Arrangeur: Shaul Ben-Meir. Par KUMMER GASPARD. This Trio in F, Op. 32 is the first movement of a work by the same name of Gaspard Kummer. It is arranged here for a flute trio of 2 C Flutes and Alto Flute. This trio was originally composed for Flute, Clarinet and Bassoon./ Répertoire / 3 Flûtes Traversières

Arrangeur: Shelley Collins. Par KROMMER FRANZ. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel's String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel's String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes./ Répertoire / 3 Flûtes Traversières

Section 3 - qui est amusant à la puissance de trois, pour trois joueurs qui s'asseoir ensemble dans une section d'ensemble et qui aimeraient laisser leur son d'instruments comme un groupe distinct. Les pièces stylistiquement variées sont toutes écrites dans les rythmes de la danse moderne - à partir de transe ou RandB, congas et Samba. Le CD - qui contient les versions démo ainsi que les accompagnements rythmiques de toutes les pièces - rend votre jeu amusant complète. Mais avec un batteur réel, qui peut utiliser la partie tambour fermés, les pièces sonore encore meilleures. / 3 Flûtes / Partition

Trios soigneusement sélectionnés et édités par Gervaise, Praetorius, Quantz, Boismortier, Walkiers et Kummer. Excellent répertoire pour les passionnés de jouer ensemble, ou pour les étudiants de la flûte. Edité par Trevor Wye. / Flûte Traversière / Partition

Pour que plusieurs élèves ou les élèves et les enseignants peuvent jouer ensemble en cours collectifs, 2 Trio livre propose de nombreuses pièces d'ensemble en trois parties, conformément à Vol. 2 de 'Die Querflöte fröhliche 'la méthode. Ce pot-pourri d'oeuvres de Lully, Purcell, Mozart, Brahms ou Elgar et des pièces modernes offre beaucoup de variété et permet de jouer ensemble dès le début. Comme le livre mélodie, le livre trio a été ajusté au vol. 2 de la méthode. L'état des connaissances nécessaires pour jouer chaque trio est indiqué dans la table des matières. / 3 Flûtes

Une soeur du livre au Top Hits Duo, qui permet aux jeunes joueurs effectuer des chansons pop et des mélodies traditionnelles bien connus dans les groupes de petit ensemble. Cela aide à développer les jouer et écoute les compétences. / Trio De Flûtes Traversières / 32 pages / niveau : Facile / Partition

Arrangeur: Matt Johnston. Par TRANQUILLE BERBIGUIER BENOIT. Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 3, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet and Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective - and more efficient - learning and instruction. Trio No. 3, Op. 51 is in three movements: Allegro risoluto, Andantino, Poco vivo (Rondo). Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 3, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet and Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective - and more efficient - learning and instruction. Trio No. 3, Op. 51 is in three movements: Allegro risoluto, Andantino, Poco vivo (Rondo)./ Répertoire / 3 Flûtes Traversières

Arrangeur: Matt Johnston. Par TRANQUILLE BERBIGUIER BENOIT. Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 1, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet and Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective - and more efficient - learning and instruction. Trio No. 1, Op. 51 is in three movements: Allegro poco assai, Andante non tanto, Poco presto (Finale). Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 1, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet and Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective - and more efficient - learning and instruction. Trio No. 1, Op. 51 is in three movements: Allegro poco assai, Andante non tanto, Poco presto (Finale)./ Répertoire / 3 Flûtes Traversières

Vol.1: Trios I a VIII. Par NAULAIS JEROME. Vol. 1: Trios I A Viii / Niveau : 1er Cycle / Recueil / 3 Flûtes Traversières

L'oeuvre de Raphaël Fumet est difficilement classable dans ce qu'il est désormais convenu d'appeler l'évolution historique de la musique contemporaine, ce qui ne lui confère que plus de force et d'originalité. / 3 Flûtes

Cette célèbre icône datant de 1410 d'Andreï Roublev est appelée Icône de la Trinité ou Les trois anges à Mambré (accueillis par Abraham), Elle se trouve actuellement dans la galerie Tretiakov à Moscou,Cette composition est directement inspirée de cette remarquable icône qui illustre l'hospitalité d'Abraham envers les trois étrangers, Depuis les premiers siècles du christianisme, le récit biblique de cette visite à Abraham et Sara dans la Genèse a été interprété comme une manifestation de la Sainte Trinité,Contemplez : le manteau translucide de l'ange situé à gauche de l'icône qui offre à nos regards toute la subtilité de la teinte argentée, le symbole caché qui ne l'est pas vraiment du 'vase sacré', le creux des ailes qui est comme le réceptacle des auréoles de chaque ange, les trois 'lances de paix' ne sont-elles pas semblables à de longues flûtes ? Je songe à la lumière si particulière du soleil hivernal qui pénètre en nous, semblant éclairer le moindre recoin de nos âmes et nous traverse comme à l'horizontale,Lorsque le Trio d'argent m'a passé commande pour une nouvelle oeuvre, c'est tout naturellement que je me suis tourné vers cette splendide icône : auprès des trois personnages, la lumière argentée qui éclaire le tableau nous donne à contempler cette impression de transparence à travers laquelle semble s'esquisser la vision d'un au-delà des choses, / 3 Flûtes

Score Parties. Par BEETHOVEN LUDWIG VAN. The Trio for Three Flutes here presented appeared in 1964, when Jean-Pierre Rampal acquired a non-original manuscript of this work in the Czech Republic. Attributed to an early period for its light character and instrumentation, the Trio was taken into serious consideration by Beethoven scholar and redactor of arguably the most complete of Beethoven's catalogues, the chronological and thematic catalogue of all Beethoven's works, including the unpublished ones and the unused sketches (1968), whose 849 entries include the opus numbers, the Kinsky-Halm, the Hess, and the Grove catalogues. The Trio for Three Flutes is cited in the Biamonti Appendix II 64, as a work of uncertain authorship, but nonetheless attributed to Beethoven. The first recording of the piece was released by Jean-Pierre Rampal, who recorded the complete chamber works with flute by Beethoven for the Club Français du Disque label in 1964, together with Alain Marion and Christian Lardé. In lack of further information able to confirm Beethoven's authorship of this work, all that is left to the listener and performer is to enjoy the particularly brilliant vivacity of the composition, which may corroborate the hypothesis of a Beethovenian attribution./ Répertoire / 3 Flûtes Traversières