200 Exercises for Chorus and Solo Singers-What choral conductor or soloist has not looked around for new ideas for warming up the voice? Here are 200 suggestions all at once!And these creative exercises do more than just warm up the voice: they help to relax the body train the ear and develop an awareness of dynamics and rhythm.Klaus Heizmann's collection is a wonderful new resource of ideas and techniques: practical varied challenging relaxing and stimulating. I am always looking for new ideas as I like to use a different set of warm-ups at every rehersal with my choirs and I tend to choose specific exercises to suit the repertoire for the day. This collection gives us 200 excellent tools-of-the-trade; they areclearly lebeled intelligently set out well-designed and extremely useful. (Simon Carrington Director of Choral Activities New England Conservatory since 2001; Director of Choral Activities The University of Kansas 1994-2001; Founder and co-director of the King's Singers 1968-1993)

A fresh approach-This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately as begun in Sight-Singing 1.Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch sequences singing a lower part ties awareness of chord structure canons chromatic movement modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs.Part 2 consists of 16 solo pieces which are presented in the treble clef and aim to develop the singer???s ability to pitch independently from their accompaniment. These shortpieces are based on chords intervals the Dorian mode pentatonic scales melodic minor scales chromatic movement and changing time signatures.The aim of this volume is to develop a secure sense of pitch providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ???vocalise??? a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ???hear??? a phrase before it is sung or played is especially useful.- 95 solo/2-part exercises- 16 accompanied solos- 1 wide range of challenging styles- valuable both to singers and instrumentalists

La référence SF_8683 de l'éditeur Schott Music dont l'auteur célèbre est Concone Giuseppe, qui a pour titre 50 Leçons op. 9, a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour Voix. Cette partition musicale appartient à la catégorie Classique. / Voix / Partition

Par PINKSTERBOER HUGO. Basiswissen Kompakt - Praxistipps - Mini-Lexikon/ Recueil / Voix

Oliver Gies (Maybebop) et Bertrand Groeger (Jazz Choir Freiburg): Ce duo ensemble pour la première fois trouveront une publication conjointe, est synonyme de créativité et de perfection, qui se traduit par 33 flambant neuf, allemand-canon. Que ce soit comme un échauffement, ajoutant choeur vocal etude virtuose ou de l'exercice - ces 33 miniatures sont un atout pour n'importe quel répertoire de la chorale, pour chaque classe, chaque formation de voyelle, qui est à la recherche de nouveaux défis et d'expériences sonores. / Voix