Tonalité : A-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin/ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Tonalité : A-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin / Hymnes et chorals / Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Tonalité : A-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin / Hymnes et chorals / Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Tonalité : A-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin/ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Tonalité : A-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin / Hymnes et chorals / Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Motetto Pastorale. Par HASSE JOHANN ADOLF. This short, melodious piece with its charming instrumentation displays a “typically Christmas” colouring through the use of a pedal point and a Sicilian rhythmic figure./ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Motetto Pastorale. Par HASSE JOHANN ADOLF. This short, melodious piece with its charming instrumentation displays a “typically Christmas” colouring through the use of a pedal point and a Sicilian rhythmic figure./ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Motetto Pastorale. Par HASSE JOHANN ADOLF. This short, melodious piece with its charming instrumentation displays a “typically Christmas” colouring through the use of a pedal point and a Sicilian rhythmic figure./ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Motetto Pastorale. Par HASSE JOHANN ADOLF. This short, melodious piece with its charming instrumentation displays a “typically Christmas” colouring through the use of a pedal point and a Sicilian rhythmic figure./ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2004-10-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2004-10-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2005-04-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2005-07-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières