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John Tavener: The Fool (Chorus Part): Mixed Choir: Vocal Score
Choral SSATBB
[Sheet music]
Chester
Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint ...
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Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.
3.25 GBP - Sold by Musicroom UK
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Henri Duparc: La vie antérieure: Mixed Choir: Vocal Score
Choral SSATB
SSATB, Piano
Carus Verlag
The harmonic turns and piano configurations in La vie ant?rieure ??? the ???form...
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The harmonic turns and piano configurations in La vie ant?rieure ??? the ???former life??? ??? seem almost exuberantly lyrical. At the beginning the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry ???C???est l? que j???ai v?cu!??? [I have lived there] which expresses the fervent yearning to return to a past life the collective desperately reinforces the longing for the past. Once more the women???s choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude creating a moment that is completely in the present.
3.30 GBP - Sold by Musicroom UK
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Gwyneth Walker: I've Known Rivers: No. 2 Troubled Water: SSATBB and Piano: Vocal
Choral SSATBB
SSATBB, Piano
ECS Publishing
I've Known Rivers: No. 2 Troubled Water
2.50 GBP - Sold by Musicroom UK
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Jonathan Dove: Arion and the Dolphin: Mixed Choir: Vocal Score
Choral SSATB
Peters
Music runs through the story of Arion which begins with a singing competition i...
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Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship. At the end of his song he jumps overboard and one of the dolphins carries him to safety. So Arion’s musical gift gets him into trouble but it is also his salvation. The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.” However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there. Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill. This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this
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O Heiland Reiß Die Himmel Auf (BORNEFELD HELMUT)
Choral SSATB
[Sheet music]
Carus Verlag
Choralmotette I. Par BORNEFELD HELMUT. BoWV 35 / Mottet / Répertoire / Choeur ...
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Choralmotette I. Par BORNEFELD HELMUT. BoWV 35 / Mottet / Répertoire / Choeur SSATB
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
18. Donna S'Io Miro Voi, Giaccio Divengo/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
2. Se Per Avervi, Ohimè, Donato Il Core/ Recueil / 5 Voix (SSATB)
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Cecilia McDowall: I Know That My Redeemer Liveth: Mixed Choir: Vocal Score
Choral SSATB
SSATB A Cappella
[Vocal Score]
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Easy
Oxford University Press
Cecilia McDowall's I Know That My Redeemer Liveth for SSA(A)TB unaccompanied. Th...
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Cecilia McDowall's I Know That My Redeemer Liveth for SSA(A)TB unaccompanied. This attractive motet was written for performance alongside Brahms's Requiem following the precedent of Handel's famous setting of the same text being sung at the premiere of the Brahms in 1868. The gracefully sculpted music clothes the text with touching melodies expressive harmonies and varied sonorities.
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
11. Allora I Pastor Tutti - Terza Parte/ Recueil / 5 Voix (SSATB)
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Dietrich Buxtehude: Membra Jesu nostri: Mixed Choir
Choral SSATB
SSATB, Piano
[Sheet music]
Carus Verlag
For Passion in 1680 Dieterich Buxtehude composed his largest work in the style o...
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For Passion in 1680 Dieterich Buxtehude composed his largest work in the style of an oratorio the cantata cycle Membra Jesu nostri and he dedicated it to his friend the Swedish Court Music Director Gustav Düben. In each of the seven separate cantatas which in principle follow the scheme ?instrumental introduction ? choral movement with biblical texts ? vocal soli (aria) with a sacred text from the Middle Ages ? repetition of the choral movement ? the feet knees hands side chest heart and face of the crucified Christ are interpreted allegorically. The original scoring for strings in No. VI ('Ad Cor') consists of a consort of five gambas. If this group of instruments isnot available then violins I/II can be substituted for gamba I/II and the gamba V parts can be played by the violone (the music for these substitute parts is contained in each respective parts) so that in this case only two gambas (III IV) are needed. For such a performance only two copies of the Gamba performance score (Carus 36.013/16) are required.
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Invitation To The Madrigals Vol.3
Choral SSATB
SSATB A Cappella
Stainer and Bell
Edited by Thurston Dart 23 madrigals for SSA by Bateson, Byrd, East, Hilton, Hol...
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Edited by Thurston Dart 23 madrigals for SSA by Bateson, Byrd, East, Hilton, Holborne, Johnson, Jones, Morley, Porter, Tomkins, Ward, Weelkes, Wilbye and Youll. CONTENTS BATESON, Thomas Nightingale BYRD, William Benedictus EAST, Michael See Amaryllis shamed How merrily we live HILTON, John If it be love HOLBORNE, William Gush forth, my tears Since Bonny-boots was dead JOHNSON, Robert Full fathom five Where the bee sucks JONES, Robert Sweet Kate MORLEY, Thomas It was a lover and his lass Lady, those eyes See mine own sweet jewel This love is but a wanton fit Though Philomela lost her love PORTER,Walter When first I saw thee TOMKINS, Thomas Sure there is no god of love WARD, John Fly not so fast Go wailing accents WEELKES, Thomas Those sweet delightful lilies Though my carriage be but careless WILBYE, John Away, thou shalt not love me YOULL, Henry While joyful springtime lasteth
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Alec Roth: I Will Move Thee: Mixed Choir: Vocal Score
Choral SSATB
[Vocal Score]
Peters
This 5 minute anthem for choir SSATB setting a text by George Herbert was comm...
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This 5 minute anthem for choir SSATB setting a text by George Herbert was commissioned by the Dean and Chapter of The Cathedral and Abbey Church of St Alban to mark the 900th anniversary of the consecration of the Norman Abbey performed at Solemn Evensong 18 October 2015.
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Madrigali. Libro III (Venezia 1592)
Choral SSATB
Ut Orpheus
15. Vivrò Fra I Miei Tormenti E Le Mie Cure - Prima Parte/ Recueil / 5 Voix (SS...
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15. Vivrò Fra I Miei Tormenti E Le Mie Cure - Prima Parte/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro IV (Venezia 1603)
Choral SSATB
Ut Orpheus
20. Piagn'E Sospira: E Quand'I Caldi Raggi/ Recueil / 5 Voix (SSATB)
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Invitation To The Madrigals Vol.8
Choral SSATB
SSATB A Cappella
Stainer and Bell
Eight madrigals by Thomas Morley SATB, SSAT, SSATB and SATTB Edited by E H Fello...
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Eight madrigals by Thomas Morley SATB, SSAT, SSATB and SATTB Edited by E H Fellowes. Revised by Thurston Dart CONTENTS Clorinda false (SATB) Come lovers follow me (SSAT) Fire, fire my heart (SSATB) Leave, alas, this tormenting (SSATB) Love took his bow and arrow (SATTB) Now is the gentle season (with The fields abroad) (SATB) Now is the month of Maying (SATTB) Shoot false love, I care not (SSATB)
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Aus Der Tiefe Ruf Ich, Herr, Zu Dir (SELLE THOMAS)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Opera Omnia I, Nr. 14. Par SELLE THOMAS. Tonalité : phrygisch - / Mottet ...
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Aus: Opera Omnia I, Nr. 14. Par SELLE THOMAS. Tonalité : phrygisch - / Mottet / Répertoire / Choeur SSATB
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
13. Tra Mille Fiamme E Tra Mille Catene/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
21. Arsi Ed Alsi A Mia Voglia - Contrarisposta/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
5. Baci Soavi E Cari/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
9. Fumia La Pastorella - Prima Parte/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
6. Se Pur Non Mi Consenti/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
3. A Che Tormi Il Ben Mio/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
14. Usciam, Ninfe, Omai Fuor Di Questi Boschi/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
10. Almo Divino Raggio - Seconda Parte/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
16. La Vaga Pastorella/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
8. Poiché Del Mio Dolore/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
15. Questa Ordì Il Laccio/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
12. Se Nel Partir Da Voi/ Recueil / 5 Voix (SSATB)
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Madrigali. Libro I (Venezia 1587)
Choral SSATB
Ut Orpheus
1. Ch'Ami La Vita Mia Nel Tuo Bel Nome/ Recueil / 5 Voix (SSATB)
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