Les éléments essentiels de l'interprétation de différents styles musicaux (baroque, classique, dodecaphonique, blues, swing, musiques du monde). Grace aux parties d'accompagnement de piano rassemblées dans un recueil séparé, il est également possible d'interpréter ces pièces en public. / Hautbois / niveau : Elémentaire / Partition

Music Minus One Oboe-These oboe sonatas by Pepusch and Telemann are great Baroque pieces for any oboist and are perfect training ground for the instrumentalist looking to learn ensemble playing. Classic trio sonatas of their age they utilized a background of flute and basso continuo - a semi-improvised accompaniment commonly carried out by both a harpsichord and a viola da gamba the two instruments serving as a full bass line supporting the other instruments. The oboist is here afforded a wonderful opportunity to play this beautiful music in association with the wonderful Rameau Trio. Not too difficult these pieces are perfect for the intermediate oboist or for the beginner looking toward amoderate challenge. Listen to and study master oboist Virginia Brewer performing with the Trio then you take your place with this group for one of the most marvelous experiences in chamber music - the Baroque trio sonata. Includes a printed guide to period ornamentation complete with musical examples. Performed by Virginia Brewer oboe Accompaniment: The Rameau Trio: Jean Antrim flute Jocelyn Chaparro harpsichord Fortunato Arico viola da gamba

Albinoni like many other Italian Baroque composers had a particular fondness for the Oboe. He composed this work in 1715 with the original instrumentation of Oboe 2 Violins Viola Cello and Continuo. This Boosey & Hawkes edition has a Piano reduction of the original instrumentation.

The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.

This text covers every possible style appropriate to an intermediate book for woodwinds. It includes music from the Baroque Classical Romantic and Twentieth Century eras while representing more than a dozen countries. Original compositions are included to strengthen young artist skills in developing both facility and tone. The musical collection provides a diverse selection of quality repertoire each presenting composer information nationality and music terminology. Includes: challenging and rewarding music in a range that explores both the high and low register · musical exercises to teach phrasing · long tone exercises · articulation patterns · variety of tempos dynamics time and key signatures · fun quality music that motivates practicing and performance.

The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.

Play Handel contient 12 des plus célèbres oeuvres de Georg Friedrich Haendel L?accompagnement musical sur compact disc a été confié à l?orgue et au violoncelle. Goûtez la sérénité et la fougue de la musique de Georg Friedrich Haendel et expérimentez la sensation unique que procure l?interprétation d?oeuvres aussi brillantes. Play Handel est indispensable pour tout amateur de musique baroque.

This volume accompanies volume 3 of the Look Listen & Learn method. Stylish Adventure presents melodies in a variety of styles including swing klezmer baroque and even an exercise in serialism (12-tone composition). A separate piano accompaniment book is available for concert performances.

 CAPRICCELLO est une pièce concertante pour bande de hautbois et violoncelle soliste, Elle est constituée de quatre mouvements : GRAVE, VIVACE, ADAGIO et VIVACE,Les deux premières parties constituent une ouverture à la Française - après une introduction puissante à l'écriture verticale, le violoncelle entame une fugue au tempo vif, Le mode dorien, le ton de ré mineur et la gamme par ton s'y bousculent puis s'y entremêlent,Ce début est fortement marqué par une influence du répertoire renaissance et surtout baroque, Le troisième mouvement, adagio, est plus introspectif, L'utilisation du violoncelle dans son registre aigu apporte une tension palpable et nous amène davantage vers des couleurs romantiques teintées de mélancolie, Enfin, le vivace final reprend -pour l'essentiel- les éléments précédemment entendus et clôt la pièce avec brio,Commandée par Jacques Bernaert pour le 2ème festival ' week-end à la campagne ', cette oeuvre a été jouée pour la première fois le 25 juin 2010 en l'église de Saint-Arnoult de l'Oise grâce à l'heureuse rencontre du violoncelliste Jacques Bernaert et de La Bande des Hautbois dirigée par Claude Villevieille,Collection Les bandes de hautbois / Hautbois