A superb collection of nine piano solos from The Phantom Of The Opera . Includes Think Of Me, All I Ask Of You, The Music Of The Night and the title song. / Piano

Solos for Flute-Nine songs from the Andrew Lloyd Webber musical masterpiece The Phantom of the Opera arranged for solo Flute: All I Ask of You · Angel of Music · Masquerade · The Music of the Night · The Phantom of the Opera · The Point of No Return · Prima Donna · Think of Me · Wishing You Were Somehow Here Again

Nine songs from the Andrew Lloyd Webber musical masterpiece, The Phantom of the Opera arranged for solo Alto Saxophone: All I Ask of You · Angel of Music · Masquerade · The Music of the Night · The Phantom of the Opera · The Point of No Return · Prima Donna · Think of Me · Wishing You Were Somehow Here Again / Saxophone Alto

Piano duet arrangements of 8 songs from the ALW smash hit. Includes: All I Ask of You * Angel of Music * Masquerade * The Music of the Night * The Phantom of the Opera * Prima Donna * Think of Me * Wishing You Were Somehow Here Again.

Seule partition au monde à porter le numéro ISBN 73999490152 cette partition dont le titre est Webber Andrew Lloyd Best Of Violin comporte des morceaux regroupés et composés par le compositeur Lloyd Webber Andrew.Son instrumentation exacte est Violon. Amateur ou passionné de Musiques De Films et Comédies musicales vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violon / Partition

Par PART ARVO. Chad Smith, Artistic Director of the Los Angeles Philharmonic, has long nurtured the desire to commission a new work by Arvo Pärt. When the Los Angeles Philharmonic submitted this idea to Arvo Pärt in February 2007, the suggestion came at precisely the right moment. Pärt was working at that time with an ancient canon in Church Slavonic containing a prayer to a guardian angel - the connection to 'Los Angeles' was irresistible. Pärt was further inspired to take the commission by the idea of seeing this work performed by the Los Angeles Philharmonic, one of the best orchestras in the world, under its music director Esa-Pekka Salonen, and in the Walt Disney Concert Hall, one of the most exciting concert buildings of our time. The Canberra International Music Festival / Ars Musica Australis and the Sydney Conservatorium of Music joined the project as co-commissioners, thanks to the committed work of director Chris Latham. It may come as a surprise that it has taken so long (37 years) for Pärt to produce his fourth symphony. Symphony No. 3 emerged in 1971, in a time of transition before Pärt had fully developed the 'Tintinnabuli style' which he still employs today. Since developing this style, Pärt has not written any orchestral works which could be called 'symphonic' in scope or structure. With Symphony No. 4, which he calls 'Los Angeles', he creates a reference to this essential phase in his compositional life. Symphony No. 4 incorporates Pärt's 'These Words…' for string orchestra, which was premiered in May 2008 in Copenhagen. As was previously seen in some of Pärt's early instrumental works, all parameters of the text (number of syllables, inflection, punctuation etc) play a decisive role in the structure of the composition. Arvo Pärt has dedicated Symphony No. 4 'Los Angeles' to Mikhail Khodorkovsky./ Répertoire / Orchestre à Cordes, Harpe, Timbales et Percussion

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Piano Solos Intermediate-9 songs including: All I Ask of You · The Music of the Night · Wishing You Were Somehow Here Again · and more.

The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)

An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Angele Dei (Angel of God) is a prayer to the guardian angel suitable for general liturgical use in particular as an introit anthem or blessing at the Feast of the Holy Archangels or for concert performance.‘This piece was composed as a partinggift for my great friend and colleague Harriet Gedge. Recorded by the BBC Singers conducted by Bob Chilcott on 19 November 2010 at St Paul’s Church Knightsbridge London it was subsequently sung at Harrriet’s funeral in Brecon Cathedral on 16 December 2010.’     - Kate Johnson Kate Johnson - Angele Dei by musicroom Text.Angele Dei qui custos es mei me tibi commissum pietate superna hodie illumina custodi rege et guberna.Amen. Angel of God my guardian dear to whom God's love commits me here ever this day be at my side to light and love to rule and guide.Amen.The text is attributed to Reginald

The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and