The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery. Originally published in 1915, Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London, all the while writing works for light orchestra, chorus and brass bands. Unfortunately, Fletcher's music has largely been lost to the annals of classical history. However, with this sheet music of Song Of The Grey Seas, your SATB choir can revive the forgotten glory of this piece, something that audiences will surely love. / Choeur Mixte (SATB) Et Piano

5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Choeur Mixte (SATB) Et Piano

This carol See Amid The Winter’s Snow with West’s own melody and arrangement makes a charming variance from the traditional Humility tune.In addition to his work as Organist and composer John E West was chief editor at Novello music publisher for more than thirty years from the turn of the last century until 1929. He was instrumental in bringing Choral and Organ works from earlier times to the public.

Thea Musgrave's O Caro M'e Il Sonno was first published in Musical Times supplement December 1978. Arranged for SATB chorus the piece has a duration of approximately 2 minutes.

Martin Shaw's version of Magnificat And Nunc Dimittis set to music in the key of E Flat scored for SATB Choir and Organ Accompaniment.

6 Sange-This album includes two sets of pieces. The first is Niels W. Gade: Benedictus And Amen (for choir and organ) and the second is J.P.E. Hartman: 6 Sange (for a capella choir).

Ed. critica di Alessandro Borin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score of La Gloria E Imeneo published in this catalogue. The opera belongs to a group of the so-called ‘French serenatas’ by Antonio Vivaldi namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy.This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice Jacques-Vincent Languet Count of Gergy on theoccasion of the wedding of Louis XV to the Polish princess Maria Leszczyska and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725.This edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It includes a brief Introduction and a critical apparatus that records all the variants between the autograph score and the secondary collate sources.

E-Dur. Par DONIZETTI GAETANO. Langue : Latin / Messe / Répertoire / Choeur SATB et Orgue

Ed. critica di Alessandro Borin - ril. brochure-La Gloria E Imeneo RV 687 belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy.This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice Jacques-Vincent Languet Count of Gergy on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska and was performed during a festa that took place inthe ambassador’s garden on the evening of 12 September 1725.This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources and a diplomatic- interpretative edition of the poetic text inferred – since no libretto has come down to us – by the words underlaid to the notes in the manuscript of the serenata.