American Classics for Solo Guitar, Vol. 1. Arranged by James Edwards. For Guitar (Fingerpicking). Solos. American. Level: Intermediate-Advanced. Book/CD Set. Size 8.5x11. 24 pages. Published by Mel Bay Publications, Inc.

By James Power (Arranger). Classical, Folk, Jazz. 32 pages. Published by Power Music.

Band jazz band - Grade 3

SKU: KJ.JZB359F

Composed by Jim Cifelli. Jazz Ensemble Signature Series. Jazz. Score. Neil A. Kjos Music Company #JZB359F. Published by Neil A. Kjos Music Company (KJ.JZB359F).

Find the pocket, get funky, and get the Groove Machine working! This tune is designed to evoke the classic funky rock sound of artists like James Brown, Wilson Pickett, Booker T. and the M.G.s, and others from the late 1960s. This chart is just as fun to play as it is to listen to, and is sure to be a favorite with your band. Highest trumpet note: G.

Arranged by James Power. Book. Published by Music Sales. (PM221361R) Thirty easy trios for flute using familiar melodies arranged in classical, folk, and jazz styles. Includes: Twinkle Twinkle Little Star, Au Clair de la Lune, Go Down Moses, Yankee Doodle, Early One Morning, Boston Belles, and Can Can. Perfect for solo, duet or trio flute playing. Ideal for group tuition.

Composed by Ben Tompsett. Saddle stitch. Funk/Saxophone Instruction. Book and Downloadable audio. Duration 75 minutes. Published by ADG Productions

Bass Guitar - Grade 3

SKU: BT.MUSME0296

Composed by Bernie Cooper. Tuition. Book, CD and DVD. Composed 2018. 40 pages. Play Music Publishing #MUSME0296. Published by Play Music Publishing (BT.MUSME0296).

English.

You are beginning to play the bass and would like to make progress while having fun and without delay? Then you are holding the right method in your hands! On the menu, no less than 50 simple bass lines accessible to beginners and inspired by the greatest artists, past and present: The Beatles, AC/DC, Bob Marley, Deep Purple, Eric Clapton, Elvis Presley, Police, ZZ Top, James Brown, Jimi Hendrix, Otis Redding, U2, Led Zeppelin, The Rolling Stones... In order to help you, each bass line is preceded by an explanatory text detailing its technical, rhythmical and theoretical aspects. Difficulty increases progressively throughout the pages. The Video DVD allows you to hear andmoreover to watch these 50 bass lines as they should be played, giving you the opportunity to see the correct moves, to pick the right fingers and to be rhythmically accurate! The mp3 CD contains as many tracks as bass lines, that is 50 play-along tracks featuring two different tempos: the objective tempo (normal) and the practice tempo (slow). On the normal tempo track, the bass plays over the first cycle and is mute hereafter to let you take the place! Lastly, these tracks have a deliberately long duration (3 to 4 minutes each, more than 7 hours of music then!) to give you time to practise in the best possible conditions.

((Medley)). By Aretha Franklin, Blood, Sweat and Tears, Chubby Checker, James Brown, Simon And Garfunkel, The Beach Boys, The Beatles, and The Rascals. Arranged by Kirby Shaw. SATB. Pop Choral Series. 40 pages. Published by Hal Leonard

Composed by Ben Tompsett. Saddle stitch. Funk/Flute Instruction. Book and Downloadable audio. Duration 75 minutes. Published by ADG Productions

Orchestra Cello, Contrabass, Drum Set, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS74

Composed by Matt Turner. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 16+4+10+10+16+10+1+3+12 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #CAS74. Published by Carl Fischer Music (CF.CAS74).

ISBN 9780825894756. UPC: 798408094751. 9 x 12 inches. Key: Ab minor.

Four on the floor funk tune for strings?! How cool is that! This piece grooves from start to finish containing true funk rhythms, challenging your students, but well worth the effort!.
The title says it all. This riff-packed funk piece offers an exciting opportunity for students to explore the rhythms and sounds made famous by Sly and The Family Stone, James Brown, and Earth, Wind and Fire. A sample solo is provided, but fea- tured soloists should improvise their own solos using either an A-minor pentatonic scale (A, C, D, E, G, A) or an A-blues scale (A, C, D, D≥, E, G, A). While soloing, keep it simple and focus on creating short rhythmic riffs using two or three pitches, or choose a riff from the piece and embellish it. Drummers are encouraged to add to the written groove.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

By James Brown. Arranged by Johnnie Vinson. Easy Marching Band. Size 7x10.5 inches. Published by Hal Leonard.

Performed by Allan 'Dr. Licks' Slutsky. Edited by Aaron Stang. CPP books (Percussion). 148 pages. Published by Alfred Publishing.

By Hollie Farris. By Ben Tompsett. Saddle stitch. Funk/Trumpet Instruction. Book and Digital Download. Duration 70 minutes. Published by ADG Productions

Double Bass

SKU: BT.YE0030

Composed by F. Keyper. Exam Material. Book Only. Yorke Edition #YE0030. Published by Yorke Edition (BT.YE0030).

An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).

Programme Note:

As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).

In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.