21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY

Description Twenty-Four Italian Songs And Arias Of The 17th And 18th Centuries - Medium High Voice A superb collection of 24 Italian Songs And Arias Of The Seventeenth And Eighteenth Centuries, compiled for Medium to High Voice with Piano accompaniment. Songlist Alma Del Core (La Constanza In Amor Vince L'Inganno) [Caldara, Antonio] Amarilli, Mia Bella [Caccini, Giulio] Caro Mio Ben [Giordani, Tommaso] Che Fiero Costume [Legrenzi, Giovanni] Come Raggio Di Sol [Caldara, Antonio] Danza, Danza, Fanciulla Gentile [Durante, Francesco] Gia Il Sole Dal Gange [Scarlatti, Alessandro] Lasciatemi Morire (Adriane's Lament) [Monteverdi, Claudio] Le Violette [Scarlatti, Alessandro] Nel Cor Piu Non Mi Sento (L'Amor Contrastato) [Paisiello, Giovanni] Nina [Pergolesi, Giovanni Battista] Nina [Pergolesi, Giovanni] Non Posso Disperar [De Luca, S.] O Cessate Di Piagarmi [Scarlatti, Alessandro] O Del Mio Dolce Ardor (Paride Ed Elena) [Gluck, Christoph Willibald] Per La Gloria D'adorarvi [Bononcini, Giovanni] Pieta, Signore [Stradella, Alessandro] Pur Dicesti, O Bocca Bella [Lotti, Antonio] Se Florindo E Fedele [Scarlatti, Alessandro] Se Tu M'ami, Se Sospiri [Pergolesi, Giovanni] Sebben, Crudele [Caldara, Antonio] Tu Lo Sai [Torelli, Giuseppe] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Vergin, Tutto Amor [Durante, Francesco] Vittoria, Mio Core! [Carissimi, Giacomo]

Par SAINT-SAENS CAMILLE. Cette édition fait partie de Musique Vocale Française , une collection dédiée au repertoire vocale français - soit original soit transposé - et conçue pour les étudiants, les professeurs et les interprètes professionnels. Le recueil inclut 35 mélodies avec textes originaux et traductions an anglais, composées par Saint-Saëns tout au long de sa carrière. Par le choix des textes utilisés, il nous montre un goût littéraire très sûr. Il n?est pas toujours facile de voir clair dans le corpus des mélodies du compositeur ; on relève cependant quelque cent-vingt ?uvres. Camille Saint-Saëns est de ceux qui donnèrent à la mélodie française ses lettres de noblesse, ouvrant la voie à la génération qui la porta à son plus haut niveau, celle de Gabriel Fauré et d?Henri Duparc. / Date parution : 2023-03-11/ Répertoire / Voix Haute et Piano

Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.

Instrumentation : High voice - Pf (Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber, Viardot, Massé and Paladilhe. Even the more celebrated songs are often not easily found in practical editions, which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Content : Niedermeyer:Le Lac (Meditation poétique);Berlioz:Absence;Gounod:Ô ma belle rebelle;Viardot: Fleur desséchée; Franck: S'il est un charmant gazon; Massé: Consolation;Lalo: Ballade à la lune; Saint-Saëns: La sérénité;Delibes: Chanson espagnole; Bizet: Pastorale; Massenet: Nuit d'Espagne; Chabrier: L'île heureuse; Paladilhe: Sérénité de la nuit; Fauré: Lydia; Fauré: Après un rêve; Duparc: Extase; Chausson: Le colibri; Debussy: Mandoline; Debussy: C'est l'extase langoureuse; Satie: Daphénéo; Satie: Spleen; Séverac: Ma poupée chérie; Dupont: Chanson des noisettes; Poulenc: La Grenouillère Editor :Nichols

Original Keys for high Voice-'Faust' 'Wilhelm Meister' 'Egmont' even 'Erlkönig' - again and again Beethoven chose texts by Goethe for his song compositions. Now for the first time all of Beethoven?s songs with texts by the great Weimar writer areavailable in one volume. Alongside the famous setting of 'Wonne der Wehmut' and Mephisto?s satiric Flea Song op. 75 no. 3 there are also others to be discovered such as four different versions of Mignon?s Song 'Nur wer dieSehnsucht kennt'. The musical text in the Beethoven Complete Edition forms the basis for this volume. In addition the Flea Song has been revised following the autograph that recently reappeared.Original Keys for HighVoiceContents Goethe Songs Maigesang op. 52 4 Marmotte op. 52 7 Sehnsucht (4 versions) op. WoO 134 Kennst du das Land op. 75 1 Neue Liebe neues Leben (second version) op.75 2 From Goethe's Faust op. 75 3 Wonne der Wehmut (second version) op. 83 1 Sehnsucht op. 83 2 Mit einem gemalten Band op. 83 3 Freudvoll und leidvoll op. 84 4 Bundeslied op. 122 Appendix:

It would be difficult to overestimate the influence of Copland's music on American music of the 20th and 21st centuries. His songs and arias provide a concise tour of his stylistic journey and most of the songs are available in this remarkable volume.Includes: 9 songs (including 4 early songs); the complete 12 settings of Emily Dickinson's poems; 4 arias. The original key is retained in all the songs and arias.

60 Songs-This work includes all of the top favorites from Quilter's impressive repertoire but a significantly different compilation from other existing Quilter collections. Includes all Shakespeare settings (Op. 6 Op. 23 Op. 30) the complete Arnold Book of Old Songs To Julia along with other complete sets and individual songs.

Schumann was the first to set a complete cycle of Heinrich Heine?s poems to music. His literary ?forks of lightning? had already fascinated Schumann when he was 17 years old. However he only wroteOpus 24 in 1840 in his ?year of song? choosing to set a cycle of poems from the ?Buch der Lieder?. He wrote the following to his fiancée: ?Ah Clara what bliss it is to write for the Voice?. This enthusiasm isreflected in each of the nine songs. This is Kazuko Ozawa?s third edition of a Schumann cycle to be published in Henle Urtext.

- Lieder im Umfang einer Oktave: - J. Haydn: Liebes Mädchen, hör mir zu (Dichter unbekannt) - Italienisches Volkslied: Die Sorglose (deutscher Text: H. Möller) - Volkslied: Es ist auf Erd kein schwerer Leiden - R. Schumann: Jasminenstrauch, op. 27/4 (Rückert) - Erstes Grün, op. 35/4 (Kerner) - W.A. Mozart: Im Frühlingsanfang (Sturm) - G.Ph. Telemann: Die Jugend - R. Schumann: Freisinn, op. 25/2 (Goethe) - J. Brahms: Mädchenlied, op. 107/5 (Heyse) - R. Franz: Gute Nacht!, op. 5/7 (Eichendorff) - . - Parlando und leichte Tongebung: - Italienisches Volkslied (Venedig): Lässt sich Amor bei euch schauen (deutscher Text: H. Möller) - R. Schumann: Volksliedchen, op. 51/2 (Rückert) - J. Haydn: Der Gleichsinn (Eschenburg) - F. Schubert: Liebhaber in allen Gestalten, Nachlaß (Goethe) - W.A. Mozart: Das Veilchen (Goethe) - F. Schubert: Seligkeit (Hölty) - G.Ph. Telemann: Das Glück (Stoppe) - J.A.P. Schulz: Der Schmetterling (André) - J. Brahms: Feinsliebchen, du sollst mir nicht barfuß gehn - . - Legato-Lieder: - J.S. Bach: Die güldne Sonne voll Freud und Wonne (Gerhardt) - A. Krieger: Nun sich der Tag geendet hat (Krieger) - K.Fr. Zelter: Der König in Thule (Goethe) - W. Baumgartner: Kein Hälmlein wächst auf Erden (Brachvogel) - W.v. Rügen: Weh, ich hab gedacht - F. Schubert: An die Musik, op. 88/4 (Schober) - Lochheimer Liederbuch: All mein Gedanken - Ch.W. Gluck: Die Sommernacht (Klopstock) - F. Schubert: Im Abendrot, Nachlass (Lappe) - R. Franz: Für Musik, op.10/1 (Geibel) - J.S. Bach: Komm, süßer Tod (Dichter unbekannt) - M. Reger: Glück, op.15/1 (Rohrscheidt) - . - Piano-Lieder: - F. Schubert: Wiegenlied, op. 98/2 - P. Cornelius: Angedenken, op. 3/2 (Cornelius) - J. Brahms: Wiegenlied, op. 49/4 - J. Brahms: Sandmännchen - F. Schubert: An die Laute, op. 81/2 (Rochlitz) - J.A.P. Schulz: Wiegenlied im Mai (Bruun) - H. Wolf: Anakreons Grab (Goethe) - H. Wolf: Auf ein altes Bild (Mörike) - R. Stephan: Abendlied (Falke) - R. Schumann: Mondnacht, op. 39/5 (Eichendorff) - . - Ernste Lieder: - Norwegisches Volkslied: Ich legte mich zur Ruh (deutsch: H. Möller) - Fliegendes Blatt: Schnitter Tod - A. Jensen: Letzter Wunsch, op. 14/1 (Hertz) - J.S. Bach: Bist du bei mir (Dichter unbekannt) - J. Brahms: In stiller Nacht - J. Brahms: Schwesterlein - L.v. Beethoven: Nur wer die Sehnsucht kennt (Goethe) - R. Franz: Ein Stündlein wohl vor Tag, op. 28/2 (Mörike) - P. Cornelius: Zum Ossa sprach der Pelion, op. 5/5 (Droste-Hülshoff) - H. Wolf: Das verlassene Mägdlein (Mörike) - J. Haydn: Das Leben ist ein Traum (Gleim) - . - Heitere Lieder: - G. Rhaw: Herzlich tut mich erfreuen - J. Krieger: Wer die Musik in Ehren hält (Weise) - V. Rathgeber: Von der edlen Musik - F. Schubert: Erntelied (Hölty) - Franz. Volkslied: Geh ich zum grünen Hain (deutsch: H.Möller) - R. Schumann: Vom Schlaraffenland, op. 79/5 (Fallersleben) - J. Brahms: Wie komm ich denn zur Tür herein - H. Wolf: Der Schäfer (Goethe) - H.K. Schmid: Wiegenlied für meinen Jungen, op. 31/3 (Dehmel)

Partition pour voix élevées ou moyennes et piano Collection : Bonnardot Jacqueline Nombre de pages : 90 Contenu : Bizet G.: Guitare (V. Hugo) - Chabrier E.: L'Ile heureuse (E. Mikhaël) - Chausson E.: Les Papillons (Th. Gautier) - Nanny (Leconte de Lisle) - Debussy Cl.: Green (P. Verlaine) - Mandoline (P. Verlaine) - Duparc H.: Soupir (Sully Prud'homme) - Chanson triste (J. Lahor) - Gounod Ch.: Viens ! les gazons sont verts (J. Barbier)- Venise (A. de Musset) - Mignon (L. Galet, d'après Goethe) - Koechlin Ch.: Dame du ciel (E. Haraucourt) - Liszt F.: Enfant, si j'étais roi (V. Hugo) - Poulenc F.: Air champêtre (d'après.J. Moréas) - Roussel A.: Le jardin mouillé (H. de Regner)- Saint Saëns C.: L'Attente (V. Hugo) -Séverac D. de: Les Hiboux (Ch. Baudelaire)

Par BONNARDOT JACQUELINE. / classique / Répertoire / Voix Elevées ou Moyennes et Piano