POD-Henry Purcell's Pavan Of Four Voices from Purcell Society Edition Vol. 31. Scored for three Violins Bass Viol and Continuo. Score and parts.

Version with Piano and String Orchestra - Score)-A song cycle for baritone voice string orchestra and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Árbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures' A song cycle for baritone voice string orchestra and piano. The composer writes: 'Naarasäiti (The Lustful Mother) is about becoming a mother an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä tyttäriä (Árbeeadni The Time of the Lustful Mother 2013) and Kylmä kumppani (Galbma rádna My Cold Companion 1999) by two contemporary Sámi poets Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive matriarchal beat is present throughout in the music: a dark earthy solo viola accompanies the baritone while the sizzling sparkling strings erupt at times in powerfultextures'

Flexible Solo with Strings-Designed to work for several different soloists (Violin Trumpet Oboe Flute or Clarinet) Rachmaninoff's well-known song is an ideal concert showcase for an expressive instrumentalist to be featured with string orchestra. This arrangement includes elements from both of Rachmaninoff's versions for solo voice and tutti orchestra.

This symphonic treatment of Good King Wenceslas is perfect for your next holiday concert. Easy double stops will really make your ensemble sound brilliant. The piece is voiced in simple three-part harmony so you can play it with almost any combination of instruments. Exactly what you’ve come to expect from Elliot Del Borgo!

Originally to be called ‘Marina’ – String Quintet for twoviolins viola and two cellos arising following Roberts first encounter with Marina Tsvetaeva - 'I could never set her poetry to music but her passionate unquenchable voice seemed to want to be embodied musically...in the sound and ambivalent register of the Viola. Arranged for two Violins Viola and two Cellos. Throughout square pauses (G.P.) are variable in length their duration determined bythe performers depending upon the tension of the moment.  

Knee slappin' and stompin' fun! Immerse yourself in a wagon hayride squaredancing and even a good old-fashioned barn raising.With open stringed double stops integration of melody in all voices and some interactive rhythms based on clapping and stomping players will want to yell out a few 'yess-haws' as they get into the action!

Score-Arguably America's most notable art song Samuel Barber's masterwork has been brilliantly arranged in this edition for strings by John Moss. Written for voice in 1938 and based on text by noted poet James Agee Barber's music is highly emotional a quality apparent in this skilled setting for strings. With solo parts for violin and viola this edition is a superb opportunity to teach 20th century music at its very best.

Note by the composer:'Triple Quartet is for string quartet and two pre-recorded quartets, or three live string quartets with no pre-recording. The piece is in three movements, fast-slow-fast, and is organized harmonically on four dominant chords in minor keys a minor third apart: E minor, G minor, Bb minor, C# minor and then returning to E minor to form a cycle.The first movement goes through this harmonic cycle twice with a section about one minute long on each of the four dominat chords. The result is a kind of variation form. Rhythmically the first movement has the second and third quartet playing interlocking chords while the first quartet plays longer melodies in canon between the first violin and viola against the second violin and cello. The slow movement is more completely contrapuntal with a long slow melody in canon eventually in all 12 voices. It stays in E minor throughout. The third movement resumes the original fast tempo, maintains the harmonic chord cycle but modulates back and forth between keys more rapidly. The final section of the movement is in the initial key of E minor and there the piece finally cadences.? Steve Reich, 1999 / Orchestre A Cordes

A second melody in the same tempo offers a nice contrast to the opening material while the underlying voices maintain the style of the opening. You will surely want to consider this fine work!

Composed in 1999 for four female voices and string quartet. Vocal Score available: CH61780

Edited by Lionel Pike. Anthem for voice choir soloists strings keyboard and instrumental continuo.

Par PART ARVO. Arvo Pärt wrote the prayer of peace Da pacem Domine to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004 as his personal tribute to the victims. Since then Da pacem Domine has been performed every year in Spain to commemorate the victims of this terrorist attack. Even while originally composing this four-voice piece, Pärt made allowances for variable scorings. As a result, it exists in several versions, not only for voice but also entirely for instruments. Wolfgang Sandner Da pacem Domine in diebus nostris quia non est alius qui pugnet pro nobis nisi tu Deus noster./ Répertoire / Orchestre à Cordes

An anthem arranged for ATB voices SATB chorus and strings taken from Volume 14-Sacred Music Part II. Edited by Lionel Pike.

From Josh Groban's newest album Awake comes this powerful and sensitive song from one of today's most distinctive voices. A high-profile powerful ballad for your next pops performance! Dur: 2:15

Vocal score for Aulis Sallinen's Chamber Music IX composed for vocal soloist and String orchestra. Aulis Sallinen’s Chamber Music IX is dedicated to the Kimito Island Music Festival in its twentieth anniversary year 2018. The first performance took place in the Kimito church on 20th July 2018 given by Johanna Rusanen-Kartano(soprano) and the Ostrobothnian Chamber Orchestra conducted by Ralf Gothoni. Duration: c.10 min