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Oliver Waespi: As if a Voice Were in Them: Brass Band: Score
Brass ensemble
Beriato Music
« As if a voice were in them? » (Comme s?ils contenaient une voix? ) écrit Wi...
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« As if a voice were in them? » (Comme s?ils contenaient une voix? ) écrit William Wordsworth dans son poème sur les Hautes Alpes. Dans ce poème la nature est présentée comme une force toute-puissante sans nom ayant aussi une énergie créative et reflétant l?âme humaine. Il fut commandé par la Swiss Brass Band Association pour le Concours Suisse des Brass Bands à Montreux en 2014. Un morceau éblouissant pour gagner des concours !
38.50 GBP - Sold by Musicroom UK
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Steven R. Gerber: Fanfare for the Voice of A-M-E-R-I-C-A: Brass Band and Solo:
Brass ensemble
Lauren Keiser Music Publishing
for Brass Band and Percussion-Premiered and commissioned by Voice of America' on...
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for Brass Band and Percussion-Premiered and commissioned by Voice of America' on September 11 2003 paying tribute to the national spirit of grim determination and unity as well as of tragedy and ominousness following 9/11.
15.99 GBP - Sold by Musicroom UK
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Steven R. Gerber: Fanfare for the Voice of A-M-E-R-I-C-A: Brass Band and Solo:
Brass ensemble
Lauren Keiser Music Publishing
for Brass Band and Percussion-Premiered and commissioned by Voice of America' on...
(+)
for Brass Band and Percussion-Premiered and commissioned by Voice of America' on September 11 2003 paying tribute to the national spirit of grim determination and unity as well as of tragedy and ominousness following 9/11.
69.99 GBP - Sold by Musicroom UK
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Oliver Waespi: As if a Voice Were in Them: Brass Band: Study Score
Brass ensemble
Beriato Music
As if a Voice Were in Them
12.99 GBP - Sold by Musicroom UK
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Peter Lieuwen: Celestial Voices: Brass Ensemble: Score and Parts
Brass ensemble
Lauren Keiser Music Publishing
Celestial Voices
49.99 GBP - Sold by Musicroom UK
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Vangelis: Voices: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
Voices
47.50 GBP - Sold by Musicroom UK
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Vangelis: Voices: Brass Band: Score
Brass ensemble
De Haske Publications
Voices
13.99 GBP - Sold by Musicroom UK
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Saskia Apon: The Lonesome Knight: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
The composition the Lonesome Knight was based on a fairytale. The piece was writ...
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The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n
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Saskia Apon: The Lonesome Knight: Brass Band: Score
Brass ensemble
Gobelin Music Publications
The composition the Lonesome Knight was based on a fairytale. The piece was writ...
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The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n
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Drivers License: Brass Ensemble: Score & Parts
Brass ensemble
Fentone Music
Drivers License. Drivers License is the debut single by the young American singe...
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Drivers License. Drivers License is the debut single by the young American singer Olivia Rodrigo. The song, a power ballad inspired by heartbreak, received critical acclaim upon its release, with reviewers lauding Rodrigos song writing skills and singing voice. Arranger Seb Skelly did not fail to notice this mega hit, taking the beautiful ballad and creating an intense and passionate arrangement for brass quintet, that gives each member of the ensemble the chance to display his or her musicality to the fullest extent.
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inSpire Editions: A Brussels Requiem: Brass Band: Score & Parts
Brass ensemble
[Score and Parts]
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Advanced
Beriato Music
The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium ...
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The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium and the rest of the world. Equally the attacks in Paris and Nice led to great public indignation fear and disbelief.What has happened to the western world? Have our cultures grown apart to such an extent that we do not understand each other anymore? Bert Appermont’s intention was to voice certain emotions that these acts of terror have caused: particularly fear grief anger and helplessness. He uses the French children’s song Au Claire de la Lune as a connecting thread throughout the work.This piece is also about hope and faith in another world andis meant to pay homage to all victims resulting in a dignified remembrance. The musical development is presented in four through-composed parts titled Innocence In Cold Blood In Memoriam – We Shall Rise Again and A New Day.This work was commissioned by the Brassband Oberösterreich (Brass Band Upper Austria) to be played at the European Brass Band Championships 2017.
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Kristian Oma Rønnes: Fanfare: Brass Ensemble: Score and Parts
Brass ensemble
Emerson Editions limited
This Fanfare for 6 Horns 2 Trombones bass Trombone and Tuba was composed in Os...
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This Fanfare for 6 Horns 2 Trombones bass Trombone and Tuba was composed in Oslo Norway in 2011. It is composed with a rather proud and majestic interpretation in mind.In the last bar for 1st & 2nd Horn the 2ndHorn should play the upper voice if the 1st Horn does so. If the 1st Horn decides to play the 2nd voice (ossia) then the 2nd Horn should do so as well. If parts are being doubled then it would be preferred if both ossia partsare played.
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O Salutaris Hostia (ESENVALDS ERIKS)
Brass ensemble
[Score]
Peters
Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular ...
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Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above. / Date parution : 2022-05-17/ Répertoire / Brass Band
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O Salutaris Hostia (ESENVALDS ERIKS)
Brass ensemble
Peters
Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular ...
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Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above / Date parution : 2022-05-17/ Répertoire / Brass Band
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Jay Althouse: Fanfare of Praise: Chamber Ensemble: Score & Parts
Brass ensemble
Hinshaw Music Inc.
This festival anthem by well known composer Jay Althouse is perfect for Christ t...
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This festival anthem by well known composer Jay Althouse is perfect for Christ the King Sunday (the last Sunday prior to Advent). Set for accessible mixed voices with keyboard or brass ensemble with timpani the piece also lends itself as an excellent piece for Thanksgiving.
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V. Zelli M. Mangali: Vivo Per Lei: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
A passionate desire for Andrea Bocelli’s voice has spread across the worl...
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A passionate desire for Andrea Bocelli’s voice has spread across the world like wildfire for Andrea Bocelli possesses a truly remarkable voice. A voice as palpably powerful as it is almost ethereal. Vivo Per Lei (I live for Her) tells of a passion so great that it is felt in every action every moment of the day. This excellent arrangement will bring a moment of tender passion to any concert.
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Marc Jeanbourquin: Dublin Pictures: Brass Band: Score & Parts
Brass ensemble
Mitropa Music
Ireland is a multi-faceted country that has developed a popular and distinctive ...
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Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing.More tranquil in its feel the second movement illustrates the landscape that can be seen from the Ha’penny Bridge a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra’s sound colours as the musicians’ voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar the famoustourist quarter of the city well known for its vibrant nightlife.The music’s energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011. He then arranged it for Concert Fanfare or Brass Band.
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Marc Jeanbourquin: Dublin Pictures: Brass Band: Score
Brass ensemble
Mitropa Music
Ireland is a multi-faceted country that has developed a popular and distinctive ...
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Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing. More tranquil in its feel the second movement illustrates the landscape that can be seen from the Ha’penny Bridge a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra’s sound colours as the musicians’ voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar the famous tourist quarter of the city well knownfor its vibrant nightlife. The music’s energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011. He then arranged it for Concert Fanfare or Brass Band
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Philip Sparke: Sunday in the Park: Brass Band and Solo: Score & Parts
Brass ensemble
Anglo Music
for Eb Horn and Brass Band-Sunday in the Park was written for tenor horn virtuo...
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for Eb Horn and Brass Band-Sunday in the Park was written for tenor horn virtuoso Sheona White and commissioned by her partner Matt Wade as a Christmas present.Composer Philip Sparke had known and admired Sheona’s playing for many years having produced her first solo CD and written pieces for her previously.Both composer and performer are huge fans of the late Karen Carpenter Sheona in part modelling her sound on the singer’s sultry voice; so it was decided that this new solo would be a piece which whilst not being a ‘Carpenters’ pastiche paid tribute to their relaxed style and rich harmonic language. Sunday in the Park openswith an accompanied cadenza for the soloist which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax at which point the music unwinds until the original mood returns.A variation on the original melody leads to a short cadenza from the soloist which brings the work to a peaceful close.
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William Vean: Animal Kingdom: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
In this composition William Vean takes you on a journey through the fascinating ...
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In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern
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William Vean: Animal Kingdom: Brass Band: Score
Brass ensemble
Gobelin Music Publications
In this composition William Vean takes you on a journey through the fascinating ...
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In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern
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Gavin Higgins: A Forest Symphony: Brass Band: Score and Parts
Brass ensemble
[Sheet music]
Faber Music Limited
A Forest Symphony was commissioned for the 2007 Voices in the Forest Festival w...
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A Forest Symphony was commissioned for the 2007 Voices in the Forest Festival with the support of Creative Partnerships the Forest of Dean. The first performance was given the Lydbrook Band. A Forest Symphony explores the hidden and magical world of the forest; secrets that may only be seen the animals who live there or by fortunate ramblers who stray from the beaten path. Brass Band Grade 5/6: Championship and 1st Sections. Duration: 12 Minutes.
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Three 16th Century Madrigals: Brass Ensemble: Score & Parts
Brass ensemble
Fentone Music
It was common practice in the sixteenth century for vocal music to be played on ...
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It was common practice in the sixteenth century for vocal music to be played on instruments perhaps to accompany voices or as instrumental compositions. Bram Wiggins has created this fantastic arrangement of three such madrigals for all quartets to enjoy.
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Philip Sparke: Valerius Variations: Brass Band: Score & Parts
Brass ensemble
Anglo Music
Variations on a melody by Adriaen Valerius (1575-1625)-Dutch composer artist an...
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Variations on a melody by Adriaen Valerius (1575-1625)-Dutch composer artist and poet Adriaen Valerius is mostly remembered today for his collection of 79 songs for voice and lute or cittern published posthumously in 1626. Philip Sparke has taken one melody from this collection that tells of the War of Independence with Spain. The beautiful slow melody is followed by a series of lively variations to form an extremely entertaining piece that will bring great joy to all who perform and listen to it.
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Down by the Salley Gardens: Brass Band: Score
Brass ensemble
Gobelin Music Publications
A thoroughly gripping melody of Irish descent constitutes the basis on which thi...
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A thoroughly gripping melody of Irish descent constitutes the basis on which this exceedingly beautiful little piece of music rests. Down by the Salley Gardens is a guaranteed heartbreaker on your next concert. Since the lyrics of this Irish traditional are also supplied with the set a combination of band with solo voice or even choir is a definite possibility. The Arranger: Leafing through a song-book containing traditionals etc. I was immediately struck by this song and its exceptionally beautiful and atmospheric melody. I simply had to do something with it. Een meeslepende traditional van Ierse komaf staat aan de basis van dit wonderschone werkje. Down bythe Salley Gardens belooft een hartenbreker te worden op uw eerstvolgende concert. De tekst van deze Ierse traditional wordt meegeleverd en daarmee is een combinatie met zang ook zeer goed mogelijk. De arrangeur: Bladerend door een liedboek met traditionals enz. was ik meteen getroffen door dit nummer en zijn uitzonderlijk mooie en sfeervolle melodie. Ik moest gewoon iets mee doen.
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Phil Collins: On My Way: Brass Band: Score
Brass ensemble
Hal Leonard
From Walt Disney's Brother Bear-The English musician Phil Collins has written si...
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From Walt Disney's Brother Bear-The English musician Phil Collins has written six new songs for the animated Walt Disney film Brother Bear. His catchy pop rock is well known and popular with a worldwide audience. In Brother Bear the young Kenai kills a grizzly bear to avenge his brother’s death. Then he is magically transformed into a bear himself and he makes friends with the bear cub Koda. Together they undertake a long exciting journey in search of the mountain where Kenai can become human again. Meanwhile Kenai’s remaining brother hunts them in order to avenge his family. Thus the main themes of Brother Bear are brotherhood and friendship. On My Way gives voice to the courage and the determinationthat characterise Brother Bear. Peter Kleine Schaars has produced an excellent arrangement for band which reflects the original film music very well.
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Edvard Grieg: Meeting: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
A lyrical piece from Edvard Grieg's song-cycle 'Haugtussa' ( The Mountain Maid)...
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A lyrical piece from Edvard Grieg's song-cycle 'Haugtussa' ( The Mountain Maid) originally for voice and piano but here in an arrangement for Soprano Cornet and Brassband by Tom Brevik Een lyrische werk van Edvard Grieg uit de liederencyclus ''Haugtussa'' (The Mountain Maid) oorspronkelijk voor stem en piano maar hier in een arrangement voor Es Cornet en Brassband van Tom Brevik.
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Philip Sparke: Valerius Variations: Brass Band: Score
Brass ensemble
Anglo Music
Variations on a melody by Adriaen Valerius (1575-1625)-Dutch composer artist an...
(+)
Variations on a melody by Adriaen Valerius (1575-1625)-Dutch composer artist and poet Adriaen Valerius is mostly remembered today for his collection of 79 songs for voice and lute or cittern published posthumously in 1626. Philip Sparke has taken one melody from this collection that tells of the War of Independence with Spain. The beautiful slow melody is followed by a series of lively variations to form an extremely entertaining piece that will bring great joy to all who perform and listen to it.
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