Discovery Level 2-This popular French carol dances with energy and joy in this accessible setting! Voices dart in and out to create a delightful musical tapestry all above the steady accompaniment with piano and hand drum. Fresh and fun! Availableseparately: 3-Part Mixed VoiceTrax CD. Duration: ca. 1:45.

Singin’ In The Rain was already a classic before it featured in the famous 1952 Gene Kelly film musical — Arthur Freed and Nacio Herb Brown wrote it in the 1920s when many artists recorded it but more notably Cliff Edwards enjoyed success from his recording in 1929.Now forever associated with Kelly’s puddle-splashing routine and more recently reprised in stage adaptations Singin’ In The Rain remains an all-time favourite.Here it has been arranged by Craig McLeish for upper voice SSA choir with piano accompaniment.

Scottish harmonic openness is evident throughout this arrangement of “Ye Banks and Braes.” The optional tenor notes let the SAB voicing become a 3-part mixed voicing for younger voices. How wonderful if your voicingneeds change within the year or from year to year. The piano accompaniment is easy but strong and supportive. Full piano accompaniment on Piano Trax 2004

A flexible arrangement of Mozart's Mi Lagnero Tacendo for either SSA or SAB choir with Piano accompaniment.

This gospel flavored Christmas original will add some spirit to your holiday concert. The driving piano accompaniment authentic 3-part vocals and an easy descant add up to success! Available SSA 3-Part Mixed. Performance Time: Aprox. 2:30.

All things are possible if you just take it ?little by little step by step...? This Swahili phrase with added English text is written in an African folk style by Jerry Estes. The easy harmonies are lively andsupported by a percussive piano accompaniment. The performance/accompaniment track adds even more rhythmic excitement. Haba Na Haba is a wonderful selection for your young singers to learn and enjoy. Available: 3-Part Mixed;2-Part; StudioTrax A/P CD.

Our lives are compared to a small bird perched on a limb that is bending in the wind. Like the bird we have wings to fly and can rise above the struggle of life. The expressive piano accompaniment enhances this exquisite inspirational text. A beautiful selection for both women's and younger mixed voices.

Written for and premiered by the 2011 ACDA National Children's Honor Choir Henry Leck conductor this is a treble chorus closer extraordinaire! The famous strains of the popular standard from the 1920s are punctuated by afabulous scat chorus and an over-the-top 4-hand piano accompaniment. Perfect for choreography! Duration: ca. 2:30.

Santa Baby is perfect for any choir's Christmas concert! This jazzy song is a great encore piece. Eartha Kitt's classic hit is arranged here for SSA chorus and Piano accompaniment.

Merry Christmas To You-The Christmas Song ('Merry Christmas To You') by Mel Torme and Robert Wells has been carefully arranged here for SSA Choir and Piano accompaniment by Roy Ringwald. Includes tone Syllable to aid choral enunciation.

Vocal score for Stjernen Lyser Over Betlehem for Choir SSA and Piano by Pillip Faber.

This tender lullaby from the Panay Island in the Philippines is traditionally sung by a sister or other female relative to help the child fall asleep while the mother is at work. The gentle melody is well-supported by the vocal and piano underlay and it may be sung a cappella as well. In the Visayan language with English translation and pronunciation guide.

Join Glinda and Elphaba as they explore all the mysteries of The Emerald City in this standout selection from the musical Wicked. The wonderful harmony and a well-crafted arrangement will make this a hit with both directors and singers! Arranged here by Roger Emerson for SSA choir and Piano accompaniment.

Welcome is a work composed by Edward Gregson arranged for Upper Voices and Piano. It was originally composed for boys' voices Organ Brass and Percussion in 1996 but ten years later Gregson created a new version especially for the Kinder Children's Choir of the High Peak. This latter version appears here and lasts around 4 minutes. The text of Welcome consists of the word 'Welcome' repeated numerous times in a variety of languages from English to various European languages to Hebrew and Arabic. Gregson's idea was to provide a fitting way to welcome a new and diverse audience into a newconcert hall designed for a new Millennium. The voices are divided into as many as six parts in certain places but it's left to the conductor to decide on how to distribute these parts depending on the size and make-up of the choir. The work is suitable for performance by any mixture of upper voices from children's choirs to female voices. In the January/February 2016 issue of Choir & Organ Geoffrey Webber calls Welcome 'an ear-catching start for any concert programme.'

Scottish singer-songwriter Emili Sand? achieved pop success with this piano driving gospel infused chart hit that that unabashedly sings about faithfulness fidelity and commitment - unusual for a pop song! The vocal harmonies are well-suited to a pop choral arrangement and your SSA choirs will love recreating the sound! Duration: ca. 3:20.