The Creative Impulse. Par MAIR MARILYNN. Marilynn Mair has enjoyed a long career as a world-renowned mandolinist, esteemed for over a thousand concert performances, more than two dozen recordings and 4 previous Mel Bay books, including the first two volumes of her series, The Complete Mandolinist. In Volume 3, Marilynn steps forward as a composer, presenting over 60 of her own pieces - nearly half written during the pandemic lockdown of 2020-2021 when live music was forced off stage. Creativity didn?t take a break for Marilynn, though, and soon compositions began to sprout from those quiet days: works for solo and duo mandolin, mandolin-guitar duets, and pieces for plucked string ensembles. They fill the pages of this book with fresh ideas, playful melodies, quirky harmonies, and romantic visions. There are scores and parts for her Fantasia, Nocturnes, Études, Choro, and Ensembles, most of the music published here for the first time.Besides sheet music, the book also includes downloads of over an hour-and-a-half of Marilynn?s performances of the music, brand-new recordings of her recent works, some pieces from her earlier CDs, and a few recordings previously made but never released. This book opens the door to a new musical vision, from a musician who has already proven herself a masterful interpreter of classical and Brazilian repertoire. In her own words, ?I had friends and students in mind as I wrote, creating pieces to pass on my unique perspective on what makes classical mandolin cool.? Dive in and see what treasures you may.find.ncludes access to online audio. / Date parution : 2023-08-12/ Recueil / Mandoline

Par CHEREDNIK ROSS. Matériel virtuose exceptionnelle pour l'étudiant de mandoline grave ! Contient 19 solos de Mozart, Vivaldi, Hummel, Hasse et Beethoven. Les oeuvres sont présentées dans l'ordre chronologique par le compositeur sans accompagnement en notation standard uniquement. / Niveau : Intermédiaire / Classic - Solos / Recueil / Mandoline

Strum sing and pick along with these 25 Beatles favourites arranged for Mandolin.This songbook includes Across the Universe And I Love Her Eight Days a Week Eleanor Rigby Here Comes the Sun Here There and Everywhere Hey Jude In My Life Let It Be Lucy in the Sky with Diamonds Penny Lane Yellow Submarine Yesterday and more.

Just for Fun: Christmas Mandolin contains over 40 classic Christmas songs. Most of the songs in the book feature three arrangements: the melody in notation and TAB, an easy rhythm option with a simple strum pattern and chords, and an intermediate-level rhythm option written in full notation and TAB. The intermediate rhythm option often combines full melody and chords, making it perfect not only for accompanying a singer and but also for solo performances for friends, family, and recitals. There's even a mandolin chord dictionary in the back of the book. Plus, this book correlates to the matching guitar, ukulele, and banjo editions, so you can have family Christmas jams and sing-alongs.TITLE COMPOSERDance of the Sugar Plum Fairy [Op. 71a, #3] Peter Ilyich Tchaikovsky (composer)The Twelve Days of Christmas Traditional (source)We Three Kings of Orient Are Christmas Traditional (source)God Rest Ye Merry, Gentlemen Traditional (source)Away in a Manger John R. Murray (contributor)O Christmas Tree Traditional (source)Up on the Housetop Christmas Traditional (source)It Came Upon the Midnight Clear Richard S. Willis (contributor) - Edmund H. Sears (lyricist)Jingle Bells James Pierpont (contributor)Silent Night Franz Grüber (contributor)Joy to the World George Frederic Handel (composer) - Isaac Watts (lyricist)What Child Is This? William Chatterton Dix (lyricist) - Traditional (source)I Heard the Bells on Christmas Day J. Baptiste Calkin (contributor) - Henry Wadsworth Longfellow (lyricist)We Wish You a Merry Christmas Traditional (source)O Come, All Ye Faithful Traditional (source)I Saw Three Ships Traditional (source)A Child This Day Is Born Traditional (source)Have Yourself a Merry Little Christmas Ralph Blane (composer) - Hugh Martin (lyricist)Deck the Halls Traditional (source)The Holly and the Ivy Auld Lang Syne Carol of the Birds Simple Gifts The First Noel Holy Night, Peaceful Night O Little Town of Bethlehem Hark! The Herald Angels Sing In the Bleak Midwinter Carol of the Bells Good King Wenceslaus Angels We Have Heard on High Jesu, Joy of Man's Desiring March of the Toys (from 'Babes in Toyland') Go Tell It on the Mountain Bring a Torch, Jeanette, Isabella O Come, O Come, Emmanuel Pat-A-Pan (Burgundian) O Holy Night Here We Come A-Caroling (The Wassail Song) Coventry Carol / Mandoline

Most of the music in this book comes from editions or manuscripts from England in the late 1500’s. There are also a few French pieces. The cittern was popular in Italy England and France. Aside from various tunings there weretwo main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings) and the 6 course cittern with several editions of music to go along with both. The pieces I have chosenfor this book were all written for the 4 course instrument and fall into three main categories: dance music song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of theinstrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to but rather take their form and rhythm from the popular courtdances of the time. These can be played with a wide range of overall tempo but once a tempo is chosen should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocalsettings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same John Holenko has kept the melodies intact. Because of the difference in tuning however thevoicing of the harmonies have been changed so as to fit on the mandolin.

A Comprehensive Method-Written by the internationally-acclaimed mandolinist and tutor Marilynn Mair The Complete Mandolinist is the most comprehensive American Mandolin method to be published in nearly a century. This bookpresents a logical approach to Mandolin technique that builds on the methods devised by America's pioneering Mandolin tutors of the early 20th century. Starting with the very basics - a foundation in technique and musicreading the book progresses in the course of its 224 pages through scales arpeggios tremolo position work shifting rhythm studies picking techniques and duo-style with carefully selected exercises and musical examplesthat range from fiddle tunes and Brazilian choro to Vivaldi concertos and Beethoven sonatinas. This method reflects the wealth of musical knowledge Marilynn Mair has acquired over the course of her distinguishedcareer and she has compiled it here for you to encourage the versatility and intelligent musicianship you will need to become an experienced mandolinist. Accompanying audio tracks are included to download online.

With Online Audio-An exciting collection of 29 traditional tunes from Ireland arranged for easy Mandolin. All tunes are written clearly in standard notation as well as Mandolin tablature. An accompanying online audio recording contains all thetunes played at a manageable speed with Guitar accompaniment. The collection contains airs well known songs polkas slip jigs slides double jigs hornpipes and reels all of which are specially arranged by the authorwith the beginning/intermediate mandolinist in mind. On the audio recording the tunes are played 2 or 3 times so you can really get into the feel of the tune when playing along. The speed of the tunes is quite slow but not soslow as to take away from the essential feel of the music. Irish music is rightly popular all over the world. The haunting beauty of the slow airs and infectious foot-tapping rhythms of jigs and reels are here to bediscovered in this selection of great traditional music. This book includes access to online audio.

While the Mandolin is not as synonymous with the blues as the Guitar the Fiddle's fretted cousin was an important lead voice in many string blues bands of the 1920s through the 1940s including the Mississippi Sheiks theMemphis Jug Band and the Dallas String Band. In the hands of great players including Carl Martin Charlie McCoy Yank Rachell Howard Armstrong and Johnny Young the Mandolin was a convincing member of the bluesensemble.All of these player's styles are featured here as well as bluegrass music innovator Bill Monroe Jethro Burns (Homer and Jethro ) Tiny Moore (Bob Wills' Texas Playboys) and Johnny Gimble. Special sections coverbasic blues shuffle rhythm creating your own blues solos turnarounds and introductions. Music is written in tablature and standard notation. Includes access to online audio.

Examine the development of country mandolin performance during the 1930s with this book by Joseph Weidlich. During that decade the mandolin became a featured solo instrument requiring players to quickly develop a new style of playing in order to give vocalists a break from singing particularly in the popular brother act format. As the decade progressed numerous idiomatic techniques were tested discarded and refined leading to instrumental solos that were eventually based more on playing over chord changes than on the actual melody itself. The techniques outlined here based on period recoridngs clearly establish the roots of that new solo approach which blossomed in thelooser ensemble format of early 1940s bluegrass music.

This is a high quality collection of Easy Pieces for Mandolin. If you play the mandolin this is a must have book/cd collection. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians by musicians. The book comes with a CD and the guitar and mandolin are on separate tracks. You can turn the mandolin totally off and play with the CD. There are two measures of intro with the guitar so you can sit and listen to the CD and become familiar with the sounds of the pieces without it sounding like a learning CD. There arechords with the music and at the end of the book there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific and are a great addition to any repertoire. You can use them for any kind of gig or you can try doing some medieval fairs medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute most people would never know the difference. Allan the author plays the lute guitar and more recently mandolin and has a wealth of knowledge about the music. These pieces are particulary suited for the sound of the mandolin. The book is beautiful and scored professionally. The titles may not make a lot of sense but these are great pieces with many of them having variations to make them longer.

DVD One: One-On-One with the Master-On this instructional session the late Bill Monroe - widely known as the 'father of bluegrass' - discusses and demonstrates the instrumental techniques that changed the course of American music. The camer's eye reveals up close and in detail Bill's incredible facility and inventiveness on the mandolin as he plays and sings both alone and backed up by his long-time band the Blue Grass Boys.You'll see and hear Bill Monroe play twenty-seven tunes (some recorded here for the first time) including favourites such as 'Rawhide' 'Wheel Hoss' 'Tennessee Blues' 'Dusty Miller' 'Roanoke Pike' 'Country Breakdown' 'Blue Grass Stomp' 'Get Up John' 'Katy Hill' and 'Rocky HeadBlues'.In an intimate coversation will fellow musician John Hartford Bill discusses a wide variety of topics: His musical development ideas about performing and songwriting memories of childhood early touring days his years on the Grand Ole Opry and much more.

20 favourite Beatles tunes in chord melody arrangements for Mandolin including: All You Need Is Love Blackbird Can't Buy Me Love Eight Days a Week Here Comes the Sun Hey Jude In My Life Let It Be Michelle Strawberry Fields Forever Twist and Shout We Can Work It Out Yesterday and more.

Arranged For Mandolin. This book contains the first three of J. S. Bach's solo violin Sonatas and Partitas arranged for mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature is included throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning these pieces in the mandolin community. The pieces were originally written for violin. As a result, Bach's use of string crossing patterns and open-string pedals work brilliantly on the mandolin. Also, as solo works they are a useful addition to anyone's performingrepertoire. Lastly, even if never performed, learning all or some of these is wonderful for building mandolin technique. Violinists often say that if you can play the Bach Solo Sonatas and Partitas you can play anything-the same is certainly true for mandolinists. This book contains the first three of J. S. Bach 's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result, Bach 's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin. Also, as solo works theyare a useful addition to anyone's performing repertoire. Lastly, even if never performed, learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists./ Recueil / Mandoline