SKU: HL.1075991
ISBN 9781705175903. UPC: 196288098959. 9.0x12.0x0.066 inches.
SKU: BT.DHP-1002152-400
ISBN 9789043111669. English-German-French-Dutch.
A great book for players who have been learning for only a few months. Although the melodies are fairly easy the backing CD will make every performance professional. Titles include Lullaby, Irish Tune, A Song for You, Chickenâ??s Dance and many more. In A Song for You staan tien leuke liedjes die ook allemaal te horen zijn op de bijbehorende play-along-cd. Met titels als First Time (De eerste keer), Lullaby (Slaapliedje), Duckâ??s Dance (De eendendans),Irish Tune (Iers melodietje), Chickenâ??s Dance (Dans van de kip) en The Black Nag (De brompot).Eine Ente, ein Schwein und ein Huhn: Sie alle sind in den zehn lustigen Stücken des Komponisten Otto M. Schwarz nicht nur zu sehen, sondern auch auf der beiliegenden CD zu hören. Sprechende Titel wie z.B. Pigâ??s Song ,Chickenâ??s Dance oder Duckâ??s Dance versprechen jede Menge (Mit-)Spielvergnügen! Le recueil A Song for You (â??Une chanson pour vousâ?) propose dix pièces mélodiques dont les titres humoristiques évoquent lâ??insouciance, la joie de vivre. Et pour travailler son instrument en sâ??amusant, il suffit de se faire accompagner par le plus fidèle de tous les compagnons de route : le CD.
SKU: KN.SB2305
12 x 9 inches.
The Latin American String Collection is an authentic resource for the modern string room. As a Latin American Composer, Mark Contreras Gómez brings a wealth of experience to this collection – making it a trusted choice for your students. Explore Latin American styles and learn about their unique histories with information included by the composer on each and every solo. The accompanying tracks have been carefully curated and performed by the composer, and include click count-offs, performance versions, and performance demos for use while practicing each distinctive style. The book itself, is laid out with a strong focus on pedagogic sequencing, introducing new styles and dances as the musician progresses. The book is divided into sections: Open Strings, First Finger, Second Finger, Third Finger, Fourth Finger and Chromatic Changes. Perfect for fun, performance, or festival adjudication – this new collection is a must-have for your string solo library.
SKU: MB.95393M
ISBN 9780786690107. 8.75 x 11.75 inches.
The over 425 reels, jigs, set-tunes, waltzes, marches, strathspeys, and airs transcribed from the playing of traditional fiddlers in this collection, represent a large portion of the current Island repertoire. It is believed that over 100 of these tunes have never been in print previously. Even the titles that have appeared in print before, feature new and intriguing details. Because each tune is a transcription of a specific performance by an individual player, many subtleties of style--such as ornamentation, double stops, and slursâ??are included. Also included are each playerâ??s melodic idiosyncrasiesâ??called twists in local parlance. You will find living, breathing versions of tunes filled with the vitality of a people whose great love for their music is expressed in every bow-stroke. Includes access to online audio.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
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