for Bb Euphonium Solo & Piano. Par SAMITZ NICO. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. / Date parution : 2023-07-31/ Répertoire / Euphonium et Piano

Bb Trumpet. The play-along book ?Playing with the Orchestra VOL. I? has been designed for flute, Bb clarinet, oboe, Bb trumpet, F horn, violin and cello. The original symphony orchestra part for each instrument is printed in its own edition. The orchestral recordings were performed by an 80-strong professional orchestra, the Bratislava Symphony Orchestra, conducted by David Hernando Rico. The series includes many successful works by the composer Otto M. Schwarz, such as ?Around the World in 80 Days?, ?Nostradamus?, ?Dragon Fight?, ?The Story of Anne Frank? and most recently ?The White Tower?, compositions that also feature in the Top 40 of the world-wide Classic New Releases on Spotify.

Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk?s large-scale organ work ?Legende? Op.29 and its symphonic version Op.29II, there is a further well-known ?Legende? Op.55b written for organ and string orchestra (or string quartet) which was composed in 1945. This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version. What Albert Schweitzer praised in the earlier ?Legende?, ?the calm and vivid layout of the complete work?, is also recognisable in Bunk?s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this ?Legende? for organ and brass quartet. - Scored for 2 Flugelhorns, French horn, Trombone - Attractive chamber music for brass with organ - Edited by the composer?s grandson - Also suitable for amateur ensembles / Date parution : 2022-07-30/ Répertoire / Orgue et Quatuor de Cuivres

2 Trompettes Ut-Cor-Trombone-Tuba-Ption Et Pties-Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences Sonatina for Two Trumpets 1 Cornet 1 Trombone and 1 Tuba being no exception. This Bozza piece for brass is characteristically French with lyrical and graceful melodies contrasted by fast flourishing staccato semiquaver passages. As music educationalist Paul Griffiths has written of Bozza'scompositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Comprising four movements Sonatina for Two Trumpets 1 Cornet 1 Trombone and 1 Tuba is an exciting alternative addition to the brass ensemble repertoire.

This edition is more user-friendly than the others currently available. The accompanying CD provides piano accompaniments as well as samples from recordings of the Neruda Haydn and Hummell concerti with kind permission of Hyperion Records and Crispian Steele-Perkins.J.G.B. Neruda (1711-1780) was typical of 18th century musicians travelling and studying in various parts of Eastern Europe and finally settling in Dresden (1750-1780) in the Electoral (chapel) orchestra where he was salaried as a violinist and occasional composer. This concerto was originally composed for a Corno da Caccia (hunting horn) presumed to be something of a hybrid between the natural hornand natural trumpet but has been borrowed by modern trumpet players and is now firmly fixed in the Classical trumpet repertoire.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail. Suggested cuts have been indicated which give a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required.The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being over-prescriptive. There is an appendix with suggested interpretation of trills. Listening to as many different recordings as possible is the best way to assimilate good trills. The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 23 for full track listing. There is free software available online (eg. speedshifter on the ABRSM

Celebrated Complete Method of Trumpet Valved Cornet and Saxhorn has helped to form many generations of Trumpet Cornet and Saxhorn players. The compilation by French cornetist conductor and composer Jean-Baptiste Arban (1825-1889) successfully addresses requirements of modern technique and contemporary musical writing. Arban studied at the Paris Conservatoire and led a prosperous career as a versatile and accomplished musician. Celebrated Complete Method of Trumpet Valved Cornet and Saxhorn is divided into three parts which incorporate a vast variety of musical elements. Part 3 includes orchestralmusicianship stylistic characteristics competition pieces the higher register difficult passages and 27 modern studies. Containing a large amount of instruction in French English German and Spanish Arban's Celebrated Complete Method of Trumpet Valved Cornet and Saxhorn is not to be missed by aspiring brass players.

This book has been compiled to aid teachers and students in the development of the French Horn embouchure, particularly in the important period following elementary development. It is based upon the theory that, mechanically, nearly all of the problems to be met by the player in the orchestra, band, chamber ensemble, etc., can be covered by a comprehensive daily routine of practice. Various drills have been devised, with no claim to originality, to cope with the various mechanical problems of embouchure with which the player is faced in the field.

Written in 1803 by Johann Nepomuk Hummel (1778-1837) this Trumpet Concerto in E-flat Major is a classical piece of the Trumpet repertoire. Composed in the spirit of Mozart and initially for the keyed-Trumpet it was re-discovered in 1958 by a Yale student after 150 years of inertia due to the obsolescence of the instrument for which it was made. This edition offers a transposition in E-flat Major (initially in E Major) adapted to the instruments in use today. The other instruments to be involved in this concerto are a Flute two Oboes two Clarinets two Bassoons two Horns Timpani and Strings. Hummel?s Trumpet Concerto begins with an orchestra onlyfirst movement in a sonata theme which is repeated with the inclusion of the soloist. This Allegro Spirito sounds reminiscent of the Haffner Symphony (No. 35 in D Major) by Mozart but distinguished itself by a second theme. The second movement Andante is more melodic with the trumpet which holds long notes. Finally the Rondo offers a blissful and bright end to the Concerto. Former student of Mozart Johann Nepomuk Hummel (1778-1837) was a brilliant composer pianist conductor and teacher. Evolving at the same period as Beethoveen he became as famous as him and wrote numerous concertos (for Piano Oboe Trumpet Violin and others) operas and some wind music pieces.