Your program will definitely improve with this set of 14 studies designed to aid in the teaching and development of good rhythmic reading abilities! These carefully crafted musical mini-compositions begin with simple time signatures and rhythms and work to more complex rhythms and meters. Musically rewarding these pieces are meant to be studied on a daily basis and will help your students develop basic rhythmic skills.

Bertrand Moren composed Alpine March for the Hochwaliser Musikfest in Blatten Switzerland in 2004. The march opens in a festive 6/8 time with lots of dynamic contrast and characteristic 6/8 rhythms. The Trio-section however is written in 2/4 time and is very lyrical. With a da capo this march written by the winner of last year’s European Brass Band Composition Contest is brought to a thrilling close.

Concert March-As the title suggests this piece would be a good venture for those who like to tackle challenges - whether they are life’s grand challenges or somewhat simpler tasks such as performing this sonorous impressive and demanding march. The technical and rhythmical effects contribute to this bravura work which will keep both the audience and the musicians spellbound.

A wonderful new work for euphonium Euphonium Fiesta consists of three separate movements played without a break. The first and third movements explore the technical and rhythmical possibilities of the soloist whilst in the middle movement the soloist has a wonderful lyrical melody fully utilising the full range of the instrument. This phenomenal work is sure to become a popular soloist showcase for many years to come.

This new composition for brass band makes an ideal concert opener. Majestic chords and energetic rhythms hold the listener spellbound and all the instruments in the band are given the opportunity to display their range of beautiful sound colours.

Easy- to medium-level arrangements of favorite classics for brass quartet (two trumpets or cornets F horn and trombone or baritone B.C.) in score format. Includes short arrangements of works by Elgar Bach Smetana Mozart Schumann Brahms and more.“Careful training in small groups is a decided step toward the mastery of the basic fundamentals of rhythm precision balance and intonation.” - H. Voxman Includes score andparts.

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern

Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing.More tranquil in its feel the second movement illustrates the landscape that can be seen from the Ha’penny Bridge a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra’s sound colours as the musicians’ voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar the famoustourist quarter of the city well known for its vibrant nightlife.The music’s energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011. He then arranged it for Concert Fanfare or Brass Band.