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Ola Gjeilo: Sunrise Mass: String Orchestra: Score
Choral SATB
SATB, Strings
[Sheet music]
Walton Music
Orchestral Accompaniment Score-This spiritual extended work uses the liturgical...
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Orchestral Accompaniment Score-This spiritual extended work uses the liturgical Latin text. The four movements bring us on a metaphysical journey from the heavens to earth from the echo of ?The Spheres? (Kyrie) to ?Identity & The Ground? (Sanctus) with its earthly themes. Neither expressly sacred nor secular this is an exquisite work for advanced high school level and beyond. Available separately: SSAATTBB String Orchestra (Full Score and Parts) String Orchestra (Full Score only). Duration: ca. 32:00.
36.00 GBP - Sold by Musicroom UK
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John Tavener: Three Hymns Of George Herbert: SATB: Score
Choral SATB
SATB, Orchestra
Chester
Full Score for John Tavener's Three Hymns Of George Herbert for SATB chorus per...
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Full Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener
16.99 GBP - Sold by Musicroom UK
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Triptych (Vocal Score)
Choral SATB
SATB, Orchestra
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
17.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ruth Artman: At The Edge Of Tomorrow-Strings: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Includes full string orchestrationFor brass ensemble see HMC1415aTrumpet and bel...
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Includes full string orchestrationFor brass ensemble see HMC1415aTrumpet and bells instrumentation included in octavo
23.99 GBP - Sold by Musicroom UK
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Alessandro Scarlatti: Dixit Dominus: SATB: Vocal Score
Choral SATB
SATB, Strings
[Vocal Score]
Novello & Co Ltd.
A setting of Psalm 109 for SATB soli and chorus string orchestra and organ cont...
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A setting of Psalm 109 for SATB soli and chorus string orchestra and organ continuo. Edited by John Steele.Vocal score with organ part.
13.99 GBP - Sold by Musicroom UK
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Patrick Hawes: Song Of Songs (Full Score): SATB: Score
Choral SATB
SATB, Strings
[Score]
Novello & Co Ltd.
Full Score for Soprano Solo SATB chorus and String Orchestra with an extra Viol...
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Full Score for Soprano Solo SATB chorus and String Orchestra with an extra Violin part in Love's Echo and a Harp part in Many Waters and Faint With Love.
19.99 GBP - Sold by Musicroom UK
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Patrick Hawes: Reflexionem: SATB: Score
Choral SATB
SATB, Strings
[Sheet music]
Novello & Co Ltd.
Music by Patrick Hawes with words by Andrew Hawes.For SATB chorus and String Orc...
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Music by Patrick Hawes with words by Andrew Hawes.For SATB chorus and String Orchestra.
8.99 GBP - Sold by Musicroom UK
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John Rutter: The Lord Bless You And Keep You: Mixed Choir: Parts
Choral SATB
SATB, Strings
Oxford University Press
Paperback-John Rutter's The Lord Bless You And Keep You for SATB and String Orch...
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Paperback-John Rutter's The Lord Bless You And Keep You for SATB and String Orchestra. As sung at the wedding of Maghan Markle to Prince Harry in May 2018.
35.25 GBP - Sold by Musicroom UK
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Samuel Wesley: Deus Majestatis Intonuit: SATB: Vocal Score
Choral SATB
SSAATTBB, Strings
[Vocal Score]
Novello & Co Ltd.
For Double SATB Choir String Orchestra and Organ. Edited by John I. Schwarz.
8.99 GBP - Sold by Musicroom UK
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Tarik O'Regan: Threnody: SATB: Vocal Score
Choral SATB
SATB, Orchestra
[Vocal Score]
Novello & Co Ltd.
The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of th...
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The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of the larger cantata Triptych but works beautifully as a piece in its own right. Lasting around five minutes Threnody was commissioned with funds from The RVW Trust for the Choir of London's inaugural concert in Christ Church Spitalfields on the 18th of December 2004. The work is arranged for SATB Chorus and String Orchestra and this item is the Vocal Score. Taking the lyrics from a diverse range of literary sources including William Blake's Auguries of Innocence William Penn and Psalm133 the solemn beauty of these texts is matched by the dynamism of the vocal performances in conjunction with the staccato rhythms of the orchestra. Crescendos and diminuendos give a sense of urgency and excitement to the vocals the harmonies of which are expertly composed.
4.50 GBP - Sold by Musicroom UK
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Alessandro Scarlatti: St. Cecilia Mass: SATB: Vocal Score
Choral SATB
Soli, mixted choir, orchestra
[Vocal Score]
Novello & Co Ltd.
This edition of Alessandro Scarlatti's finest and most extended piece of liturgi...
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This edition of Alessandro Scarlatti's finest and most extended piece of liturgical music presents it for the first time in a full score which aims to meet the requirements of both the performer and the scholar.The Mass was composed for the St Cecilia's Day celebrations in Rome in 1720. It is an example of Scarlatti's most mature style auniquee combination of brilliant vocal and instrumental techniques that he had developed in the cantata and opera with the learned yet unpedantic counterpoint which he had held in such high esteem throughout his life.For SSATB soli and chorus string orchestra and organ continuo. Edited by John Steele.Vocal score with organ part.
19.99 GBP - Sold by Musicroom UK
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John Tavener: Three Hymns Of George Herbert: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus pe...
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Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener
6.50 GBP - Sold by Musicroom UK
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John Rutter: What Sweeter Music: SATB: Score
Choral SATB
Oxford University Press
Full score-John Rutter's What Sweeter Music for SATB and organ or string orches...
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Full score-John Rutter's What Sweeter Music for SATB and organ or string orchestra The string accompaniment is available on hire and for sale.John Rutter was born in London in 1945 and studied music at Clare College Cambridge. His compositions embrace choral orchestral and instrumental music and he has edited or co-edited various choral anthologies including four Carols for Choirs volumes with Sir David Willcocks and the Oxford Choral Classics series. From 1975 to 1979 he was Director of Music at Clare College and in 1981 he formed his own choir the Cambridge Singers. He now divides his time betweencomposition and conducting and is sought after as a guest conductor for the world's leading choirs and orchestras.
15.75 GBP - Sold by Musicroom UK
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Tarik O'Regan: After Rain (Petrichor) - Vocal Score: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
For SATB chorus Clarinet in B flat Percussion Harp and String Orchestra.Commi...
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For SATB chorus Clarinet in B flat Percussion Harp and String Orchestra.Commissioned by the Barlow Endowment for Music Composition at Brigham Young University the Dale Warland Singers Commission Award presented by Chorus America and funded by the American Composers Forum and Utah Chamber Artists.First performed 30th April 2012 at the Libby Gardner Concert Hall University of Utah Salt Lake City by Utah Chamber Artists conducted by Barlow Bradford.Instrumentation.SATB chorus with divisionsSolo SopranoOptional Soprano Alto Tenor and Bass soli Clarinet in Bb(offstage) Percussion (1 player): Tubular Bells Glockenspiel Large Bass Drum Large Suspended CymbalHarpString Orchestra (minimum 6.6.4.4.2 players)
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Once to Every Man and Nation: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
The great American Composer Kirke Mechem has taken this classic folk song of un...
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The great American Composer Kirke Mechem has taken this classic folk song of unknown origin and set it for SATB chorus Baritone soloist (playing the part of the poet of this text) and Piano or Organ with optionalString Orchestra. This is a theme and variations arrangement and one that will challenge any fine choir without challenging the ears of the listeners. Score and parts for String Orchestra available on rental from thepublisher.
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Benjamin Britten: Te Deum In C: SATB: Score
Choral SATB
SATB, Orchestra
[Sheet music]
Chester
In preparing for publication the 1935 orchestral version of Britten's Te Deum in...
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In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor:different articulation and dynamic markings something Britten was later very fussy about but perhaps left unchanged on proof because of his relative inexperience at this stage of his career with the processes of musicpublishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected inthe new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal score to prepare his orchestral version). The two versions have been made consistent in other details - rehearsal cues andbar numbers for example - since Britten intended choristers to use the vocal score to perform the orchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (arare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in the orchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated stringwriting while the spacing of chords is frequently much wider in the string version with melodies transposed into different octaves. Although harmony in both versions is identical voice leading is sometimes altered in the latterto make it better suited to the idioms of the instruments concerned.So although in essence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither beviewed as an occasional piece nor considered solely a liturgical work like many of his choral pieces from the 1930s and 1940s it is equally at home in church and concert hall.
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Tarik O'Regan: From Heaven Distilled A Clemency: Soprano & SATB: Vocal Score
Choral SSATB
SSATB, Piano
Novello & Co Ltd.
From Heaven Distilled a Clemency is the third movement of Triptych a cantata fo...
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From Heaven Distilled a Clemency is the third movement of Triptych a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings allowing the voices to soar excitedly overheard.
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Tarik O'Regan: Triptych: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Cantata for string orchestra and chorus.Triptych represents the concatenation an...
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Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was
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John Rutter: Carol Of The Magi: Mixed Choir: Score
Choral SATB
Oxford University Press
John Rutter's Carol Of The Magi for SATB optional Baritone solo Cello and Stri...
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John Rutter's Carol Of The Magi for SATB optional Baritone solo Cello and String Orchestra. This is a tuneful epiphany carol setting a text by the composer. Underpinned by a beautiful Cello solo the Vocal lines are rich and flowing and the Organ supports the choir with warm harmonies. The carol was written at the invitation of Red Balloon a Cambridge-based UK-wide organization dedicated to the recovery of bullied children. The Cello part is published separately and an accompaniment for strings is available on sale and on hire.
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Gabriel Fauré: Requiem op.48 (KA): SATB: Vocal Score
Choral SATB
Soli, mixted choir and piano
[Vocal Score]
Barenreiter
Thanks to its transparent texture and its many beautiful melodies which seem to...
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Thanks to its transparent texture and its many beautiful melodies which seem to be token the composer?s highly personal relation to death the Requiem is perhaps Fauré?s most popular work.The musical structure of this frequently heard piece makes it virtually ideal for performance with organ accompaniment. This arrangement takes into account all three of the composer?s surviving versions: the early version with string orchestra as well as the two later versions with added winds and with symphony orchestra.Standard work from concert repertoireEasy-to-play organ arrangementImpressive timbral adaptation for organThe Bärenreiter Choir &Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Tarik O'Regan: Triptych: SATB: Score
Choral SATB
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Intermediate
Novello & Co Ltd.
Full Score of Tarik O'Regan's Triptych - Cantata for string orchestra & chorus....
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Full Score of Tarik O'Regan's Triptych - Cantata for string orchestra & chorus. Arranged for Soprano solo SATB and String Orchestra. Contains texts from William Penn Muhammad Rajab Al-Bayoumi and William Blake. Approximate playing duration is 17 minutes. (Minimum players 2.2.2.2.1)
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Ola Gjeilo: Dreamweaver: SATB: Vocal Score
Choral SATB
[Vocal Score]
Walton Music
Multi-movement work with choir and string orchestra-Ola Gjeilo's Dreamweaver for...
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Multi-movement work with choir and string orchestra-Ola Gjeilo's Dreamweaver for SATB div Piano and String Orchestra. This multi-movement work incorporates a text by Charles Anthony Silvestri.
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Tarik O'Regan: Martyr: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
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Intermediate/advanced
Novello & Co Ltd.
Tarik O'Regan's Martyr was commissioned by St Albans Chamber Choir in celebratio...
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Tarik O'Regan's Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24 January 2009 under the direction of John Gibbons. Martyr was written as a counterpart to Haydn's Missa in Angustiis ('Nelson' Mass) using the same orchestration as Haydn's original version. In venues where an organ is present the optional organ part should always be used. The four SATB solo parts should be performed by a group of singers placed to the side or to the front of the orchestra awayfrom the main chorus. Although written with individual 'professional' solo voices in mind the solo parts may also be performed by a semi-chorus with for example two or three voices to a part. SATB chorus SATB solo 3 Trumpets in Bb (3rd off-stage) Timpani Organ (optional) String Orchestra: (minimum desks – 2.2.2.2.1)
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Ola Gjeilo: Song Of The Universal: SATB: Vocal Score
Choral SATB
[Vocal Score]
Walton Music
SATB - Choral Score-An SATB adaptation of Ola Gjeilo's Song of the Universal. Wa...
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SATB - Choral Score-An SATB adaptation of Ola Gjeilo's Song of the Universal. Walt Whitman's unabashed optimism exuberance and unwavering confidence in our deeper humanity are beautifully portrayed through music. For String Orchestra Piano and Choir this work will be a grand addition to your choir's repertoire.
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Peter Warlock: Hush My Child - Welcome The Spring: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
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Intermediate
Thames Publishing
Two SATB arrangements of Pieds En L'Air from Warlock's Capriol the first being ...
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Two SATB arrangements of Pieds En L'Air from Warlock's Capriol the first being a slumersome lullaby and the second an optimistic springtime song.Tomlinson's first arrangement Hush My Child was intended to take advantage of Warlock's sumptuous harmonies in the original string orchestra version of Pieds En L'Air but with voices. This setting was then shown to John Bishop who responded by creating the text Welcome The Spring to provide a more optimistic and forward-looking interpretation of the same piece.Both versions are featured in this edition leaving the choice to the singers and choral leaders themselves!
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Tarik O'Regan: Martyr: SATB: Score
Choral SATB
SATB
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftiet...
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Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24 January 2009 under the direction of John Gibbons. Martyr was written as a counterpart to Haydn's Missa in Angustiis ('Nelson' Mass) using the same orchestration as Haydn's original version. In venues where an organ is present the optional organ part should always be used. The four SATB solo parts should be performed by a group of singers placed to the side or to the front of the orchestra away from the main chorus. Although written withindividual 'professional' solo voices in mind the solo parts may also be performed by a semi-chorus with for example two or three voices to a part.SATB chorusSATB solo3 Trumpets in Bb (3rd off-stage)TimpaniOrgan (optional)String Orchestra: (minimum desks 2.2.2.2.1)
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Benjamin Britten: Jubilate Deo In C: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
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Intermediate
Chester
Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Br...
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Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Britten's birthday (22nd November 1913 Lowestoft) falls on St. Cecilia's Day a happy augury for the career of one of Britain's greatestcomposers. Essentially a vocal composer Britten won international fame for his operas and song-cycles. He never abandoned the principles of tonality and was a 'modern' composer who reached a mass audience and a conservative whoseoriginality no radical would sensibly deny. He shared with his predecessors Parry Vaughan Williams and Holst an intense interest in works for amateurs and children. His brilliant gifts as a pianist and conductor coupled withhis virtuosic inventiveness also led him to compose music for great performers such as the cellist Mstislav Rostropovich and the singers Galina Vishnevskaya Dietrich Fischer-Dieskau and Janet Baker.The greatestpersonal influence on his music was the Tenor Peter Pears for whom he composed many operatic and vocal roles. In 1948 Britten Pears and Eric Crozier founded the Aldeburgh Festival now one of the most respected established fornew English music. In 1952 he was made a Companion of Honour in 1965 received the Order of Merit and in 1976 the year of his death he became the first composer to receive a life peerage.Oxford University Press wasBritten's first publisher. In the early 1930s A Boy Was Born and the Simple Symphony brought him great critical acclaim and launched his compositional career. Oxford is delighted to present some previouslyunpublished pieces in collaboration with the Britten Estate. These include the Double Concerto for Violin and Viola premiered at Snape by the Britten-Pears Orchestra under Kent Nagano in June 1997; Two Portraits forString Orchestra premiered on BBC Radio 3 in December 1995 by the Northern Sinfonia under Martyn Brabbins; The World Of The Spirit the full version first performed in 1938 on the BBC Home Service the abridged
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Jasmine Flower
Choral SATB
Alfred Publishing
With likely origins in the southern China provinces, the soothing pentatonic mel...
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With likely origins in the southern China provinces, the soothing pentatonic melody of this traditional folk song is reminiscent of the simple beauty of a white jasmine blossom. This lovely choral setting, layered with independent voice lines, is effective with the shimmering piano accompaniment or the optional string orchestra parts. / Choeur Mixte (SATB)
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