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Johann Sebastian Bach: Brandenburg Concerto No.1 In F major BWV 1046: Orchestra:
Orchestra
Barenreiter
Violino piccolo pitch notation - notated the way it sounds-Violin solo part soun...
(+)
Violino piccolo pitch notation - notated the way it sounds-Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
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Johann Sebastian Bach: Brandenburg Concerto No.1 In F BWV 1046: Orchestra:
Orchestra
[Sheet music]
Barenreiter
Includes original version of the Sinfonia BWV 1046a. Authoritative Urtext editi...
(+)
Includes original version of the Sinfonia BWV 1046a. Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now giveperformers the possibility to play these earlier versions perhaps even alongside the version known today. In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach?s favourite among the six there is no Violino Piccolo part to be found and the Violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the Horns are missing in the later score the Oboe slurs and trills in m.12 are also not to be found. The later version has the Cello separated from the Continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
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Franz von Suppé: Poet and Peasant and Other Great Overtures: Orchestra: Score
Orchestra
Dover Publications
in Full Score-A prolific writer of theatrical music whose works ranged from inci...
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in Full Score-A prolific writer of theatrical music whose works ranged from incidental music for operettas to full operas Franz Von Suppe is perhaps best known as the compser of the overture from which this new collection takes its name. Reprinted from authoritative editions.
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Tänze Aus Galánta (KODALY ZOLTAN)
Orchestra
[Score]
Universal Edition
Par KODALY ZOLTAN. Galánta is a small Hungarian market-town known to the travel...
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Par KODALY ZOLTAN. Galánta is a small Hungarian market-town known to the travellers from Vienna to Budapest. The composer has passed there seven years of his childhood. There existed at that time a famous Gipsy-band which has disappeared in the meantime. Their music was the first 'orchestral sonority' which came to the ear of the child. The forbears of these gipsies were known already more than hundred years ago. About 1800 some books of Hungarian dances were published in Vienna, one of which contained music 'after several gipsies from Galantha'. They have preserved the old Hungarian tradition. In order to continue it the composer has taken his principal subjects from these ancient editions. (Zoltán Kodály, 1934) “Dances from Galánta” is now available in the New Conductor Score series. These completely redesigned scores stand out due to their carefully researched critical report and a highly legible, clean notation, all in the trusted Universal Edition quality./ Répertoire / Orchestre
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Johann Sebastian Bach: Brandenburg Concerto No.1 In F major BWV 1046: Cello:
Orchestra
Barenreiter
Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition...
(+)
Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Editionnow give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
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Minima_Rhythm
Orchestra
[Sheet music]
Schott
Joe Hisaishi est bien connu pour les musiques qu'il a écrites pour les films d'...
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Joe Hisaishi est bien connu pour les musiques qu'il a écrites pour les films d'animation de Hayao Miyazaki Nausicaä de la vallée du vent (1984), Le Voyage de Chihiro (2001) et Le Château ambulant (2004), de même que pour les films de Takeshi Kitano Kids R / Orchestre / 304 pages / Partition
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Claude Debussy: La Mer: Orchestra: Parts
Orchestra
[Score]
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
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Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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Claude Debussy: La Mer - Three Symphonic Sketches: Orchestra: Score
Orchestra
[Score and Parts]
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
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Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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Claude Debussy: La Mer: Orchestra: Part
Orchestra
[Part]
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
(+)
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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Claude Debussy: La Mer: Orchestra: Part
Orchestra
[Part]
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
(+)
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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Claude Debussy: La Mer: Orchestra: Part
Orchestra
[Part]
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
(+)
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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Claude Debussy: La Mer: Orchestra: Part
Orchestra
[Part]
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
(+)
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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Franz Joseph Haydn: Seven Last Words Of Our Saviour On The Cross: Orchestra:
Orchestra
Barenreiter
Orchestral version of 1785-The Seven Last Words Of Our Saviour On The Cross Hob....
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Orchestral version of 1785-The Seven Last Words Of Our Saviour On The Cross Hob. XX:1A - Orchestral version of 1785. Urtext from Joseph Haydn Werke G. Henle Verlag Munich. Study score format 22.5 x 16.5 cm. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores atextremely affordable prices! The Vocal version is published as BA4655. Vocal score (BA4655-90) available for sale; full score
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Ludwig van Beethoven: The Nine Symphonies: Orchestra: Study Score
Orchestra
Barenreiter
The Barenreiter study scores are a prime example of how Barenreiter takes ...
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The Barenreiter study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!
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Wolfgang Amadeus Mozart: The Complete Symphonies in Four Volumes: Orchestra:
Orchestra
Barenreiter
The Barenreiter study scores are a prime example of how Barenreiter takes a musi...
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The Barenreiter study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format.The Barenreiter Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout.In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!
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Nico Muhly: In As Long As It Takes: Ensemble: Score
Orchestra
[Sheet music]
St Rose Music Publishing
Nico Muhly's In As Long As It Takes for Ensemble.Commissioned by Crash Ensemble ...
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Nico Muhly's In As Long As It Takes for Ensemble.Commissioned by Crash Ensemble with funds provided by The Arts Council / An Chomhairle Ealaion. The first performance took place on 17 August 2017 at the Kilkenny Arts Festival Kilkenny Ireland.Duration: 1.5 minutes
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Walt Disney's Snow White And The Seven Dwarfs
Orchestra
Hal Leonard
This one-of-a-kind, hand numbered, limited edition takes you inside the inspired...
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This one-of-a-kind, hand numbered, limited edition takes you inside the inspired minds of the creators of Walt Disney's Snow White and the Seven Dwarfs - the animators, story writers, composers, cameramen, and Walt himself. This is the first time material of this kind has ever been accessible outside the Disney studios!- See the integration of story, art, and music.- Study the synchronization of music and animation 'behind the scenes? from bar sheets detailing tempos, scene length, camera movement, action, and sound.- Explore every sequence from the film, from the first scene to the last!Walt Disney's Snow White and the Seven Dwarfs master score includes a fascinating Prologue written by the Disney Music Legacy Library which details the creation of this groundbreaking animated feature, full color images from the film, black and white animation sketches, and an Epilogue that tells the story of how this illustrated facsimile was conceived.Enjoy Walt Disney's Snow White and the Seven Dwarfs as never before! A must-have for collectors, enthusiasts, scholars, educators, and historians. / Orchestre
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The Emperor Of Atlantis Or Death's Refusal Op. 49B
Orchestra
[Study Score / Miniature]
Eulenburg
Viktor Ullmann's Der Kaiser von Atlantis based on a libretto by Peter Kien, ambi...
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Viktor Ullmann's Der Kaiser von Atlantis based on a libretto by Peter Kien, ambiguously termed in the prologue as 'a kind of opera', was composed in the ghetto Terezín in 1943/44 and is considered one of the 'milestones of intellectual resistance' in Terezín and far beyond. The libretto takes a firm stand on the political situation in life by using the means of a mystery play. In the tradition of the Zeitoper (opera of the time) of the 1920s, Ullmann used direct quotations to assign his music the role of political commentator. / Conducteur De Poche
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Nicolas Bacri: Concerto Amoroso 'Le printemps' (2005) opus 80/2
Français
Orchestra
[Sheet music]
Chant du Monde
Solo for Oboe or Violin-'The title only appears frivolous to those who have live...
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Solo for Oboe or Violin-'The title only appears frivolous to those who have lived little. With the passage of time the seasons that pass the differences in quantity and quality of light of temperature and weather become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes incredulous and wondrous events that we can only experience once in a lifetime: our birth our blossoming our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto this time with Lisa Batiashvili that the idea came to me for a cycle of four concertos with each time a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico l’automne’ whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind hence the ‘Concerto amoroso le printemps’ was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years it was quite naturally that I thought of completing this cycle for François Leleux with winter ‘Concerto tenebroso’ created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude with a work that reunited all four protagonsits. It was summer the ‘Concerto luminoso’ which took on this role’.
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Zoltán Kodály: Dances Of Galanta: Orchestra: Instrumental Work
Orchestra
Universal Edition
Galánta is a small Hungarian market-town known by the travellers from Vienna to...
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Galánta is a small Hungarian market-town known by the travellers from Vienna to Budapest. The composer has passed through there many times during his childhood at the time there existed a famous Gipsy-band which has disappeared since their music was the first 'orchestral sonority' which came to the ear of the composer. The forbearers of these gipsies were known already more than a hundred years ago about 1800 some books of Hungarian dances were published in Vienna one of which contained music 'after several gipsies from Galantha'. The composer has taken his principal subjects from these ancient editions. (ZoltánKodály 1934)
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Rued Langgaard: Danmarks Radio: Orchestra: Score
Orchestra
[Partitions]
-
Intermediate/advanced
Rued Langgaard Edition
Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard i...
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Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard in 1948. Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Parts are available on hire: hire@ewh.dk This extremely short orchestral piece was composed 7 May1948 in Ribe. Exactly between 5:45 and 6:45 in the morning(“normal time”). Rued Langgaard indicates the time of dayin both the sketch for the composition and the fair copy of thescore. Fair-copying of the score took place on 10 May 4:30 to6:00 in the morning (“summertime”) after it should be noted Langgaard had taken his obligatory morning constitutional inRibe (he suffered from insomnia and arose in the early morninghours). After the work’s final measure Langgaard wrote:“Short razor-sharp line of thought in music excluding allextraneous ‘developmental’ fussiness and with lightning fastmovement in all the parts”. The same day 10 May he sent thescore as program suggestion to the State Broadcasting Servicein Copenhagen under the title Denmark’s Radio Fandfare forGrand Orchestra – “fandfare” as a sarcastically meant spellingmistake with an allusion to “the Devil” (fanden = the Devil inDanish). Langgaard had as is known an ambivalent relationshipwith the State Broadcasting Service. The work was not acceptedand the score was therefore returned to Langgaard whonevertheless submitted it again. The State Broadcasting Serviceclearly regarded the piece as a joke from the composer’s side.When Langgaard died in 1952 the unperformed score was tobe found in broadcasting corporation’s music
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Minute Plus Waltz Rag Full Score: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Minute Plus Waltz Rag for Orchestra.In honour of their 75th...
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Score-Morton Gould's Minute Plus Waltz Rag for Orchestra.In honour of their 75th anniversary the Baltimore Symphony Orchestra commissioned a number of composers who had written major works for themin the past to write short musical 'postcards'.'My postcard is called Minute Plus Waltz Rag; it's a slight take-off on The Minute Waltz but with the 'plus' that it's longer than a minute and combines awaltz with a rag pattern in 5/8 time. I wasn't conciously thinking of 1916 when I wrote it but it does actually reflect a flavour of the music of that period' - Morton GouldThe first performance ofthis work took place on October 25 1990 by The Baltimore Symphony with David Zinman as Conductor.
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Morton Gould: Minute Plus Waltz Rag: Orchestra: Score and Parts
Orchestra
Schirmer
Score and Parts-In honour of their 75th anniversary the Baltimore Symphony Orch...
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Score and Parts-In honour of their 75th anniversary the Baltimore Symphony Orchestra commissioned a number of composers who had written major works for them in the past to write short musical 'postcards'. Morton Gould said of his:'Mypostcard is called Minute Plus Waltz Rag; it's a slight take-off on 'The Minute Waltz' but with the 'plus' that it's longer than a minute and combines a waltz with a rag pattern in 5/8 time. I wasn't consciously thinking of 1916when I wrote it but it does actually reflect a flavour of that time.' This is the Schirmer edition of the Score and Parts.
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G Major BWV 1049: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G Major BWV 1049. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Brandenburg Concerto No.3 In G Major BWV 1048: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G Major BWV 1048. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Brandenburg Concerto No.3 In G Major BWV 1048: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G Major BWV 1048. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G Major BWV 1049: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G Major BWV 1049. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G Major BWV 1049: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G Major BWV 1049. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G Major BWV 1049: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G Major BWV 1049. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Brandenburg Concerto No.3 In G Major BWV 1048: Orchestra:
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Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G Major BWV 1048. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
5.50 GBP - Sold by Musicroom UK
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