These new SAB and SSA arrangements make the beautiful Tomás Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompaniment offering analternative to a cappella singing for developing choirs. A timeless classic in choral literature. Available: SAB opt. a cappella; SSA opt. a cappella; PianoTrax CD (35027473). Duration: ca. 1:50.

This choral sparkles with rhythmic vitality an easy-to-feel use of mixed meter marvelous contrasts in texture and dynamics and the clever addition of flute and percussion to enhance the crisp piano accompaniment. Outstanding for mixed voices it is now available for your men's choirs! Available: SATB; SAB; TBB; 2-Part; PianoTrax CD.

Beautiful legato call and response harmonies lush suspensions and a flowing piano accompaniment will make this piece a joy to rehearse and program for contest and concert. The Latin text will be easily learned and allow yourchoir to develop unified vowels and a warm and blended tone quality. Available separately: SATB SAB SSA. Duration: ca. 3:40.

The imagery of fire in the midst of winter snow is perfectly portrayed in this beautiful and mysterious setting of a song by Brendan Graham and MacDara Woods. Wonderfully crafted for choir piano and cello you will weave amagical tapestry of sound in concert! Available separately: SATB SAB SSA ShowTrax CD. Duration: ca. 3:15.

“Some Glad Morning” allows us to see spring through the poet's eyes: the early green like “leafy birds ” the ground breaking open as “dark as coffee beans” and the clouds in a spirited ballgame with the sun. The choir should portray all of the contrasting moods by following the expressive directions throughout the piece. The piano is a significant collaborator as the work builds up to a grand climax. Duration: ca. 3:45

A new Christmas carol composed by Oscar-winning composer Rachel Portman with text by children's author Michael Morpurgo We Were There is arranged for SSA Chorus and Piano. The work was commissioned by Liverpool Philharmonic for their 175th anniversary and first performed by the Liverpool Philharmonic Youth on the 18th of December 2014. Portman's work gained a rapturous reception with critics and audiences praising its pretty melodies and the text by the master of fiction Michael Morpurgo. This Christmas carol makes a fantastically fresh antidote to the tired old favourites and it will definitelybe a hit with audiences who will love the new sound and the divine melodies. It'll certainly be a hit at any Christmas concert. In the September 2015 issue of Organists' Review David Lindley wrote that We Were There 'would make an agreeable piece for a school carol service and should be well within the abilities of a reasonably competent group.' An equally good review from the September 2015 issue of Sunday by Sunday from the Royal School of Church Music states that 'choirs will enjoy this attractive and effective piece.'