Six Pieces by Fritz Kreisler Transcribed for Alto Saxophone and Piano. Par KREISLER FRITZ. Fritz Kreisler (1875-1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano, here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin, both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler's career, which he would regularly feature as concert encores. The Old Refrainand Midnight Bells are transcriptions, the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions, the instrument changes, yet the value remains. Fritz Kreisler (1875-1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano, here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin, both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler's career, which he would regularly feature as concert encores. The OldRefrainand Midnight Bells are transcriptions, the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions, the instrument changes, yet the value remains./ Répertoire / Saxophone Alto et Piano

What Else Can I Play? Alto Saxophone Grade 3 makes learning more fun with carefully selected and arranged supplementary repertoire for today's young player. Each piece offers suggestions and guidelines to breathing, dynamics and tempo together with technical tips, performance notes and a simple piano accompaniment.  Each book in the What Else Can I Play? series presents carefully graded pieces with a variety of musical styles ranging from classical and jazz through to showtunes and popular songs. This series will bring enthusiasm to learning your instrument and provide an entertaining alternative for those pupils who are working towards, or have recently completed exams. / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto et Piano

Eight Pieces by French Composers for Saxophone has been compiled by Nicole Roman, for alto saxophone and piano, or alto saxophone solo. Titles include: Eugène Bozza: Aria, Improvisation and Caprice, Jacques Ibert: Aria, André Jolivet: Fantaisie-Impromptu, Pierre Lantier: Sicilienne, Maurice Ravel: Pièce en forme de Habanera (trans. Viard), Jeanine Rueff: Chanson et Passepied and Henri Tomasi: Introduction et Danse.

This compilation of 10 alto saxophone solos from the legendary Rubank educational library now includes online access to: · Full-performance and accompaniment-only audio tracks · PDF piano accompaniment files · PLAYBACK A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: Allegretto Brillante (Demersseman) · Andante and Allegro (Chailleux) · Badine (Scherzo) (Gabriel-Marie) · Canzonetta (d'Ambrosio) · Carnival of Venice (Davis) · The Duchess (Rehl) · Elegie (Baret) · Estilian Caprice (Paul) · Hungarian Dance #5 (Brahms) · Polovtsian Dance (Borodin) · Solo de L'Arlesienne (Bizet). / Saxophone Alto Et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for alto saxophone and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. The collection includes Piazzolla's most famous tangos, Libertango and Oblivion.
Artisane 1 from A Midsummer Night's Dream
Ausencias (The Absent)
Chanson de la Naissance (Song of the Birth) from Famille d'artistes
Dansée (Dance) from A Midsummer Night's Dream
Duo I from A Midsummer Night's Dream
El Viaje (Voyage)
Fracanapa
La Chanson Du Popo (The Song of Popo) from Famille d'artistes
Libertango
Los Sueños (Dreams)
Milonga from A Midsummer Night's Dream
Milonga for Three
Milonga Picaresque
Mumuki
Nuevo Mundo (New World)
Oblivion
Ouverture from A Midsummer Night's Dream
Psicosis (Psychosis)
Sensuel (Sensual) from A Midsummer Night's Dream
Sentimental from Famille d'artistes
Sin Rumbo (Aimless)
Street Tango
Tango Final from Famille d'artistes
Todo Fué (It All Was)
Vuelvo Al Sur (I'm Returning South) / Partitions classique / Bois / Saxophone / BOOSEY

for alto saxophone and piano. Par WILSON IAN. English / Niveau : Intermédiaire / Répertoire / Saxophone Alto et Piano

Inspirational works by black composers. This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDaand downloadable backing tracks./ Recueil / Saxophone Alto et Piano

Par KEMBER JOHN. Play Ballads offers the intermediate saxophonist the inspirations of some of the greatest exponents of the ballad form. It includes pop classics such as Elton John's Your Song and Lionel Ritchie's Hello alongside original compositions by John Kember. This volume gives the young saxophonist the opportunity to play well known tunes at a relatively early stage. These well known and popular pieces are ideal for end of term concerts and performances. The solo alto saxophone part is also included on a separate insert. / Niveau : Assez Facile / Recueil / Saxophone et Piano

Festival Classics is a progressively graded collection of classic solos with Piano accompaniment. The book contains a fine mix of transcriptions of familiar classics along with solos written specifically for the instrument.This edition for the Alto Saxophone contains 21 pieces and comes with an included CD. / Saxophone Alto Et Piano

Instrumentation : Alto Saxophone and Piano Description : The edition is part of the Trinity syllabus (grades 1,2,4,5) Contenu : Lucky to be Me from On the Town - Maria from West Side Story - Oh, Happy We from Candide - One Hand, One Heart from West Side Story - Psalm 23 from Chichester Psalms - Simple Song from Mass - Somethings's Coming from West Side Story - Somewhere from West Side Story - There is a Garden from Trouble in Tahiti - Tonight from West Side Story Nombre de pages : 54 Format : New Edition portrait

Par HISAISHI JOE. 8 arrangements for solo alto saxophone and piano from 8 Ghibli Cinemas. / Date parution : 2023-05-06/ Recueil / Saxophone Alto et Piano

Saxophonist Robert Bariller's understanding and virtuosity of his instrument led to the composition of his excellent Breton Rhapsody, suitable for advanced saxophonists. Published in 1953, Breton Rhapsody addresses virtuosic features of semiquaver flourishes, much variation in time signatures and tempo, complex rhythm and articulation and wide intervals, amongst other aspects. Dedicated to Marcel Mule, Bariller's Breton Rhapsody is an exciting and exquisite addition to the Alto Saxophone repertoire and is essential to advanced players of the instrument.

Rapsodie pour E Flat Alto Saxophone et piano a été commandée par et dédié à Jean-Marie Londeix et créée par lui à Londres lors du Congrès Mondial du Saxophone de 1976. Durée du spectacle: environ 10 minutes. / Saxophone / niveau : Intermédiaire / Avancé / Partition