for Cello and Piano-Erik Satie Three Gymnopedies arranged for Cello and Piano by John Arkell.

A supplementary book of repertoire for three Violins (with Optional Viola Cello and Piano accompaniment) as arranged and edited by Peter Mountain.

Dance Of The Miller from The Three Cornered Hat by Manuel De Falla for Cello and Piano.

Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Violoncelle

Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards: The Boxer · City of Stars · Daughters · Every Breath You Take · Gabriel's Oboe · Have I Told You Lately · Just Give Me a Reason · Love Me Tender · Michelle · Never Enough · Perfect · River Flows in You · She's Always a Woman · Strangers in the Night · Three Times a Lady · What a Wonderful World · Your Song · and more.

Score and Parts-Three songs for violoncello and pipa (a Chinese lute) based on popular folk tunes the composer heard while growing up in China.

Jazz Cello/Bass Wizard Junior 2 is a continuation of Jazz Cello Wizard Junior (Mel Bay 2002) and is designed for upper middle school and high school string students. JCWjr 2 uses the same basic approach as JCWjr; students learnmainly through imitation the same way we learn to speak our native tongue. It also introduces very easy optional chord theory but only AFTER the student has experienced improvising with chords aurally. The books come in threeversions???violin viola and cello/bass???designed to be used together in studio and classroom situations. This volume introduces three basic concepts that are prerequisites to advanced jazz improvising: solo development modes andinner melodies - the single most potent technique to get students to improvise on advanced progressions immediately. ???

The seventeen Christmas songs in this volume arranged in comfortable keys can be used for players at different levels and for all kinds of occasions. All three editions (Violin Viola and Cello) include two parts foreither solo or duet performance and Piano accompaniment. The three books are all compatible so that ensembles may mix and match parts as desired. Suzuki groups may particularly enjoy these arrangements. The audio providesthe piano accompaniments alone. It can be used for back-up improvisatory play-along or for pleasant listening by itself. Includes two 24-page pull-out parts for Cello I and Cello II and access to online audio.

These versatile trios are written so that they can be performed by any combination of three string instruments. With books available for Violin Cello Viola and Bass there will always be an opportunity to play no matter what instruments are available!The arrangements and compositions by prominent string pedagogue Doris Gazda will sound full and satisfying with only three players all the way up to a full string orchestra. The music selection covers a wide variety of musical styles that will provide hours of enjoyment and performance options. There is even an arrangement of the 'Bridal Chorus' from the opera Lohengrin should you have the opportunity to play at awedding!The trios are progressively organized by level of difficulty to enable the performers to gradually advance in skill.

für Violoncello und Klavier-Julius Klengel (1859-1933) was a German cellist most famous for his etudes and solo pieces written for the instrument - he ultimately composed hundreds of pieces for the Cello including four Violoncello concertos two double Cello concertos Cello quartets a Cello sonata as well as numerous caprices etudes and other technical pieces. Unfortunately the majority of his compositions for Cello are rarely remembered however this piece stands out for its value to developing cellists – it is a wonderful brief introduction to the concerto form. The diverse three movements of the Concertino in C Major give the student pleasure whilst onlyinvolving the 6th and 7th positions at the higher register (but no thumb positions). With a total performance time of approximately 20 minutes this concerto is perfect for intermediate to advanced cellists (Grade 6-8).

Having been the conductor of the Leipzig Gewandhaus Orchestra for many years Carl Reinecke was one of the most important figures among musicians in the second half of the 19th century. His three sonatas for Violoncello and Piano are of amazing musical quality which puts them right up with sonatas of Johannes Brahms. It is all the more surprising however that a noteworthy Urtext edition of these works did not exist up until now; cellists often had to fall back on copies of the first editions only a few of which were extant. This gap is now closed by the Wiener Urtext Edition - right in time for the 100th anniversary of the composer's death. Itencompasses all three sonatas in one volume thus adding three masterpieces of Romantic chamber music to the less than comprehensive repertoire of the 19th century for Violoncello and Piano.

The Basic of Cello technique in selected etudes-Studies play an important role in musical instrument training. Gerhard Mantel's new edition 'Etüden üben' [Practising studies] (3 volumes) complements his previous successful book 'Cello üben' (ED 8714). The basics of cello technique are worked on in selected studies with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello. Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position vibrato and trills to changes of strings and double stops. Vol. 2 deals with fingerings whole-bow stroke dynamics articulation and types of bowing among others. The final volume contains studies on legato arpeggios chords martellato staccato spiccato and changes of rhythm. The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.

For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?- The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.