Harpsichord

SKU: SU.50025690

For Harpsichord. Composed by Paul Reale. Keyboard, Piano/Harpsichord. Score. Seesaw Music Corp #50025690. Published by Seesaw Music Corp (SU.50025690).

Copyright 1975. Published by: Seesaw Music.

For Harpsichord. By Vincent Persichetti. Solo piano. For Harpsichord. Classical. Solo part. Opus 149. 16 pages. Duration 9:10. Published by Theodore Presser Company.

Harpsichord

SKU: SU.50027820

For Harpsichord. Composed by Robert Rollin. Keyboard, Piano/Harpsichord. Score. Seesaw Music Corp #50027820. Published by Seesaw Music Corp (SU.50027820).

Copyright 1990. Published by: Seesaw Music.

For Harpsichord. By Vincent Persichetti. Solo piano. For Harpsichord. Classical. Solo part. Opus 152. 19 pages. Duration 9:30. Published by Theodore Presser Company.

Harpsichord

SKU: HL.50159010

Composed by Johann Pachelbel. Piano Collection. Classical. 62 pages. Hal Leonard #SIK727. Published by Hal Leonard (HL.50159010).

8.25x11.75x0.177 inches.

Harpsichord

SKU: KU.GM-785

Composed by Thomas James M. Endrich. Edited by Thomas James M. Endrich. Bach format (230 x 302). Staple Bound. Piano score. 26 pages. Edition Kunzelmann #GM-785. Published by Edition Kunzelmann (KU.GM-785).

Harpsichord

SKU: HL.48024704

Harpsichord. Composed by Jyrki Linjama. BH Piano. Classical. Softcover. Fennica Gehrman #M550114999. Published by Fennica Gehrman (HL.48024704).

ISBN 9781540059857. UPC: 888680955199.

The church sonata has three movements, each of which has a definite liturgical character and a choral tune as cantus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

By Marianna Martines (1744-1812). Edited by Sally Fortino. For harpsichord. Piano (Harpsichord), 2-hands. First edition. Instrumental Music. Intermediate. Full score

Harpsichord

SKU: OT.21125

Composed by Daniel Akiva. 5 short pieces for harpsichord/cembalo. Classical. Score. OR-TAV Music Publications #21125. Published by OR-TAV Music Publications (OT.21125).

ISBN 9789655051117. 8.27 x 11.69 inches.

The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication.
As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument.
The piece was composed at the request of Hagai Yodan, who performs it with great skill.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

(Harpsichord). By Halsey Stevens. For Piano, Harpsichord. Peermusic Classical. Softcover. 20 pages. Peermusic #60890-535. Published by Peermusic

Pan pipe and piano (harpsichord)

SKU: M7.SAE-1-05

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-05. Published by SonArt Edition (M7.SAE-1-05).

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Baritone and piano or violin, flute, oboe, bassoon and harpsichord

SKU: HL.49006034

Nach Texten schweizerischer Minnesanger. Composed by Heinrich Sutermeister. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1968. 24 pages. Duration 11'. Schott Music #ED 6119. Published by Schott Music (HL.49006034).

ISBN 9790001065535.