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Karsten Fundal: Figure and Ground Study I: Cello: Score
Cello
[Partitions]
Wilhelm Hansen
The image and concept of this piece is easiest to describe by using the visual i...
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The image and concept of this piece is easiest to describe by using the visual images of the Dutch artist M. C. Escher. He made many woodcuts where the whole surface of the picture has a figurative function often just in black and white. For example a row of white ducks 'transversing' the painting which are described by black ducks transversing in the opposite direction. In this way the two figures describe each other so to speak.In this piece melody has been approached in a similar way: a melody is used which can be framed in rhythmically different groupings - in groups of fours or fives etc- thus creating new hierarchical melodies which grow more and moreobvious to the ear. The initial melody then becomes background to the new melody until disappearing and a new rhythmical pattern is imposed on the second melody and so forth. Later the different 'rhythm melodies' are woven together creating a new perceptual image one that is at the same time actually a 'holographic' reproduction of the initial melody. The latter situation is similar to the way Bach makes hidden 3- or 4-part counterpoints in his Cello suites by intersecting the parts successively into beautifully interwoven patterns.The very static sections of the piece are chiefly inspired by the powerful singing of the buddhist-monks of Tibet who are able to relax their vocal chords to such an extent that they create an overpowering deep note not normally thought to be produced by a human voice. Figure and Ground Study I was first performed by Mats Olofson at the Numus Festival 1995.
17.99 GBP - Sold by Musicroom UK
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20 Jazz Etudes
Cello
Schott
The Italian cellist Lucio Amanti devotes himself to the crossover between classi...
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The Italian cellist Lucio Amanti devotes himself to the crossover between classical and jazz music. His well-known 'Jazz Suite' for cello solo bridges the gap between the solo suites by Bach and the jazz music of our time.Now he attends for the first time to the subject of the étude, with suggestions from pop, jazz and improvisation. The individual études use different styles from jazz ballad to samba rhythms to funk music. / Violoncelle
19.98 EUR - Sold by LMI-partitions
(Seller in french langage)
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Martin Norgaard: Jazz Cello Wizard Junior Book 1: Cello: Instrumental Tutor
Cello
[Sheet music + Audio access]
-
Beginner
Mel Bay
Jazz Cello Wizard Junior is designed for beginning and intermediate middle and h...
(+)
Jazz Cello Wizard Junior is designed for beginning and intermediate middle and high school cellists in the tradition of the parent method, Jazz Fiddle Wizard--a break-through approach for String players who want to learn to improvise within the jazz style. No step is left out in this sequentially arranged introduction to the role of rhythm, call and response, articulation, scales, and chord changes in jazz improvisation. The exercises are turned into catchy tunes arranged to work in any configuration of String groups. That is, three-part arrangements for each tune may be played with any number of like instruments or in conjunction with Jazz Fiddle Wizard Jr. and Jazz Viola Wizard Jr. books. Suitable as a self-instruction book or for use in private and/or group String instruction, Jazz Cello Wizard Jr. contains Piano accompaniment parts as well as online audio recording that provides a full rhythm section accompaniment for every exercise and tune. The appropriate tone and style are modeled by the author's performances of more than 50 sample exercises and improvised solos. Includes access to online audio.
18.99 GBP - Sold by Musicroom UK
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Essential Technique for Strings with EEi: Cello Solo: Book & Audio
Cello
[Sheet music + Audio access]
Hal Leonard
(Essential Elements Book 3)-Book 3 of the Essential Elements 2000 for Strings se...
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(Essential Elements Book 3)-Book 3 of the Essential Elements 2000 for Strings series Essential Technique 2000 includes exercises for the higher positions and shifting along with scales bowings and special techniques. Also includes theory history multicultural music creativity and assessment along with sight-reading and rhythm pages. All this PLUS a CD with more great play-along tracks.
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Katy Tompkins: Play Cello Today!: Cello Solo: Instrumental Tutor
Cello
[Sheet music + Audio access]
-
Beginner
Hal Leonard
This self-teaching method has been carefully designed for beginning cellists. Pl...
(+)
This self-teaching method has been carefully designed for beginning cellists. Play Cello Today! features quality instruction starting with the very basics as well as a selection of terrific tunes to play accompanied by audio demonstration tracks. This Cello method can be used by students who want to teach themselves or by tutors for private or group instruction. Simply follow the tips and lessons in the book as you listen to the audio. With Play Cello Today! you'll learn: how to hold and care for the instrument; how to produce a sound; playing tips and techniques; reading music notation and rhythms; how to understand musicalterms and more. Learn at your own pace and open the door to the world of Cello music! Over 100 great songs and examples are included.
11.50 GBP - Sold by Musicroom UK
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Manfred Trojahn: Mendelssohns Möwen: Cello: Instrumental Work
Cello
-
Intermediate/advanced
Barenreiter
A Song without Words for Violoncello Solo-Manfred Trojahn on the origin and titl...
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A Song without Words for Violoncello Solo-Manfred Trojahn on the origin and title of his impressive virtuoso solo work:'Admittedly I do not know if he had seagulls but since Mendelssohn was born in Hamburg he will not have gone through life without at least the impression of the cry of seagulls. Nor do I know if seagulls played any part in his life in Rome. I myself was astonished when one or two years ago in the Villa Massimo I was not exactly annoyed but disturbed by the strong rhythmical cry of seagulls. I was just about to write a bassoon solo when the seagulls started. Then the idea came to me that precisely this sequence of notes could serve as the basis of the work. And the sequence for thebassoon solo is in turn the basis of the piece for violoncello - this is how titles are born... Of course the violoncello meanders with virtuosic ease from the seagull motif to the 'elf-like' skittering brought to music by Mendelssohn and used time and again in his compositions finally becoming a cabaletta. Now cabalettas are not very representative of Mendelssohn but as I was composing I definitely wanted to put a cabaletta in this passage. I am sure Mendelssohn and I will easily agree on this especially since later justice is done to him in the rapid passages and of course in the tonal cadenza at the very end which is more indicative of his time than of mine ... isn't it?'
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Contemporary Cello Etudes: Reference Books: Instrumental Album
Cello
[Sheet music + Audio access]
Berklee
Studies in Style
25.99 GBP - Sold by Musicroom UK
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