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TUBA
Viola
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Max Reger: Three Suites for viola solo: Viola: Instrumental Album
Viola
Carus Verlag
Op. 131d-The rediscovery of the original manuscripts of Max Reger's works for vi...
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Op. 131d-The rediscovery of the original manuscripts of Max Reger's works for violin viola and cello op. 131a-d represents a minor sensation. These late works for solo strings dating from 1914 and 1915 the last of which was only published posthumously were only known from the first printed editions until now and a scholarly-critical edition based on all the sources has long been desirable. The new edition from the Max-Reger-Institut now fills this gap.
12.90 GBP - Sold by Musicroom UK
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Max Reger: 3 Suiten Opus 131D: Viola: Instrumental Album
Viola
[Sheet music]
G. Henle
La vénération de Max Reger pour Bach ne se limitait pas à l?orgue ou l?orches...
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La vénération de Max Reger pour Bach ne se limitait pas à l?orgue ou l?orchestre. Comme Bach Reger voulait écrire des sonates et des suites pour instrument à cordes seul qui ne soient pas seulement des études mais constituent un condensé de l?art de la composition. Les trois suites pour alto solo op. 131d en font partie. Reger les publia au cours des dernières années de sa vie en même temps que six préludes et fugues pour violon solo trois duos dans le style ancien pour deux violons et trois suites pour violoncelle solo et rassembla toutes ces ?uvres au sein de l?opus 131 paru en 1914/1915. La présente édition Urtext des suites pour alto solo op. 131d se fonde sur la premièreédition de 1916 établie sur la base du manuscrit autographe entretemps disparu. La préface et le commentaire critique permettent à l?éditeur de détailler les variantes de cette édition par rapport à la première.
12.99 GBP - Sold by Musicroom UK
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Violin Concerto #1 In G Minor Op. 26 Alto (BRUCH MAX)
Viola
[Sheet music]
Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...
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Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Alto
6.55 EUR - Sold by LMI-partitions
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Idylle (MEREAUX MAX)
Français
Viola
[Sheet music]
Combre
Par MEREAUX MAX. / Niveau : Fin Du 3ème Cycle / classique / Répertoire / A...
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Par MEREAUX MAX. / Niveau : Fin Du 3ème Cycle / classique / Répertoire / Alto
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3 Suites Op. 131D (REGER MAX)
Viola
[Sheet music]
Amadeus Verlag
Par REGER MAX. / Répertoire / Alto
18.80 EUR - Sold by LMI-partitions
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Mini-Partita (Alto Solo)
Français
Viola
[Sheet music]
Fertile Plaine Editions
La référence FP 702 de l'éditeur Fertile Plaine dont l'auteur célèbre est M...
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La référence FP 702 de l'éditeur Fertile Plaine dont l'auteur célèbre est Mereaux Max, qui a pour titre Mini-partita ( alto solo ), a été écrite et composée pour Alto et plus particulièrement pour Alto Solo. Cette partition musicale appartient à la catégorie Classique. / Alto Solo / Partition
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John Tavener: The Myrrh-Bearer (Viola Part): Viola: Part
Viola
[Sheet music]
-
Intermediate
Chester
This work for viola chorus and percussion was commissioned by the London Sympho...
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This work for viola chorus and percussion was commissioned by the London Symphony Chorus and was first performed in October 1994 at the Barbican Hall London by Yuri Bashmet and the London Symphony Chorus conducted by StephenWestrop.The remarkable text of the Troparion written by the great Byzantine poetess-nun Cassiana was the inspiration of The Myrrh-Bearer. The text informed the architecture of the music. The viola solo represents MaryMagdalen as the cello solo represented the Mother of God on The Protecting Veil. This is where the resemblance between the two pieces ends.In The Myrrh-Bearer the Chorus symbolises ‘us’ the ‘sins of the world’ from‘stylized dictatorships’ to ‘the frivolous inane escapist vanities of the world ’ the to cries of ‘help’ after the cosmic catastrophe and finally reaching an apocalyptic climax in the words ‘We have no king by Caesar;’ adownright condemnation of God in the Earthly power.In a surreal way the Magdalen’s ‘sin’ shines through in the viola music because she recognises the Godhead and the endless ‘Kyrie eleison’ chanted by the semi-chorusrepresents her repentance and whatever is left of a ‘repentant’ world.The Myrrh-Bearer explores the whole range of the viola climbing from the depths up to the highest notes and then falling again at the end after theMagdalen’s recognition of the Risen Christ ‘Rabboni.’The last stroke of the gong in the viola’s final bottom C gives a deliberately ominous end to the piece.This is a special item which is made to order. Please e-mail ourMail Order Department for further information.
14.99 GBP - Sold by Musicroom UK
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Studies And Caprices Op. 35 (DONT JACOB)
Viola
-
Beginner
Schott
With Preparatory Exercises. Par DONT JACOB. Le violoniste autrichien Jacob Dont ...
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With Preparatory Exercises. Par DONT JACOB. Le violoniste autrichien Jacob Dont (1815-1888) était aussi un enseignant très estimé et compositeur. Il a écrit principalement principaux ouvrages éducatifs, plus de 50 qui sont devenus assez connus. Und de Etüden de ne pas Capricen opus 35 sont arrangés pour l'alto par Max Ro / Niveau : Préparatoire / Essential Exercises / Etude / Alto
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Carol Ann Wheeler: Warm-Ups For The Violists Made Easy: Viola: Study
Viola
[Sheet music + Audio access]
-
Beginner
Mel Bay
Big Note/Large Print-Warm-ups for the Violist is an adaptation of Warm-ups for...
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Big Note/Large Print-Warm-ups for the Violist is an adaptation of Warm-ups for the Violinist. It is targeted to help build strengthen and develop the muscles and techniques needed for viola playing. It is especially suited and created for the morecasual violist who is sincerely interested in getting maximum benefit from a minimum of effort. I first tested these scales and exercises on myself for six months faithfully using them for about 20 minutes as warm-ups to my dailypractice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as I charted my metronomic progress on a calendar. I remember thinking 'I will never be able to play fasterthan this.' But then a couple of weeks later I would indeed climb a notch higher!Through the years I have used these exercises in countless workshops and with private students. The letters of thanks and positive feedback fromstudents who were thrilled with improved violin and fiddle technique have brought me great satisfaction. Progress with these exercises is like the progress of a body builder. Body builders do not get up in the morning and think 'I am going to develop and build my muscles today ' and instantly look like Mr. Atlas. It takes weeks months and for some years to attain results. It must be done over a period of time. Like all diets and exercise programs determination and dedication are most important to success! I sincerely believe that these exercises when faithfully practiced will help violists improve their skills. The exercises will help develop and strengthen muscles usedfor finger dexterity clarity of notes tone bowing-arm control intonation double stops and a flexible bowing-arm wrist. A companion audio play-along recording is available online.
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Naresh Sohal: Shades IV: Viola: Instrumental Album
Viola
Novello & Co Ltd.
Shades IV by Naresh Sohal makes use of harmonies generated by the open strings...
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Shades IV by Naresh Sohal makes use of harmonies generated by the open strings of the Viola which are heard pizzicato at the opening of the work accompanying a bowed melodic line. This passage recurs later after a climax which sends the player to the highest reaches of the instrument and the work ends with all four open strings plucked simultaneously.
8.99 GBP - Sold by Musicroom UK
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3 Suites Op. 131D S.VIola
Viola
IMC (International Music Co.)
/ Alto
23.49 EUR - Sold by LMI-partitions
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Préludes A Trois Légendes Pour Alto
Français
Viola
Delatour France
/ Alto Solo
5.90 EUR - Sold by LMI-partitions
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3 Studies Op. 131D S.Vla
Viola
IMC (International Music Co.)
/ Alto
20.28 EUR - Sold by LMI-partitions
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6 Stücke Op. 47
Viola
Doblinger
/ Alto
38.60 EUR - Sold by LMI-partitions
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Viola
Viola
Hal Leonard
Instrumentistes adoreront jouer avec ces 11 favoris / Alto
15.80 EUR - Sold by LMI-partitions
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Meditation Op. 22
Français
Viola
Billaudot
Méditation opus 22 pour alto seul, dédiée à la mémoire de mon ancien profes...
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Méditation opus 22 pour alto seul, dédiée à la mémoire de mon ancien professeur Simone Feyrabend, commande pour le Concours National des Jeunes Altistes 2013. / Alto
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Door Of The Sun
Viola
Boosey and Hawkes
/ Alto
15.50 EUR - Sold by LMI-partitions
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