A travers cette méthode d'apprentissage Trombone vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Beeler Walter Method For The Trombone Bk.1 a été écrit par Beeler Walter et éditée par les éditions Warner Bros.Publications sous la référence WB0007. / Trombone / niveau : Débutant / Partition

Par SCHUMANN ROBERT / RAHBEE DAVID (Arr.). / Date parution : 2022-09-27/ Répertoire / 8 Trombones

Bassoon/Trombone/Euphonium B.C./T.C. - Grade 0.5 to 1. Par . There are two things that beginners really want to do: play songs they recognize and play the TUNE. In Tons of Tunes for the Beginner, many of the easiest of familiar songs are gathered together so that young musicians can do just that - play the tunes to familiar music! Most of the songs can be performed by players who have learned only a few notes. Play along with the audio accompaniment or with any combination of solo instruments for tons of practice fun! 32 favorite tunes, including: Bingo · I've Been Working on the Railroad · Ode to Joy · Take Me Out to the Ballgame · Yankee Doodle · and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-05-31/ Recueil / Basson, Trombone ou Euphonium BC/TC

This huge collection offers instrumentalists the chance to play 101 of the most popular classical themes including Ave Maria (Bach/Gounod & Schubert) • Bist du bei mir (You Are with Me) (Stözel) • Canon in D (Pachelbel) • Clair de Lune (Debussy) • Dance of the Sugar Plum Fairy (Txhaikovsky) • 1812 Overture (Tchaikovsky) • Eine Kleine Nachtmusik (“Serenade”) First Movement Excerpt (Mozart) • The Flight of the Bumble Bee (Rimsky-Korsakov) • Funeral March of a Marionette (Gounod) • Für Elise (Beethoven) • Gymnopedie No. 1 (Satie) • Jesu Joy of Man's Desiring (Bach) • Lullaby (Brahms)• Minuet in G (Bach) • Ode to Joy (Beethoven) • Piano Sonata in C (Mozart) • Pie Jesu (Fauré) • Rondeau (Mouret) • Swan Lake (Tchaikovsky) • Wedding March (Mendelssohn) • William Tell Overture (Rossini) and many more.

Beginner Series-Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line 12 measures in length designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded first with the solo playing along with the rhythm backing tracks of keyboards guitar bass and drums and immediately following is the play-a-long backing track that cycles through the 12 bar blues progression 12 times generally between 5-8 minutes in length giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line 12 measures in length designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded first with the solo playing along with the rhythm backing tracks of keyboards guitar bass and drums and immediately following is the play-a-long backing track that cycles through the 12 bar blues progression 12 times generally between 5-8 minutes in length giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google

New Edition (Complete)-Arban Method For Trombone And Baritone has been brought up to date to the 21st century enhancing and expanding the complete Arban text and addressing new skills and techniques developed up to current times. Sections have been expanded (i.e. scales arpeggios) and new sections have been added (i.e. slide drills contemporary forms of double and triple tonguing). Alternate positions have been updated and expanded. Sometimes F-attachment positions are given to facilitate awkward slide movements.

With ?The Techniques of Trombone Playing?, Mike Svoboda has written a book conceived as a valuable guide for composers and trombonists. It familiarises composers with contemporary trombone techniques and shows how to put them to creative use. Furthermore it helps trombonists to view and employ their versatile instrument as a multi-functional sound generator. Together with composer Michel Roth, Mike Svoboda explores what might today be called ?the unlimited expansion of new performance possibilities?: micro-intervals, multiphonics and the combination of the trombone sound with the human voice ? all accurately described and illustrated with many annotated music examples. ? Includes many tables and music examples on the basics and expanded techniques of trombone playing ? Practical information on mutes, repertoire, etc. ? With 92 sound files and 5 newly composed études which can be downloaded from the Bärenreiter website The authors Since September 2007 Mike Svoboda has been professor of trombone and contemporary chamber music at the Basel Academy of Music (Switzerland). Of formative importance to his artistic development was his nearly 11-year collaboration with Karlheinz Stockhausen in the 1980s and 1990s. His exchanges with Stockhausen and other composers, such as Peter Eötvös, Beat Furrer, Helmut Lachenmann, Wolfgang Rihm and Frank Zappa, allowed him to premiere more than 400 works over the last 30 years. Michel Roth is professor of composition and music theory at the Basel Academy of Music and a member of their research department. As a composer, he has been a regular guest at various international music festivals and more recently particularly in the area of music theatre. Numerous radio and CD productions document his compositional output for which he has also been awarded the composition prize by Music Viva, Munich. In addition Roth also researches and publishes on subjects concerned with music and art theory.

The Skye Steersman'S Song. Par REINSHAGEN FRANK. Song from the Hebrides. Compatible with clarinet and saxophone editions. Medium Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are - in a direct or wider sense - of 'Celtic origin', in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition.These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on 'S mo lamh air a stiuir: The interpretation of 'S mo lamh air a stiuir - the song of a helmsman living on the Isle of Skye - should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Artic Ocean. For this arrangement the key D minor - which is one whole tone lower than the original - has been chosen to make sure that the piece is playable, especially for a clarinet quartet./ Répertoire / Quatuor de Cuivres

This piece was originally written for the trombonist Michael Skitt as the final 'prank' movement of a concerto for trombone and orchestra. By popular request the piece has been given a separate piano part and has since been proved equally entertaining for trombone bassoon or cello! Within a month of its publication Buffoonery was set for trombone grade VIII on the Oxfordshire Instrumental Examinations Syllabus. Duration: 4- 5 minutes.Grade: 8

Selected from the Vocalises of Marco Bordogni Transcribed and Progressively Arranged by J. Rochut-A staple in brass methods Melodious Etudes for Trombone Book 1 has been re-engraved corrected by pedagogue Alan Raph and printed with a lay-flat binding for ease of use. Additionally Bordogni's original Piano accompaniments written specially for the vocalises are presented with these etudes for the first time.As a bonus the edition now includes a CD containing MP3s and printable PDFs of the original Piano accompaniments performed by Rae Moses. These etudes transcribed from the vocalises of Bordogni have been specially prepared for use by trombonists in order to perfect their overall technique and in particular todevelop style in the interpretation of melody.Book 1: Nos. 1-60 Selected from the Vocalises of Marco Bordogni.

Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets . Contains: Aria (Handel) * Ballad (Snell) * Chant Russe (Lalo) * Dances for Trombone (Snell) * Golliwogg's Cakewalk (Debussy).

C Trombone/Baritone/Euphonium BC-Look Listen and Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs music puzzles and games to increase the pupils??? understanding of music information about their instrument and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method. In My First Opera famous arias choruses and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look Listenand Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings which are available online to stream or download. The edition also includes printed music for piano accompaniments expertly arranged at a moderate level of difficulty.

Six suites originally written by Johann Sebastian Bach (1685-1750) for unaccompanied cello. The suites have been transcribed for baritone/trombone by Robert Marsteller.