SKU: HP.PP143B
UPC: 763628143084. Colossians 3:16, Ephesians 5:19, Psalms 95:1, Revelation 19:4.
Beloved hymn tune This powerful presentation breathes new life into this classic hymn of praise, complete with a majestic orchestral accompaniment. The addition of a second hymn tune, LASST UNS ERFREUEN, gives sparkle and an element of surprise to this compelling musical offering. The orchestration by Brant Adams includes parts for conductor's score, 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 3 trumpets in B-flat, 2 trombones, bass trombone or tuba, timpani, percussion, harp, 2 violins, viola, cello, and double bass.
SKU: HP.8967
UPC: 763628189679.
Original hymn tune Thomas Chisholm's beloved hymn text is given a new melody and dynamic choral treatment by Joel Raney, complete with a powerful orchestral accompaniment, now also available for medium-high voice vocal soloists. . The familiar words of this classic hymn come to life afresh in this compelling new treatment. The orchestration by Brant Adams includes parts for conductor's score, 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 3 trumpets in B-flat, 2 trombones, bass trombone or tuba, timpani, percussion 1 and 2, harp, 2 violins, viola, cello, and double bass.
SKU: HL.50511364
ISBN 9790080023358. UPC: 073999654325. 9.0x12.0x0.108 inches.
The 'Four Piano Pieces' (1. Study for the Left Hand, 2. Fantasy I, 3. Fantasy II, 4. Scherzo) was composed between January and October 1903. 'The 'Study for the Left Hand' is a large-scale sonata movement. The eclecticism of 'Fantasy I' composed on 8 February is well illustrated by the fact that his contemporary audience associated it with several composers' styles. The [piece] is dedicated 'to Madame Emma Gruber'.The 'Fantasy II' was written after the symphonic poem Kossuth was finished, in October 1903 in Berlin. It is a piece of Hungarian mood, which Bartok dedicated to his childhood friends 'Misses Emsy and Irmy Jurkovics'. The extraordinary 'Scherzo' that concludes theseries is dedicated to Dohnanyi. The repeated appearance of grotesque turns of phrase conjures up Liszt's 'scherzo diabolique' type.' (HCD 32524 Bartok New Series Vol. 24, Istvan G. Nemeth).
SKU: HL.48015931
UPC: 073999897197. 9.0x12.0x0.176 inches.
Contents: J.S. Alschausky: GroBes Rezitativ und Andante * E. Gabler: Capriccio Nr. 3 * A. Jorgensen: Konzert, op. 31 * F. Brange: Nocturne, op. 48 * R. Wagner: Siegmund's Liebeslied * O. Hoser: Romanze * E. Schiffmann: Intermezzo * E. Jaruszewski: Konzertstuck b-Moll * Einlageblatt * G. Verdi: Rezitativ und Romanze des Radames * P. Weschke: Der Karneval in Venedig * E. Schiffmann: Konzertstuck, op. 67 * R. Jehmlich: Concertino, op. 3 * C. Hofmann: Konzert c-Moll, op. 31 * J.G. Bagge: Barkarole * F. Schmid: Konzert f-Moll * E. Gabler: Konzert Des-Dur * A. Gunther: Konzert Nr. 1 Es-Dur, op. 19.
SKU: FG.55011-775-4
ISBN 9790550117754.
Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music.
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