This book and accompanying audio offer an in-depth look at how to add accompaniment and embellishments to melodies on the Hammered Dulcimer. The material covered in this book illustrates how to enhance simple melodies toshowcase their inherent musicality.Full of illustrations examples preparatory exercises and easy-to-play arrangements this book is sure to bring new character to your playing. It begins by explaining in simple terms how and why harmony works and teaches the solutions to the common exceptions you will encounter. By the end you will be able to apply the four most common methods Dulcimer players use to add accompaniments to melodies.Note-for-note transcriptions of fully arranged songs from the author's own repertoire are also included. Audio download available online.

Par PAGE JEANNE. Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as 'A Man of Constant Sorrow,' 'Angel Band,' 'Keep on the Sunny Side,' and 'Will the Circle be Unbroken,' are included along side hot instrumentals such as 'Jerusalem Ridge,' 'Rawhide,' 'Big Mon,' and 'Blue Grass Stomp.' Even traditional tunes that you think you know already such as 'Bill Cheatham,' 'Farewell to Whiskey,' 'Forked Deer,' and 'Salty Dog' are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes and performing them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass style and players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only. / Niveau : Intermédiaire / Bluegrass - Solos / Recueil / Dulcimer (Cordes frappées)

Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as 'A Man of Constant Sorrow ' 'Angel Band ' 'Keep on the Sunny Side ' and 'Will the Circlebe Unbroken ' are included along side hot instrumentals such as 'Jerusalem Ridge ' 'Rawhide ' 'Big Mon ' and 'Blue Grass Stomp.' Even traditional tunes that you think you know already such as 'Bill Cheatham ' 'Farewell toWhiskey ' 'Forked Deer ' and 'Salty Dog' are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes andperforming them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass styleand players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only.

You Can Play For Hammered Dulcimer-National Hammered Dulcimer Champion Mark Wade presents common jam tunes in a unique way that shows beginners how to play the essence of the tunes simply and the intermediate/advanced players the ornamented versions. Each 'EasyDoes It' version of a tune is paired with the fancy rendition along with the chords. Now jamming is easier than ever for players of ALL levels!

A comprehensive chord encyclopedia for the mountain dulcimer in the common Mixolydian Ionian Dorian Lydian and Phrygian modal tunings. Three different tunings are presented for each mode!

Killer Technique: Hammered Dulcimer focuses on dulcimer-specific skills and drills them in using effective and engaging new ways. Targeted areas include dexterity aim flow commonly used percussion rudiments chords arpeggios and chord suffixes. Killer Technique: Hammered Dulcimer is perfect for Dulcimer players of all skill levels.

This sizeable collection of hammered dulcimer tunes brings together over 225 old-time and Celtic traditional tunes that are commonly heard at gatherings of old-time musicians. This is music that has been passed down vocally orlearned by ear instrumentally and derived from countries where many of our ancestors originated. Trying to separate American and Celtic traditional music is an impossible task as so many of the tunes we consider our own areadapted versions of tunes passed on to us from other countries and would fit into either category. This book therefore features favorite selections from both American and Celtic traditions. These instrumental arrangements arewritten in standard notation only with chord symbols.