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Georges
TRUMPET
Orchestra
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Georges Bizet: Habanera - Das Promenadenkonzert: Orchestra: Score
Orchestra
[Score]
Peer Musik Verlag
Das Promenadenkonzert-Die Reihe 'Das Promenadenkonzert' von Peermusic besteht au...
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Das Promenadenkonzert-Die Reihe 'Das Promenadenkonzert' von Peermusic besteht aus den schönsten klassischen Meisterwerken reizvoll arrangiert für kleines Orchester in der Besetzung: 1./2. Klarinette in Bb Alt-Saxophon in Eb Klavier Percussion 1./2. Violine Cello Bass Hier Georges Bizets Habanera (aus 'Carmen') - arrangiert für kleines Orchester. Partitur.
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Symphony No (BIZET GEORGES)
Orchestra
[Sheet music]
Universal Edition
Par BIZET GEORGES. / Date parution : 2023-03-21/ Répertoire / Orchestre
99.85 EUR - Sold by LMI-partitions
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Witkowsky Symphonie N 1 Poche (WITKOWSKI GEORGES-MARTIN)
Orchestra
[Sheet music]
Durand
Par WITKOWSKI GEORGES-MARTIN. / Répertoire / Orchestre
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Symphonie Concertante En Sol Majeur Op. 8/2 Violons Et Orch.A Cordes/Partition (SAINT-GEORGES)
Orchestra
[Sheet music]
Leduc, Alphonse
Par SAINT-GEORGES. / Répertoire / Orchestre
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2ème Rhapsodie Roumaine Op. 11 En Ré Majeur (ENESCO GEORGES)
Orchestra
Enoch et Cie
Par ENESCO GEORGES. / Répertoire / Orchestre
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Carmen Suite #1
Orchestra
[Sheet music + CD]
Eulenburg
Carmen est l'un des opéras les plus populaires et les plus joués au monde. Son...
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Carmen est l'un des opéras les plus populaires et les plus joués au monde. Son compositeur Georges Bizet ne survécut que peu de temps à la première, mal accueillie du public. L'opéra s'imposa néanmoins rapidement auprès des grand théâtres, engendrant d'in / Orchestre / 84 pages / Partition + Cd
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Première Rhapsodie Roumaine Op. 11 En La Majeur (ENESCO GEORGES)
Orchestra
Enoch et Cie
Par ENESCO GEORGES. / Répertoire / Orchestre
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Première Symphonie En Mib Majeur Op. 13 (ENESCO GEORGES)
Orchestra
Enoch et Cie
Par ENESCO GEORGES. / Répertoire / Orchestre
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Gaetano Donizetti: La fille du régiment: Orchestra: Score
Orchestra
[Score]
Ricordi
Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fil...
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Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fille du régiment, always one of Donizetti?s most popular stage works, was first performed at the Théâtre de l?Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success ? at the Opéra-Comique alone, more than one thousand performances were given between 1840 and 1917 ?, and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources ? only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France ?, the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio?s romance «Pour me rapprocher de Marie» from Act Two, included in the original libretto and actually sung at the première, but expunged from the Schonenberger edition of the score. Donizetti himself cut the romance soon after the première, possibly because of the tenor?s poor performance - as a result, the omission became customary. The appendices to this critical edition present, additionally, two unpublished variants, handed down in form of complete and autograph score: these pieces, crossed out or modified through the compositional process, add fresh new possibilities to current performance practices. The first one is a duet for Marie and Tonio that Donizetti had originally devised for Act Two, but later deleted from the score. The second one is a preliminary draft of the Act Two Finale, later expunged and replaced, in both music and literary text, by the final version.
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Ed Hughes: Le Voyage Dans La Lune: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 min...
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'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera
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Joseph Haydn: Symphony in E-flat major Hob. I:76: Orchestra: Score
Orchestra
[Score]
Barenreiter
Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 an...
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Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the ?English symphonies? as they arestylistically closely linked to the ?London Bach?, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ?Leicht und nicht vil Concertirend?, meaningthat they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn?s large-scalechoral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the ?Works of Joseph Haydn?. The Bärenreiter catalogue now includes the complete performance material for several ?Sturm und Drang?symphonies as well as all the London and Paris symphonies.
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Ed Hughes: Le Voyage Dans La Lune: Orchestra: Study Score
Orchestra
[Sheet music]
University Of York Music Press
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 min...
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'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera
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Suite D'Orchestre (Première Suite) Op. 9
Orchestra
Enoch et Cie
Première Suite Op.9. Par ENESCO GEORGES. / Répertoire / Orchestre
37.00 EUR - Sold by LMI-partitions
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Georges Bizet: Jeux d'Enfants Suite Op. 22: Orchestra: Miniature Score
Orchestra
Eulenburg
Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musikth...
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Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.
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Georges Bizet: Symphony In C: Orchestra: Miniature Score
Orchestra
Eulenburg
Eulenberg's celebrated and highly authoritative miniature score is the definitiv...
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Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.
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Georges Bizet: L'Arlesienne Suites Nos. 1 And 2: Orchestra: Score
Orchestra
Dover Publications
L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental ...
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L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental music. For Suite No. 1 Bizet chose four sections from the original score of 27 episodes extensively modifying and rescoring the music in the process. The pieces for Suite No. 2 were selected and reorchestrated by Bizet's close friend Ernest Guiraud following the composer's death in 1875. Reproduced here from the authoritative Breitkopf & Härtel editions they will delight musicians and music lovers. Reprinted from the Breitkopf & Härtel Wiesbaden Germany n.d. editions.
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Georges Bizet: L'Arlésienne Suite No. 1: Orchestra: Miniature Score
Orchestra
Eulenburg
The première of Daudet's play L'Arlésienne with incidental music by Bizet a...
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The première of Daudet's play L'Arlésienne with incidental music by Bizet at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus before his death in June 1875 Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.
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Georges Bizet: L'Arlèsienne - Suites Nos.1 and 2: Orchestra: Miniature Score
Orchestra
Eulenburg
The more you read the more you hear!The Eulenburg Audio+Score Series contains t...
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The more you read the more you hear!The Eulenburg Audio+Score Series contains the orchestral world's treasures from the baroque classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score an informative preface detailing the biographical and creative background and a Naxos CD containing the work in full length.Eulenburg Audio+Score is the new way to hear read and understand music.
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Georges Bizet: Carmen Suite I: Orchestra: Miniature Score
Orchestra
Eulenburg
Carmen Suite I
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Georges Enesco: Rumanian Rhapsody No.1: Orchestra: Study Score
Orchestra
Peermusic Classical
Rumanian Rhapsody No.1
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Georges Bizet: Carmen Suite No. 2: Orchestra: Miniature Score
Orchestra
Eulenburg
Based on the critical edition-'Carmen' is one of the most popular and most frequ...
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Based on the critical edition-'Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop which the composer Bizet did not live to see. Nevertheless the opera very quickly gained acceptance at all major theatres bringing in its wake countless arrangements of some particularly beautiful music numbers.It was in all probability Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. After the first Carmen Suite which unites the most beautiful instrumental settings the second suite with arrangements of the best-known vocal pieces is now available as well. Themusical text is based on our new scientific edition of the opera edited by Robert Didion.
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Georges Bizet: March: Orchestra
Orchestra
Boosey and Hawkes
from Carmen-Hawkes School Series 10 (score & parts). Bizet G
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Georges Bizet: L'Arlésienne - Partition d'Orchestre: Orchestra: Score
Orchestra
[Sheet music]
Edition Choudens
Version originale de 1872 pour ensemble instrumental et ch?ur Édition critique ...
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Version originale de 1872 pour ensemble instrumental et ch?ur Édition critique de Hervé Lacombe.
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Georges Bizet: March from Carmen: Orchestra: Score
Orchestra
Boosey and Hawkes
Full Score
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Georges Bizet: Carmen Suites Nos. 1 And 2 In Full Score.: Orchestra: Score
Orchestra
Dover Publications
Incredible as it seems today Bizet's opera Carmen was coolly received at its 18...
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Incredible as it seems today Bizet's opera Carmen was coolly received at its 1875 premiere at the Paris Opera-Comique; critics condemned its subject matter as lurid and its music as overly Wagnerian. Now hailed as the composer's supreme achievement this colourful passionate work continues to delight listeners around the world with its emotional atmospheric music and the originality of its conception.
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Georges Bizet: Habanera: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Alfred Publishing
Habanera
58.50 GBP - Sold by Musicroom UK
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Georges Bizet: Carmen: Orchestra: Score
Orchestra
Dover Publications
Superbly produced full score edition of one of the most commonly produced works ...
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Superbly produced full score edition of one of the most commonly produced works on the operatic stage today. Peters edition.
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Georges Bizet: Carmen Fantaisie (Fantasy): Orchestra: Score
Orchestra
Southern Music Ltd
Carmen Fantaisie (Fantasy)
69.99 GBP - Sold by Musicroom UK
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Georges Bizet: Arlesienne Suite 2: Orchestra: Miniature Score
Orchestra
Eulenburg
The première of Daudet's play L'Arlésienne with incidental music by Bizet g...
(+)
The première of Daudet's play L'Arlésienne with incidental music by Bizet given at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet however did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.
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