As Recorded By Bob Brookmeyer And The New Art Orchestra. Par MULLIGAN GERRY. Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994. Recorded by Bob Brookmeyer and the New Art Orchestra on New Works (Challenge CHR 70066), featuring Scott Robinson, baritone sax. 'The good will and beautiful playing of the musicians can not be described in words... just music. They have my eternal gratitude for making my life and music shine.' Bob Brookmeyer Bob Brookmeyer (b. 1929) began writing music at age 14 and also began playing the valve trombone, arriving in NY in 1952. After joining Stan Getz in 1953, he replaced Chet Baker in the Gerry Mulligan Quartet, remaining with Mulligan for nine years, writing much of the music for the Concert Jazz Band. With Thad Jones-Mel Lewis, he wrote ABC Blues, Willow Weep For Me and St. Louis Blues, all seminal additions to the big band literature. After returning from California in 1978, he became Musical Director of the Mel Lewis Jazz Orchestra and wrote some of the finest music for that band including American Express, Ding Dong Ding, First Love Song, Hello and Goodbye, and Skylark. In the 1980s he wrote for both Jazz and Classical Orchestras and in 1994 formed the New Art Orchestra, an 18-piece ensemble of mainly European musicians. They have recorded two CDs for the Challenge label and commenced touring in 2001. A book on Composition is in the works and a DVD on Band Teaching is also planned. During the past decade, Brookmeyer has composed a diverse collection of jazz material, chamber music, and large orchestral works./ Répertoire / Big Band

Par RICKER RAMON. 'Suspended Animation' is a contemporary straight-eighth feel with sections that can be opened up for any player to solo. The entire composition is built on only two suspended chords, and is written in a manner that makes it easy for young bands to quickly get into the piece. With only two chords to worry about, much of the anxiety of wrong notes is eliminated and the student can immediately concentrate on making music. Professionals will also have fun with the chart when it is opened up for extended solos. The piece was inspired by an improvised solo and chord progression that is found in Volume 1 of the Ramon Ricker Improvisation Series. Beginning improvisers will find the brief Notes on the Improvised Sections helpful. But, a more thorough discussion can be found in Volume 1 of the Ramon Ricker Improvisation Series. Medium Easy Advance Music is proud to present our new Groovin' Easy Series. We've taken 10 tunes from two popular Advance Music publications (Reading Key Jazz Rhythms and The Ramon Ricker Improvisation Series) and asked our writers to give us creative and musically challenging charts that are also playable by young bands. To the normal big band instrumentation of 5 saxes, 3 trumpets, 3 trombones and rhythm section we've added optional parts for flute, clarinet, French horn, guitar and auxiliary percussion. In addition, each chart is written to sound full with a reduced instrumentation of only 3 saxes, 2 trumpets, 1 trombone and rhythm section. The brass ranges are reasonable with the lead trumpet never going above a written C and the rhythm section parts are carefully notated and thought out./ Répertoire / Big Band

Based On A Version By Clare Fischer. Par FISCHER CLARE. This is an orchestration of Clare Fischer's version found on the recording Latin Pattern. The piano introduction is Clare's from the recording Alone Together. The piano then starts the latin groove setting of this traditional German song. There is an open solo over a vamp that keeps building and leads to a very exciting ensemble passage. The theme is then restated and the coda brings it home./ Répertoire / Big Band

Recueil Conducteur + Recueil Voix Separees. Par BENETEAU ANDRE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Musicographie (recueil conducteur + recueil voix séparées) de Bénéteau André qui a été composé pour Ensemble Instrumental et Petit Orchestre/ Répertoire / Big Band

as recorded by the WDR BIG BAND Cologne on Prism. Par DOBBINS BILL. As Recorded By The Wdr Big Band Cologne On Prism/ Répertoire / Big Band

as recorded by the WDR Big Band Cologne on Prism. Par DOBBINS BILL. As Recorded By The Wdr Big Band Cologne On Prism/ Répertoire / Big Band

as recorded by the WDR Big Band Cologne on Prism. Par DOBBINS BILL. As Recorded By The Wdr Big Band Cologne On Prism/ Répertoire / Big Band

as recorded by the WDR Big Band Cologne. Par DOBBINS BILL. As Recorded By The Wdr Big Band Cologne/ Répertoire / Big Band

as recorded by the WDR BIG BAND Cologne. Par DOBBINS BILL. As Recorded By The Wdr Big Band Cologne/ Répertoire / Big Band

as recorded by Bob Brookmeyer and the New Art Orchestra. Par MULLIGAN GERRY. As Recorded By Bob Brookmeyer And The New Art Orchestra/ Répertoire / Big Band

as recorded by the mel lewis jazz orchestra. As Recorded By The Mel Lewis Jazz Orchestra / Jazz / Recueil / Big Band

as recorded by Bob Brookmeyer and the New Art Orchestra. Par MULLIGAN GERRY. As Recorded By Bob Brookmeyer And The New Art Orchestra/ Répertoire / Big Band

as recorded by Bob Brookmeyer and the New Art Orchestra. Par MULLIGAN GERRY. As Recorded By Bob Brookmeyer And The New Art Orchestra/ Répertoire / Big Band

as recorded by Bob Brookmeyer and the New Art Orchestra. Par MULLIGAN GERRY. As Recorded By Bob Brookmeyer And The New Art Orchestra/ Répertoire / Big Band