By Ansyn Banks. For trumpet. Etudes. Instructional book. Published by Jamey Aebersold Jazz

(B-flat Edition). By Various. By Various. For Bb Instruments. Fake Book. Softcover. 512 pages. Published by Hal Leonard

Artist Edition B-Flat Instruments. By Pat Metheny. Fake Book. Jazz. Softcover. 272 pages. Published by Hal Leonard

Technical Studies For The Modern Trumpet Player by Pat Harbison (1955-). For trumpet. The FIRST book to incorporate all modern jazz scales into practical daily studies.. Intermediate, advanced. Book. 80 pages. Published by Jamey Aebersold Jazz

Volume 126 - Randy Brecker by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Advanced. Book and CD. 84 pages. Published by Jamey Aebersold Jazz

Chamber Music Piano, Trumpet

SKU: PR.114419070

Composed by Martin Amlin. With Standard notation. 20+16 pages. Duration 9 minutes. Theodore Presser Company #114-41907. Published by Theodore Presser Company (PR.114419070).

ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.

Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .

For Trumpet in B-flat. Includes a 32-page music book containing each solo part as well as a concert lead sheet for each piece, printed on high-quality ivory paper; and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo; a digital stereo version of each piece minus the soloist; and a special -20% slow-tempo version of each accompaniment for practice purposes. Published by Music Minus One.

Composed by William Bay. For trumpet. Intermediate. Book. 58 pages. Published by Mel Bay Publications, Inc

Beginning/Intermediate. This is the culmination of Jamey's 30 years as one of the world's leading jazz exponents. Volume 1 has unlocked the mysteries of jazz improv for a whole generation of musicians who previously had nowhere to turn for competent rhythm sections and accurate instruction. Features 9 demonstration tracks of Jamey playing the exercises and soloing. The importance of the basic exercises becomes more apparant when you actually hear how the phrases are supposed to sound, and Jamey's solos are the perfect demonstration of how to solo with the CD.

Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 464 pages. Published by Hal Leonard.

Volume 97 - Standards With Strings by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Intermediate, advanced. Book and CD. 62 pages. Published by Jamey Aebersold Jazz

Volume 50 - The Magic Of Miles Davis by Miles Davis. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. A slice of Miles' career from 1957 to 1964; the apex of his popularity.. Intermediate, advanced. Book and CD. 40 pages. Published by Jamey Aebersold Jazz