Edited by Robert King and published by Alphonse Leduc 70 Studies for B flat Tuba – Volume 1 by Vladislav Blazhevich contains the first 42 studies out of 70. These studies do not correspond to a method for Tuba and it is generally understood that 70 studies are actually inspired from another piece of work from Blazhevich: 'Clef Studies for Trombone' even though 13 of these 70 studies did not appear in it. They were not transposed for Tuba but adapted for this instrument. These studies have become part of the basic teaching methods and these books are some of the most-mentioned studybooks for Tuba which became very popular. While they help to develop Tuba techniques they can be used by different age ranges and different skill ranges. Vladislav Blazhevich (1881-1942) is a Russian Tuba player conductor and professor. He was also an incredible composer who created many methods for Wind instruments as well as concerti studies and musical pieces. Robert King (1914-1999) is an American editor who was specialised in Brass composition. He created the 'Brass Player’s Guide' in the 1950s and developed a strong relationship with Alphonse Leduc Éditions.

La partition 3 Mouvements de Bozza Eugène a été composée pour Musique de Chambre et plus particulièrement pour Quintette De Cuivres. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Quintette De Cuivres / Parties

La partition Arlequinade de Ameller André a été composée pour Musique de Chambre et plus particulièrement pour Quintette De Cuivres. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Quintette De Cuivres / Parties

Volume 1-French Tuba player Fernand Lelong (1939-2002) is best remembered as a prolific professor of the Tuba and Bass Trombone at the Paris Conservatoire. As an experienced significant player of the instrument his Special Exercises For Flexibility And Scales are very well-informed. Compiled for B flat Euphonium and Tenor and Bass Tuba the first volume of Special Exercises For Flexibility And Scales focuses on flexibility addressing fingering intervals of fourths fifths sixths and octaves triplets ascending and descending scales and covers a wide range amongst other aspects. For all aspiring bassbrass players Lelong's Special Exercises For Flexibility And Scales ensures progression in technique.