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Lute (10)
Matériel D'Orchestre (10)
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Educatif (10)
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CD (10)
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Choral, Orchestra (9)
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DVD concert (9)
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:: (8)
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Score (5)
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Cloudlifter (5)
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Solistes SATB, Choeur SATB, 2 … (5)
3 Clarinets (trio) (5)
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Mariachi (5)
Lap Steel Guitar (5)
Opéra Full Score (5)
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S, A, A, T, B, Choeur Mixte A … (4)
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Handbells (4)
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Flûte Traversière Cordes et … (4)
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Dobro (4)
Timpani (4)
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Electric bass, Drums (4)
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Cello, Organ (3)
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T-shirt (3)
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VLN/VLC/CONT::Violin, Cello, C… (3)
Descant (Soprano) Recorder, Ba… (3)
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Flûte traversière (3)
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Fake Book (3)
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Guitare (Fingerpick) (3)
Choeur SATB et Orchestre (3)
Viole de Gambe (3)
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2 Recorders, Basso continuo (t… (3)
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Violon I (3)
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Voice (3)
Cor en Fa (3)
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Piccolo (2)
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Timbales (2)
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Mario Castelnuovo-Tedesco: Chant Hébraïque For Cello And Piano: Cello:
Cello, Piano
Leduc, Alphonse
Born into a family of bankers that had lived in Florence since the expulsion of ...
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Born into a family of bankers that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) studied under Pizzetti at the city’s Conservatoire. He soon became one of the leading members of the young Italian school which broke with the tyranny of bel canto to return to the instrumental tradition of the Italian masters from the Baroque era. In 1928 Amédée-Landély Hettich a vocal teacher in Paris asked Castelnuovo-Tedesco to write a vocalise for the Répertoire moderne de Vocalises-Études the publication of which he was supervising at Leduc. Castelnuovo-Tedesco’scontribution entitled Vocalise-Étude for Medium Voice became so popular that it was immediately transcribed several times over. The present adaptation for cello and piano was created with prior consent from the composer by the famous Catalan cellist Gaspar Cassadó in 1930. The works opens with a poignant lamento that grieves the tragic fate of the Jewish people; it is followed by a folk dance whose “brisk and stubborn” movement marks with panache an imperious refusal to yield to resignation. The composer adopted the same proactive stance himself when in 1939 fleeing Mussolini’s antisemitic laws he decided to emigrate to the United States a land of refuge to which he would remain faithful until his death some thirty years later.
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The Piano Guys - Uncharted - Piano and Violoncelle
Cello, Piano
Hal Leonard
The Piano Guys' sixth studio album, Uncharted, reached number 1 in the US classi...
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The Piano Guys' sixth studio album, Uncharted, reached number 1 in the US classical charts following its release in 2016. The album contains Themes from Pirates Of The Caribbean, Can't Stop The Feeling from the DreamWorks Animation film Trolls and an inspired blend of Adele's Hello and Mozart's Lacrimosa, amongst eight other beautiful melodies. This matching folio contains all 11 songs from the album in arrangements for solo Piano with optional Cello as performed by The Piano Guys.
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P. Legg: Learning The Tenor Clef: Cello: Instrumental Tutor
Cello
-
Intermediate
Faber Music Limited
The long awaited companion for cellists meeting the tenor clef for the first tim...
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The long awaited companion for cellists meeting the tenor clef for the first time. Introduced gently and presented progressively through numerous studies and pieces with cello or piano accompaniments. Suitable for Cellists working at Grade 4 this uncomplicated and interesting guide teaches important skills for mastering the tenor clef including: Moving from the lower to the higher register Reading tenor clef across the strings Learn to read and play on the transitional part of the cello
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10 Easy Christmas Solos (BARCLAY TED)
Cello, Piano
[Sheet music]
-
Easy
Editions Marc Reift (Swiss import)
Arrangeur: Ted Barclay. Par BARCLAY TED. / Niveau : Assez Facile / Répertoire...
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Arrangeur: Ted Barclay. Par BARCLAY TED. / Niveau : Assez Facile / Répertoire / Violoncelle et Piano
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Gustav Holst: Invocation - Cello And Piano: Cello: Instrumental Work
Cello, Piano
-
Intermediate/advanced
Faber Music Limited
Invocation was composed in 1911 and first performed on May 2nd of that year in t...
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Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall London by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914 but with the public success of The Planets it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber.
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The Piano Guys - Uncharted: Cello Solo: Instrumental Album
Cello
[Sheet music + Audio access]
Hal Leonard
Cello Play-Along Volume 6-The Cello Play-Along series will help you to play your...
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Cello Play-Along Volume 6-The Cello Play-Along series will help you to play your favourite songs quickly and easily on the Cello. This volume features all 11 pieces from The Piano Guys' album Uncharted - simply follow the printed sheet music and then play along using the original backing tracks. The Piano Guys' sixth studio album Uncharted reached number 1 in the US classical charts following its release in 2016. The album contains Themes from Pirates Of The Caribbean Can't Stop The Feeling from the DreamWorks Animation film Trolls and an inspired blend of Adele's Hello and Mozart'sLacrimosa amongst eight other beautiful melodies. Available online for download or streaming the backing tracks included with this book feature audio recorded by The Piano Guys. Watch the official music video for The Piano Guys' Hello/Lacrimosa:
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11 Oblique Strategies
Cello
Bote and Bock
The composer states:'The term 'oblique strategies? was coined jointly by British...
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The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle
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Duckett Bull: Team Strings 2. Cello: Cello: Instrumental Tutor
Cello
Faber Music Limited
Team Strings 2 is ideal for individual group and class tuition allowing the vi...
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Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition. Book only edition.
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Duckett Bull: Team Strings 2. Cello: Cello: Instrumental Tutor
Cello
Faber Music Limited
Team Strings 2 is ideal for individual group and class tuition allowing the vi...
(+)
Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition. Includes 2-Octave Scales in the Keys of C Major F Major G Major/Minor and D Major/Minor. This edition includes a CD of digital backing tracks of all the melodies excerpts and pieces for individual and group use.
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P. Legg: Superstudies 1: Cello: Study
Cello
[Sheet music]
-
Easy
Faber Music Limited
This collection of sixteen original imaginative studies for solo cello has been...
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This collection of sixteen original imaginative studies for solo cello has been specially designed for young players of Grades 1-3 ability. Throughout the book progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys modes rhythmic patterns and styles including jazz while also encouraging self-expression. The descriptive titles are intended to help the cellist play in a style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.
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P. Legg: Superstudies 2: Cello: Study
Cello
[Sheet music]
-
Easy
Faber Music Limited
This collection 15 original imaginative studies for solo cello has been special...
(+)
This collection 15 original imaginative studies for solo cello has been specially designed for young players from Grades 3-5 level. Throughout the book progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys' modes rhythmic patterns and styles (including jazz) while also encouraging self-expression. The descriptive titles are intended to help the cellist play in style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.
7.50 GBP - Sold by Musicroom UK
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M. Cohen: Technique Takes Off: Cello: Instrumental Tutor
Cello
Faber Music Limited
Fourteen original imaginative studies for solo cello specially designed to lea...
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Fourteen original imaginative studies for solo cello specially designed to lead on from elementary studies for younger players to the more advanced material of Dotzauer and Popper. Each piece concentrates on one or two aspects of technique and the whole set covers a wide range of left and right hand skills including spicatto bowing string crossing moto perpetuo cantabile and easy double stopping. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.
8.50 GBP - Sold by Musicroom UK
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Paul Harris: Improve your sight-reading! Cello 4-5: Cello: Instrumental Tutor
Cello
Faber Music Limited
Does the thought of sight-reading make you groan? The ability to sight-read flue...
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Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series by renowned educationalist Paul Harris is designed to help you overcome all your sight-reading problems especially in the context of graded exams.Step by step you build up a complete picture of each piece firstly through rhythmic and melodic exercises related to specific technical issues then by studying prepared pieces with associated questions and finally ‘going solo’ with a series ofmeticulously graded sight-reading pieces.New edition devised to support the revised sight-reading criteria from the ABRSM from 2012.
8.50 GBP - Sold by Musicroom UK
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Paul Harris: Improve your sight-reading! Cello 1-3: Cello: Instrumental Tutor
Cello
Faber Music Limited
Does the thought of sight-reading make you groan? The ability to sight-read flue...
(+)
Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series by renowned educationalist Paul Harris is designed to help you overcome all your sight-reading problems especially in the context of graded exams. Step by step you build up a complete picture of each piece firstly through rhythmic and melodic exercises related to specific technical issues then by studying prepared pieces with associated questions and finally ‘going solo’ with a series ofmeticulously graded sight-reading pieces. New edition devised to support the revised sight-reading criteria from the ABRSM from 2012.
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David Matthews: To what God shall we chant: Mixed Choir: Vocal Score
String Quartet: 2 violins, viola, cello
Faber Music Limited
To what God shall we chant our songs of battle? was commissioned by James Oâ...
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To what God shall we chant our songs of battle? was commissioned by James O’Donnell and Westminster Abbey for a service of solemn commemoration on 4 August 2014 marking the centenary of the outbreak of the First World War.Stark and gritty yet always rooted in tonality Matthews’s expressive harmonies bring a potent immediacy to the bitter disillusioned words of war poet Harold Monro and the two lyrical solos for soprano and tenor which set passages from the Book of Lamentations and St Luke’s Gospel. Beginning with a violent and impassioned energy this anthem ultimately offers little consolation. In the words of James O’Donnell it ‘leaves you standing on theedge of an abyss’ its impetus petering out in a series of hushed troubled questions.
3.50 GBP - Sold by Musicroom UK
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Harris Paul - Improve Your Sight-reading! Grade 1-3 - Cello (instrumental Solo)
Cello
Faber Music Limited
Does the thought of sight-reading make you groan? The ability to sight-read flue...
(+)
Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill, enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series, by renowned educationalist Paul Harris, is designed to help you overcome all your sight-reading problems, especially in the context of graded exams. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally ?going solo? with a series of meticulously graded sight-reading pieces. New edition, devised to support the revised sight-reading criteria from the ABRSM from 2012.
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
29.99 GBP - Sold by Musicroom UK
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Sally Beamish: Haunted House: Piano: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Cadenza Music
Sally Beamish's Haunted for Piano Trio.Based on the idea of film music Haunted ...
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Sally Beamish's Haunted for Piano Trio.Based on the idea of film music Haunted House creates a creepy sinister atmosphere. - Sally BeamishCommissioned with admiration by Andrew Keener
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Frank Bridge: Scherzo & Melodie: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Faber Music Limited
Two small chamber works by Frank Bridge available together for performance by C...
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Two small chamber works by Frank Bridge available together for performance by Cello and Piano. Edited by Julian Lloyd Webber.
12.99 GBP - Sold by Musicroom UK
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Carl Vine: Concerto for Cello: Cello: Score
Cello, Orchestra
Faber Music Limited
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an ex...
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Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly with soloist pitted against orchestra though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section whilst relentless motor rhythms drive the work to its close.
30.00 GBP - Sold by Musicroom UK
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