidelity to the original works.The arranger Vladimir Bodunov is a versatile musician from Belarus. He performs throughout Europe as a soloist in orchestras and particularly in duo with his wife Marta Danilkovich.