If you have enjoyed Greg Jasperse' VoiceDance series you will love this new addition written for the all-camp choir at the New York Voices Vocal Jazz Camp. A dance of joy and celebration this new VoiceDance givesthe opportunity for improvisation and percussion with Greg suggests several ways to perform the piece making it adaptable for different choirs and performance times. Stunning in its creativeness and choral excellence. Available:SATB a cappella. Duration: ca. 4:54.

All I Ask Of You is the love song that triggers the Phantom of The Opera's jealous campaign of retribution in Andrew Lloyd Webber's legendary musical - Cliff Richard and Sarah Brightman took it for a spin in 1986 and had a hit single. Big Spender became even more popular than the 1966 musical from which it came - 'Sweet Charity' - and Shirley Bassey did much to popularise it later. Written specifically for Colm Wilkinson, Bring Him Home is the emotional song from Act II of Les Misérables while I Have A Dream is a no less emotional Abba number that is included in the record-breaking stage musical Mamma Mia. Last Night Of The World is the haunting dance hall song from Miss Saigon that marks the fateful promise made by the US airman to take Kim with him when he leaves Vietnam. This volume in the Novello Choral Pops collection contains all five of these musical theatre favourites, arranged for SATB Choir with Piano accompaniment. / Choeur Mixte (SATB) Et Piano

Composed for the Eucharist of Christmas Night 2004 at the Cathedral Church of Christ and the Blessed Virgin Mary Rochester in the year of the 1400th anniversary of the cathedral's foundation.Missa Carolae wascommissioned for Rochester Cathedral and first performed there on 24 December 2004 by the Rochester Cathedral Choirs directed by Roger Sayer.Missa Carolæ was written for the 1400th anniversary of Rochester Cathedral thesecond oldest cathedral in England. Performances there begin with a ceremonial procession that follows the movement of a boy chorister accompanied by pipe and drum from the High Altar to a large crib placed in the Nave gathering the choirs (singing from different parts of the cathedral) and principal clergy in the course of the procession. The work though not literally for dancing is intended to invoke a dance-like spirit which is true to theorigin of the carol as a simple dance form. The choir parts should be very well known so that the singers can sing with the whole of their bodies and not just their voices. It is suitable for liturgical or concert use.

The Chester Books Of Madrigals offer an exciting collection of secular European madrigals, partsongs and rounds from the 16th and early 17th centuries, newly edited from early sources by Anthony G. Patti, who contributes copious historical notes to each volume. <br>The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages, with an English translation (for non-English texts) provided at the head of each piece. / Classique / Partition /

Greg Jasperse has followed up his best-selling “VoiceDance” with this equally exciting arrangement “VoiceDance II ” continuing the wordless vocal dance celebrating the human voice and the joy of singingtogether. Bright with bounce and musical joy this piece is perfect for any occasion. A must-have addition to your “VoiceDance” library.

' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this instance I felt their presence as a fellowship and, having their music in my head while writing, I was encouraged rather than daunted. In fact, if you listen with this in mind, you may hear a phrase or two in homage to the great masters.' - John Duggan An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Born in 1963, John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy, he dreamed of writing in the great European choral tradition of Victoria, Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States, and he composes regularly for film and dance. He has composed for a number of choirs including Commotio, Westminster Cathedral Choir, the Hildegard Choir and Sospiri, and has written commissions for the Edington Music Festival, Crossover Intergenerational Dance Group, Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College, Oxford. / Choeur SATB

from Riverdance-The iconic opening choral passage from Riverdance composed by Bill Whelan. Starting with solo soprano and then joined by full chorus this piece tells the story of the origins of the river and its journey towards the sea nourishing the land as it flows through it.

'Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father John Rowntree director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple suitable for regular liturgical use. There are of course many wonderful settings of this text already not least those by William Byrd and Edward Elgar both of which I sang as a boy. In this instance I felt their presence as a fellowship and having their music in my head while writing I was encouraged rather than daunted. In fact if you listen with this in mind you may hear a phrase or two in homage to the great masters.' - JohnDugganAn inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Born in 1963 John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy he dreamed of writing in the great European choral tradition of Victoria Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States and he composes regularly for film and dance. He has composed for a number of choirs including Commotio Westminster Cathedral Choir the Hildegard Choir and Sospiri and has written commissions for the Edington Music Festival Crossover Intergenerational Dance Group Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College Oxford.

Shawnee Press continues this top-selling vocal jazz series of chorals by Greg Jasperse with a third installment “VoiceDance III.” Greg has created a wordless vocal dance that has an African feel full of rhythmic percussive and forward-moving vocal expression. Use of repetitive lines allows this work to be learned rather easily. Outstanding for festivals concerts and even multicultural events!

This enticing choral arrangement of the well-known first Polovtsian Dance from Borodin's Prince Igor juxtaposes the music of a Russian with text from Act 4 of The Tempest - 'Our revels now are ended'. Chilcott masterfully combines the SSAATTBB forces with wordless upper-voice solos and an optional guitar line in a calm yet powerful evocation of the text.A featured song on the album Into The Light with Kaori Muraji(guitar) and The Sixteen conducted by Harry Christophers.

And when you get the choice to sit it out or dance I hope you dance. This CMA Song of the Year by Lee Ann Womack offers an exceptionally positive and inspirational message.Available separately: SATB SAB SSA and ShowTrax CD. Performance Time: 3:55.

This compelling a cappella setting of a poem by Henry van Dyke opens plaintively then moves into a dance-like tempo leading to the powerful high point where the “doors of daring” are thrown open before us and the final broadening tempo leading to the closing cadence. A challenging work for advanced choirs. Duration: ca. 3:00.

A Madrigal from A Garland for The Queen-A Madrigal from 'A Garland for The Queen'