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TRUMPET
Violin
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Nursery rhyme (27)
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Soprano voice, Orchestra (23)
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Flute, Violin, Keyboard (basso… (23)
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Orchestre Et Orgue (19)
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Parties Orchestrales (19)
Flûte Traversière Violon et … (19)
2 Violons, Alto et Basse Conti… (19)
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Flûte Traversière Violoncell… (12)
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Voice and Orchestra (12)
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Cordes Et Basse Continue (10)
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Concert band, Choral (9)
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2 Trompettes, Cordes Et Basse … (8)
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Pennywhistle (8)
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Dulcimer (6)
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Flûte Traversière ou Violon … (5)
Choeur SS (SA), 2 Violons et B… (5)
Music Theory Et Resources (5)
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Cor, Trombone et Cordes (5)
Flûte, Alto Et Harpe (5)
2 Hautbois Et Cordes, 2 Cors a… (5)
Cello and Harpsichord (5)
Cornet (5)
2 Violons Solo, Orchestre A Co… (5)
B Flat, E Flat and C Instrumen… (5)
Flute, Oboe, and Cello (5)
CD only (5)
Batterie et Percussions (5)
Violon et Clavier (5)
Solistes SATB, Choeur SATB, 2 … (5)
3 Violons, Alto, Violoncelle e… (5)
Musette (Hurdy Gurdy, Flûte T… (5)
3 Saxophones (trio) (5)
Saxophone Alto, Ensemble de Ve… (5)
Alto (Partie séparée) (5)
VLN/VLC/CONT::Violin, Cello, C… (5)
Bagpipe (5)
DVD Opera and Ballets (5)
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Flûte à Bec F1 et Basse Cont… (5)
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Grazyna Bacewicz: Sonata (1941): Violin: Instrumental Work
Violin
PWM (Polskie Wydawnictwo Muzyczne)
In her four-movement Sonata Bacewicz obviously refers to the Baroque music the...
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In her four-movement Sonata Bacewicz obviously refers to the Baroque music the virtuoso trend of the music for strings of that epoch as proven by the kind of narrative as well as Bach-like ostinatos and figurations textural devices such as lyrical double stops or bourdons with open strings a based-on-fifths-plan of repetitions in the second movement and the like. (...) All this makes the Sonata an original commentary on a composition on which it feeds and to which it owes a great deal (i.e. a cycle of the Partitas and Sonatas for solo violin by J. S. Bach) depriving the music of Arcadian illusions while preserving its musicianly dash instead an indisputable violin quality of sound and energy which is exclusively the energy of the material without any extramusical references. [M. G siorowska op. cit.]In her four-movement Sonata Bacewicz obviously refers to the Baroque music the virtuoso trend of the music for strings of that epoch as proven by the kind of narrative as well as Bach-like ostinatos and figurations textural devices such as lyrical double stops or bourdons with open strings a based-on-fifths-plan of repetitions in the second movement and the like. (...) All this makes the Sonata an original commentary on a composition on which it feeds and to which it owes a great deal (i.e. a cycle of the Partitas and Sonatas for solo violin by J. S. Bach) depriving the music of Arcadian illusions while preserving its musicianly dash instead an indisputable violin quality of sound and energy which is exclusively the energy of the material without any extramusical references. [M. G siorowska op. cit.]
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3 Sonatas And 3 Partitas For Solo Violin - Bwv 1001-1006 (LAWRENCE GOLAN)
Violin
-
Intermediate/advanced
Mel Bay
Bwv 1001-1006. Par LAWRENCE GOLAN. Edition du Dr Lawrence Golan des chefs-d'oeuv...
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Bwv 1001-1006. Par LAWRENCE GOLAN. Edition du Dr Lawrence Golan des chefs-d'oeuvre de Bach pour violon solo combine l'authenticité et l'exactitude d'une édition savante de Urtext avec la valeur concrète et l'obligeance d'une édition d'exécution. Un fac-similé du manuscrit autographe de Bach a été utilisé dans la préparation de cette édition et les intentions du compositeur ont été conservées jusqu'au dernier détail. Mention particulière est le fait que toutes les tiges ont été retransmises ensemble tels qu'ils apparaissent dans le manuscrit autographe. C'est d'une grande importance lors de la prise de décisions d'interprétation concernant les rythmes en pointillé. Utile de doigté et de s'incliner suggestions sont fournis par l'éditeur, mais sont distinguent clairement de notation originale de Bach, ce qui permet à l'interprète la liberté d'accepter ou de rejeter toute suggestion donnée. Le volume se complète d'essai du Dr Golan ' exécution Bach : parsemé de rythmes et de trilles dans les sonates et Partitas pour violon Solo,' qui comprend également des discussions savantes de vibrato, doigtés, styles de l'archet et ritard... / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Violon
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Johann Sebastian Bach: Sonatas Und Partitas (BACH JOHANN SEBASTIAN)
Violin
[Sheet music]
Barenreiter
For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusi...
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For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusik, Prüfstein für jeden Geiger mit Anspruch - diese Superlative werden den „Sei Solo', besser bekannt als „Sonaten und Partiten für Violine solo' von Johann Sebastian Bach, beigegeben. Bach schafft vielerlei Beziehungen auf vielerlei Ebenen, teils klar erkennbar, teils subtil: ein Kosmos der Formenvielfalt und des Violinspiels, von der einstimmigen Linie bis zum kontrapunktischen Satz. Dem nachzuspüren, Zusammenhänge zu erkennen vor dem Hintergrund der biographischen, musikhistorischen und kompositorischen Voraussetzungen, ist Zweck dieses Buches. Zugleich liefert Bernhard Moosbauer Hilfestellungen für eine fundierte, aus dem kompositorischen Verständnis der Soli gespeiste Interpretation für Violinisten gleich welcher Couleur. - Einführung in die Musikgeschichte und Struktur der berühmten Solowerke - Beschreibung und Einordnung aller Sätze in die Gesamtanlage - Für professionelle und nichtprofessionelle Geiger sowie für alle Musikinteressierten Bernhard Moosbauer studierte Schulmusik, Komposition, Musikwissenschaft und Barockvioline in Stuttgart, Tübingen und Straßburg. Er widmet sich hauptsächlich der Kammermusik des Barock und spielt außerdem in diversen Ensembles und Orchestern mit Originalinstrumenten im süddeutschen Raum. Seine Forschungsschwerpunkte sind die Instrumentalmusik des 17. und 18. Jahrhunderts und die Sinfonik der Wiener Klassiker. Er ist mit Editionen von Werken Corellis, Vivaldis, Bibers und Händels sowie mit Fachartikeln und Buchpublikationen hervorgetreten. Bei Bärenreiter erschien seine Monographie zu Vivaldis „Vier Jahreszeiten' (BVK 1583)./ Répertoire / Violon
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3 Sonates Pour Le Violon Seul. C. 1807
Violin
Anne Fuzeau Productions
Présentation de Pavel Serbin : Introduction - Catalogue des oeuvres d'Handochki...
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Présentation de Pavel Serbin : Introduction - Catalogue des oeuvres d'Handochkine - Biographie d'Handochkine.Trois sonates pour le violon seul. oeuvre 3 - Saint-Petersbourg, Dittmar, s.d. (=c.1807, édition posthume).Cette oeuvre intéressante et peu connue, révèle le degré technique atteint par les violonistes russes à la charnière des XIXe et XXe siècles, et reflète les diverses influences qu'ils ont subies. / Violon / 27 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Cape Breton Island Fiddle (MC MASTER NATALIE)
Violin
-
Intermediate
Mel Bay
41 Fiddle Solos. Par MC MASTER NATALIE. Ce livre contient des transcriptions de ...
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41 Fiddle Solos. Par MC MASTER NATALIE. Ce livre contient des transcriptions de sélections de trois albums de Natalie MacMaster: A Compilation, Fit un violon, et sans limites. Ces mélodies ont été sélectionnées parce que le violon a été entendu facilement sur l'accompagnement et les paramètres de la mélodie ont été raisonnablement transférables à la notation musicale standard. Ces transcriptions méticuleuses comprennent les ornementations reflétant comme clairement que possible la façon que Natalie effectue actuellement les mélodies, qui peuvent avoir évolué depuis les CD ont été enregistrées. La source de l'album et la coupe particulière sont indiqués au début de chaque morceau. Contactez Rounder Records au 1-800-768-6337 pour les enregistrements. / Niveau : Intermédiaire / Fiddle Tunes - Solos / Recueil / Violon
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BACH J.S. - DREI SONATEN UND DREI PARTITEN FUR VIOLINE SOLO BWV 1001-1006 - VIOLON
Violin
Barenreiter
Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1...
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Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument the violin.
The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.
The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
Sonata 1 g-Moll, BWV 1001
Partita 1 h-Moll, BWV 1002
Sonata 2 a-Moll, BWV 1003
Partita 2 d-Moll, BWV 1004
Sonata 3 C-Dur, BWV 1005
Partita 3 E-dur, BWV 1006 / Partitions classique / Cordes / Violon / BARENREITER
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Carl Philipp Emanuel Bach: Sonatas Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp...
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Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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Carl Nielsen: Sonata No. 2 Op. 35: Violin
Violin
[Sheet music]
Wilhelm Hansen
Carl Nielsen (1865-1931) was a Danish musician often seen as his countryâ€â„...
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Carl Nielsen (1865-1931) was a Danish musician often seen as his country’s greatest composer who now occupies a distinguished platform in the national and cultural heritage of his native Denmark. The Carl Nielsen Edition is an independent project which aims to publish all of his finished works in the version last approved by the composer. His Sonata No.2 for Violin and Piano (Op. 35) was composed in 1912 for a concert the following year by two of the composer's friends. It is scored in three movements: Allegro con Tiepidezza - Molto Adagio - Allegro Piacevole. Despite a poor critical reception after its first performance itwas for a while one of the composer's most popular works with the general public.
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Johann Sebastian Bach: Drei Sonaten und drei Partiten: Violin: Instrumental
Violin
Barenreiter
Für Violine Solo BWV 1001-1006. Without any doubt J.S. Bach?s cycle of the th...
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Für Violine Solo BWV 1001-1006. Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument ? the violin. The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition ? Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries. The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
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Sonatas Op. 5 With Keyboard. Nos 7 10 and 12: Violin: Instrumental Album
Violin
Stainer and Bell
While the value of authenticity in the performance of Baroque music is now widel...
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While the value of authenticity in the performance of Baroque music is now widely appreciated many players still feel daunted by the task of realising the unadorned melodies and basses of Corelli’s Op.5 Violin Sonatas in their original form.Fortunately Gustav Jensen’s edition of these works provides an ideal solution to the problem. Carefully fingered and bowed with the continuo sensitively arranged for harpsichord or modern piano it presents the notated elements of a spirited and musically satisfying reading while still leaving room for performers to shape their own interpretation.This volume includes sonatas No.7 and No.10 both composed on the sonata dacamera pattern and the celebrated La folia variations with which Corelli concluded his collection. Fiery and virtuosic they have remained a favourite item in the violinist’s repertoire since their publication in Rome in 1700.The solo violin part is also included on a separate insert.
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Sonate Op. 16 (BERTAND ELISE) (BERTAND ELISE)
Violin
[Sheet music]
Billaudot
Par BERTAND ELISE. J'ai composé cette Sonate pour violon seul Op.16, entre octo...
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Par BERTAND ELISE. J'ai composé cette Sonate pour violon seul Op.16, entre octobre 2021 et mai 2022, pour trois violonistes que j'admire et qui ont une grande importance pour moi. Le premier mouvement, dédié à Jacques Ghestem, s'inspire d'une sensation de liberté et d'un souffle spontané que j'ai ressentis en jouant Rhapsodie Musings d'Elliott Carter, issu des Four Lauds pour violon seul. Jacques Ghestem, investi tout au long de sa vie dans la mise en valeur de la musique contemporaine, m'a notamment transmis depuis mes dix ans (à travers de longues discussions mais aussi à travers sa pédagogie) sa vision de la musique et son goût pour la musique de notre temps, tout en partageant avec moi son univers intérieur empli de souvenirs et de création musicale. Il était ainsi bien naturel de composer pour lui ce premier mouvement, dont les spécificités harmoniques et instrumentales ont été imaginées pour son dédicataire. Le deuxième mouvement est composé pour David Grimal, violoniste que j'ai toujours admiré depuis mon enfance. Son originalité, sa liberté, ses interprétations fougueuses sur scène ont continué de m'émouvoir et de m'inspirer lorsque j'ai participé comme violoniste au sein de son orchestre Les Dissonances. C'est lors de son interprétation de L'Aurore, issue de la cinquième Sonate pour violon seul d'Ysaye, qu'il a donnée à la Philharmonie de Paris en janvier 2022, que j'ai eu l'idée de composer pour lui ce mouvement lent, suspendu et rhapsodique. Le finale est dédié à la violoniste Sarah Nemtanu, que j'ai rencontrée pour la première fois en septembre 2021 à Radio France, où elle enregistrait mon Divertimento Op.15 avec trois de ses collègues de l'Orchestre National de France. Cette rencontre fulgurante d'une journée, musicale et humaine, a été une vraie lumière en ce jour de septembre, un échange d'une vision de la vie et de la musique, où j'allais vers elle à travers mon écriture, tandis qu'elle allait vers moi avec son interprétation. Symbole pour moi d'amitié et d'estime, ma Sonate pour violon seul a été inspirée tout au long de la composition par ces trois dédicataires bienveillants et éclairants, qui ont guidé mon chemin et ont su apporter une lumière dans ma vie d'artiste interprète et compositrice. Elise Bertrand / Date parution : 2023-06-01/ Répertoire / Violon
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BERTRAND ELISE - SONATE OPUS 16
Violin
Billaudot
J'ai composé cette Sonate pour violon seul Op.16, entre octobre 2021 et mai 202...
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J'ai composé cette Sonate pour violon seul Op.16, entre octobre 2021 et mai 2022, pour trois violonistes que j'admire et qui ont une grande importance pour moi. Le premier mouvement, dédié à Jacques Ghestem, s'inspire d'une sensation de liberté et d'un souffle spontané que j'ai ressenti en jouant Rhapsodie Musings d'Elliott Carter, issu des Four Lauds pour violon seul. Jacques Ghestem, investi tout au long de sa vie dans la mise en valeur de la musique contemporaine, m'a notamment transmis depuis mes dix ans (à travers de longues discussions, mais aussi à travers sa pédagogie) sa vision de la musique et son goût pour la musique de notre temps, tout en partageant avec moi son univers intérieur empli de souvenirs et de création musicale. Il était ainsi bien naturel de composer pour lui ce premier mouvement, dont les spécificités harmoniques et instrumentales ont été imaginées pour son dédicataire. Le deuxième mouvement est composé pour David Grimal, violoniste que j'ai toujours admiré depuis mon enfance. Son originalité, sa liberté, ses interprétations fougueuses sur scène ont continué de m'émouvoir et de m'inspirer lorsque j'ai participé comme violoniste au sein de son orchestre Les Dissonances. C'est lors de son interprétation de L'Aurore, issue de la cinquième Sonate pour violon seul d'Ysaye, qu'il a donnée à la Philharmonie de Paris en janvier 2022, que j'ai eu l'idée de composer pour lui ce mouvement lent, suspendu et rhapsodique. Le finale est dédié à la violoniste Sarah Nemtanu, que j'ai rencontrée pour la première fois en septembre 2021 à Radio France, où elle enregistrait mon Divertimento Op.15 avec trois de ses collègues de l'Orchestre National de France. Cette rencontre fulgurante d'une journée, musicale et humaine, a été une vraie lumière en ce jour de septembre, un échange d'une vision de la vie et de la musique, où j'allais vers elle à travers mon écriture, tandis qu'elle allait vers moi avec son interprétation. Symbole pour moi d'amitié et d'estime, ma Sonate pour violon seul a été inspirée tout au long de la composition par ces trois dédicataires bienveillants et éclairants, qui ont guidé mon chemin et ont su apporter une lumière dans ma vie d'artiste interprète et compositrice. / Violon / Billaudot
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Nicholas Maw: Sonata: Violin
Violin
Faber Music Limited
'Sonata' for Solo violin was commissioned by Minnesota Public Radio Internationa...
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'Sonata' for Solo violin was commissioned by Minnesota Public Radio International as part of their continuing commitment to present contemporary music to radio audiences nationally and internationally. In this book for the solo violin the music consists of 'Scena' 'March-Burlesque' 'Tombeau' and 'Flight'.
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6 Sonaten Op. 2 Heft 1 Op. 2 (ZIMMERMANN ANTON)
Violin
Doblinger
Sonata 1-3 A-. B-. C-Dur, F Vl Obligates Cemb. Par ZIMMERMANN ANTON. Sonaten op....
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Sonata 1-3 A-. B-. C-Dur, F Vl Obligates Cemb. Par ZIMMERMANN ANTON. Sonaten op. 2: Sonate I A-Dur, Sonate II B-Dur, Sonate III C-Dur / Niveau : Facile à Assez Facile / Répertoire / Violon
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Arcangelo Corelli: Violinsonaten op. 5 Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Wiener Urtext-These sonatas are among the epoch-making works of the Violin reper...
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Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Arcangelo Corelli: Violinsonaten op. 5 Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
These sonatas are among the epoch-making works of the Violin repertoire and nowa...
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These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Carl Philipp Emanuel Bach: Sonatas Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works...
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Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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Tartini G. - Quattro Sonate Per Violino
Violin
Armelin Musica
Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo ...
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Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo del Diavolo (Bg5) per VL/BC - Sonata Didone Abbandonata (Bg10) per VL/BC - Sonata Senti lo Mare per (Be1) per VL/VC - Sonata La mia Filli (Ba3) per VL solo A cura di / Edited by Federico e Giovanni Guglielmo La pubblicazione è composta da: - Partitura - Parte di violino secondo le fonti originale - Parte di Violino con revisione violinistica - Parte del Basso La straordinaria riscoperta in tempi moderni della musica di Antonio Vivaldi è stata strettamente connessa sin dagli anni cinquanta dello scorso secolo alla meritoria prima edizione (più o meno completa) da parte dell?Istituto Italiano Antonio Vivaldi fondato da Antonio Fanna. In seguito, oltre ad avere pubblicato quasi la totalità delle composizioni del Prete Rosso l?Istituto veneziano ha corretto e attualizzato le sue più antiche edizioni alla luce delle nuove conquiste musicologiche e con una precisa attenzione a quelle che erano le istanze che provenivano dagli esecutori ?storicamente informati?. Giuseppe Tartini non ha goduto di altrettanta fortuna. Dopo alcune edizioni assai poco accurate (si potrebbe parlare piuttosto di reinterpretazioni, quali furono tra le altre quelle del leggendario violinista Fritz Kreisler e di Riccardo Zandonai), legate prevalentemente alla sopravvivenza ottocentesca di alcuni brani (in particolare il Trillo del Diavolo, la Didone Abbandonata e le variazioni L?Arte dell?Arco) nel corso del XX secolo poche edizioni davvero attendibili sono state date alle stampe, in primis quelle della collana a cura di Edoardo Farina e Claudio Scimone (Le opere di Giuseppe Tartini, Carisch) ma anche grazie all?azione isolata di violinisti (Giovanni Guglielmo) e musicologi (Enrica Bojan e Agnese Pavanello). Ancora oggi siamo ben lontani dalla possibilità di avere una moderna e completa edizione dell?opere del Maestro delle Nazioni anche se grazie all?instancabile lavoro di Sergio Durante e con l?istituzione del ?Comitato Tartini 2020? si intravedono nuovi slanci e grandi opportunità . La mancanza di edizioni attendibili per gli interpreti si è sovente riverberata sulle esecuzioni - fossero queste inserite in saggi scolastici, concorsi internazionali o recital dei più noti virtuosi - al punto che è stato quasi impossibile liberare le opere tartiniane da tutta una serie di istrionismi e di stilemi ottocenteschi che ormai si erano profondamente radicati alla percezione di queste opere. La presente edizione mira quindi non tanto a fornire una nuova edizione critica (talune, ottime, già esistono) di queste quattro Sonate che sono state scelte per la loro notorietà , rappresentatività e bellezza quanto piuttosto a garantire agli interpreti, siano essi giovani studenti o affermati professionisti, un testo coerente e corretto. Per questo motivo in aggiunta ad una parte di violino priva di segni interpretativi abbiamo ritenuto utile introdurre una seconda parte di violino con diteggiature ed indicazioni dinamiche che potranno essere di giovamento sia per gli interpreti ?tradizionali? che per quelli interessati alle prassi esecutive storiche. Federico Guglielmo
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Johann Sebastian Bach: Sechs Sonaten Und Partiten - Violine Solo: Violin:
Violin
G. Henle
BWV 1001-1006-J. S. Bach (1685-1750) was a German Baroque composer who is revere...
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BWV 1001-1006-J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. His Sechs Sonaten Und Partiten (BWV 1001-1006) werewritten before 1720 but not published until 1802 and only gained popularity towards the end of the 19th century. They are now regarded as the seminal work in the solo Violin repertoire and were among the first works to showcasethe technical abilities of the Violin. The Suite consists of 3 Sonatas each with four movements in the traditional slow-fast-slow-fast pattern and 3 Partias which vary with four to seven dance-likemovements. Contains two volumes with and without fingering.
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Georg Friedrich Händel: Sonatas: Violin: Instrumental Work
Violin
Wiener Urtext
Georg Friedrich Handel's Sonatas for Violin and Basso Continuo belong to the cor...
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Georg Friedrich Handel's Sonatas for Violin and Basso Continuo belong to the core repertoire of Baroque Violin music some of them even being among the most famous repertoire pieces of their time. The new edition in the Wiener Urtext Edition series is based on Handel's autographs contemporary copies and first prints. In addition to Handel's nine violin sonatas it contains two minuets for Violin and Basso Continuo which have been handed down in the environment of the sonatas. Apart from the solo Violin part and a Continuo score with a realised easily playable Basso Continuo the edition also includes a figured Bass partwhich gives experienced Continuo players the opportunity to improvise on the Basso Continuo part. The notes on interpretation by the renowned Baroque expert Reinhard Goebel provide insight into a sonata performance that was common practice at the time of Handel.
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Sonata In D Major (TARTINI GIUSEPPE)
Violin
[Sheet music]
Schott
Par TARTINI GIUSEPPE. C'était la Sonate des trilles du diable qui immortalise G...
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Par TARTINI GIUSEPPE. C'était la Sonate des trilles du diable qui immortalise Giuseppe Tartini (1692-1770), bien que le travail n'est qu'une d'un grand nombre de concertos et sonates pour cordes et surtout pour son instrument, le violon, a déclaré. La Sonate présente dans Re maggiore per Violino solo est un point de vue technique, pourtant pas encombré travail exigeant. Les mouvements lents, l'introduction du Andante cantabile et le Largo dirigent TASSO, composé sur la mélodie d'une chanson de gondole vénitienne, donner le soliste de l'occasion pour jouer cantabile. Le Minuetto ludique respire clairement l'esprit de l'ère post-Baroque, tandis que l'Allegro assai venant en second mélange des passages fortement préhension ones étonnamment sentimentales. Le mouvement ambiguë caractéristique est répété après la Minuetto, complétant ainsi la Sonate en solo./ Répertoire / Violon
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Robert Schumann: Sonatas Vol. 1: Violin: Instrumental Work
Violin
Wiener Urtext
Schumann’s Violin Sonatas were taken up with enthusiasm very soon after th...
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Schumann’s Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as 'Second only to Beethoven's Sonata in A'. Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition which draws not only upon the authorised first editions of both works but also upon Schumann’s working manuscripts and – in the case of the 2nd Sonata – the score used by the engravers and extensive correspondence between the composer and the originalpublishers. Meticulous comparison of these original documents has made it possible to determine numerous details regarding dynamics and articulation. Schumann’s autograph manuscript has been of significant help in this respect. The edition is part of the ABRSM syllabus (grade 8).
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Arcangelo Corelli: Twelve Sonatas Op. 5 - Volume 1: Violin: Instrumental Album
Violin
Schirmer
Arcangelo Corelli was famous as a virtuoso on the Violin and is regarded by many...
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Arcangelo Corelli was famous as a virtuoso on the Violin and is regarded by many as the founder of modern Violin technique; he systematized the art of proper bowing and was able to extract a singing beauty and lyricism that was previously unheard of. He was one of the first to use double stops and chords and these qualities attracted international fame both for his own performances and for his many students who began to disseminate his techniques and on the Violin. Corelli’s Twelve Sonatas Op. 5 is a work of the highest order and acts like a compendium of Violin technique circa. 1700. This first volume contains Sonatas 1-6 all of which have been editedfaithfully by Gustav Jensen.
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Wolfgang Amadeus Mozart: Sonatas Vol. 2: Violin: Instrumental Work
Violin
Wiener Urtext
Wolfgang Amadeus Mozart's Sonatas. Volume 2 for Violin with Piano accompaniment....
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Wolfgang Amadeus Mozart's Sonatas. Volume 2 for Violin with Piano accompaniment.  The contents includes the following:-  Foreword Notes on Interpretation Sonata I F-Dur KV 374d (376) Sonata II C-Dur KV 296 Sonata III F-Dur KV 374e (377) Sonata IV B-Dur KV 317d (378) Sonata V G-Dur KV 373a (379) Sonata VI Es-Dur KV 374f (380) Critical Comments
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Sonatas For Violin and Pianoforte: Violin: Instrumental Album
Violin
Stainer and Bell
Edited by Jeremy DibbleA key figure in the so-called English Musical Renaissance...
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Edited by Jeremy DibbleA key figure in the so-called English Musical Renaissance Parry was a considerable composer of chamber music. His three violin sonatas the first of which in d minor is here published for the first time along with the Fantasie-sonata and Sonata in D major date from the 1870s and 80s and are contemporary with his four symphonies and setting of Milton's Blest Pair of Sirens . They are fine additions to the string repertoire and will be greeted enthusiastically by violinists seeking new material for recitals. Performing editions of each sonata are available separately.First published in 2003. Hardback
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Heinrich Ignaz Franz Biber: Sonate Del Rosario: Violin: Instrumental Work
Violin
Ut Orpheus
Per Violine e Basso Continuo. Vol I - Sonate I-V-Volume 1 of Biber's Mystery (Ro...
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Per Violine e Basso Continuo. Vol I - Sonate I-V-Volume 1 of Biber's Mystery (Rosary) Sonatas for Violin and Continuo containing Sonatas 1-5.
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Franz Schubert: Schubert - Sonatinas: Violin Solo: Instrumental Album
Violin
Music Minus One
Violin Play-Along Pack-These charming short sonatas written by Schubert at age ...
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Violin Play-Along Pack-These charming short sonatas written by Schubert at age 19 over the course of several weeks are among the most popular of MMO's violin offerings. They are favorites of both students and seasoned professionals and share the traits of beauty and technical ease. It is our pleasure to present these beautiful pieces to you on compact disc. Includes a high-quality printed music score and compact disc with complete and stereo accompaniment recordings. Performed by Robert Zubrycki violin Accompaniment: Harriet Wingreen piano
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Giuseppe Tartini: Sonate G: Violin: Instrumental Work
Violin
Schott
Giuseppe Tartini's Sonata In G Minor 'Didone Abbandonata' Op.1 No.10 for Violin ...
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Giuseppe Tartini's Sonata In G Minor 'Didone Abbandonata' Op.1 No.10 for Violin with Piano accompaniment as edited by Gunter Kehr.
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Eugène Ysaÿe: 6 Sonaten Opus 27: Violin: Instrumental Album
Violin
[Sheet music]
G. Henle
First came Johann Sebastian Bach?s sonatas and partitas then Nicolò Paganini?s...
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First came Johann Sebastian Bach?s sonatas and partitas then Nicolò Paganini?s caprices. Now with the Op. 27 Sonatas of Eugène Ysaÿe the key works in the repertoire for unaccompanied Violin areavailable in urtext editions from Henle. Ysaÿe peppered these challenging works with extraordinary difficulties dedicating each of them to a virtuoso violinist of his day and tailoring it to suit his specialcapabilities. Thanks to newly discovered source material we are able to present a ?definitive text? that in many respects supersedes the previously available text from the first edition.
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Eugène Ysaÿe: Sechs Sonaten op. 27 für Violine solo: Violin: Study Score
Violin
[Study Score / Miniature]
G. Henle
Urtextausgabe-Johann Sebastian Bach?s Sonatas and Partitas Nicolò Paganini?s C...
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Urtextausgabe-Johann Sebastian Bach?s Sonatas and Partitas Nicolò Paganini?s Capricci and the Sonatas op. 27 by Eugène Ysaÿe the key works in the repertoire for unaccompanied violin are available in Urtext editions from Henle and now alsoin handy reasonably priced study editions (Paganini: HN9450 Bach: HN9356)! Ysaÿe peppered these challenging works with extraordinary difficulties dedicating each of them to a virtuoso violinist of his day and tailoring it tosuit his special capabilities. We are proud to present a ?definitive musical text? that in many respects goes beyond the musical text from the first edition that is still around today.
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