Apprenez à jouer The Summer Of '69 de Bryan Adams en 10 minutes !Cette vidéo vous montre en l'espace de 10 minutes toutes les accords de la chanson avec un zoom sur les doigts du guitariste et un diagramme à l'écran. La chanson est jouée de manière professionnelle pour vous permettre de mieux l'appréhender. Vous trouverez également un livret qui comporte les partitions en notation standard, tablature et boites d'accords de la chanson. La vidéo est en anglais mais le prof montre parfaitement la réalisation des accords et des enchainements à l'écran. Vous la regardez, Vous l'apprenez et vous la jouez ! / Guitare / niveau : Débutant / Dvd

All your favorite film themes from this decade including The Greatest Love Of All, Summer Nights and many more. / TV, Film, Comédie musicale / Recueil / Piano, Chant et Guitare

The Best Of Me features 15 of the very best songs from the illustrious career of Bryan Adams. All the hits from 1984 to 1999 can be found in this exquisite volume. Guitar tablature arrangements of every song from the album, complete with melody line, lyrics and chord symbols. / Guitare Tablatures

8 Original Early to Mid-Intermediate Level Piano Solos. Par IKEDA NAOKO. Eight great pieces by Naoko Ikeda complete with performance notes! This collection includes six of Ikeda's favorite pieces as well as two brand-new solos composed especially for the series. Titles: Arigato · The Glacial Mermaid · Land of the Midnight Sun · Sakura · Scarlet Hearts (solo version) · Shooting Stars in Summer · Soft Rain (Azisai) · ...You. / Niveau : Débutant, Moyen, Intermédiaire / Recueil / Piano

Par TIMBERLAKE JUSTIN. 16 tracks from Timberlake's 2018 album which debuted at the top of the Billboard' 200 charts, including: Breeze off the Pond - Filthy - Flannel - The Hard Stuff - Hers - Higher Higher - Livin' off the Land - Man of the Woods - Midnight Summer Jam - Montana - Morning Light - Sauce - Say Something - Supplies - Wave - Young Man./ Recueil / Piano, Chant et Guitare

Often recalled as a decade defined by hippies, free love and social revolution - the 1960s had all that and more besides. As well as Simon and Garfunkel, Bob Dylan, Serge Gainsbourg and Jane Birkin and The Lovin' Spoonful, this was the era that gave us The Beatles, Van Morrison, Harry Nilsson and The Righteous Brothers. The charts of the 1960s found room for The Monkees and The Beach Boys, with Elvis Presley and Roy Orbison as long-term residents. A rich time for music, this songbook includes 31 of the best-loved hits from this exciting era, arranged for Piano, Voice and Guitar. / Piano/Vocal/Guitare (PVG)

Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018. It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart ('Grablied auf einen Soldaten” and 'An mein Klavier”), the author of the words to one of his most famous songs 'Die Forelle”/ 'The Trout” (see Volume 2)./ Répertoire / Basse et Piano

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

100 pop and classical standards that every piano player should master, including: Air on the G String · Bridge over Troubled Water · Canon in D · Clair de Lune · Fields of Gold · Fur Elise · I Dreamed a Dream · I Will Always Love You · Imagine · Lullaby of Birdland · Memory · Misty · Moon River · On My Own · Over the Rainbow · The Shadow of Your Smile · Smile · Stardust · Summertime · Sunrise, Sunset · Time After Time · Unexpected Song · The Way You Look Tonight · We\'ve Only Just Begun · What a Wonderful World · Yesterday · You Raise Me Up · Your Song · and more! / Piano