We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.

O beata Trinitas. for SSAA double choir unaccompanied. In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.

Newly arranged for SSAA choirs! Using jazz articulation in an exuberant spiritual style this original provides an exciting dimension to choral programming! Performance Time: Approx. 2:30.

Fairest Lord Jesus-Eatnemen Vuelie is the opening musical number for the 2013 Disney animated feature Frozen. The song is inspired by indigenous Saami and Norwegian culture and was written and composed by Norwegian composer Frode Fjellheim. The song is a combination of Saami yoiking and the Danish Christmas hymn 'Dejlig erjorden'/'Fairest Lord Jesus'. 'Yoik' is a very old vocal tradition among the Sami people of Scandinavia and Russia. Typical of this tradition is the use of short melodic phrases that repeat endlessly with small variations.Arranged for children's choir or women's choir (SSAA Voices) Synthesizer Percussion and solo medium Voice.

Søstrene - Suite Fra 'Den Lille Havfrue' for Girl's Choir SSAA was composed by Bent Sørensen in 2006 for the Danish National Girl's Choir. Text by Peter Asmussen based on 'The Little Mermaid' by H. C. Andersen.

Landsby for SSAA Choir was composed by Per Drud Nielsen in 2014. Based on a poem by Mette Moestrup. Alternative version for Mixed Choir SATB available: WH32765

Joni Jensen Choral Series-As the inscription on the statue that greets you as you enter Texas Woman's University this message is powerful and empowering. The primary octavo is for SSAA choir piano and percussion but there is an alternate full score and parts for string quartet and percussion. Singing of making a path in a pathless wilderness and pressing forward with unswerving courage this song addresses the strength of women and their ability to conquer adversity in ways that only they can.

Here is the treasured Franz Gruber folk carol as arranged by Philip Lawson for the King's Singers. Includes original German and optional English texts. Arranged for SSAA choir.

John Joubert's I Will Lift Up Mine Eyes for SSAA choir with Piano accompaniment. Commissioned by Rustenburg High School for Girls Cape Town on the occasion of their 75th Anniversary 1969.

Designed to showcase that special soloist in your choir this spiritual gets an upbeat a cappella treatment that allows for an optional audience sing- or snap-along. For SSAA a cappella this traditional piece has been beautifully arranged by Kirby Shaw.Also available for SATB a cappella - Catalogue No.: HL08666112

Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers and Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles this delightful setting for SSAA choir a cappella has been arranged by Kirby Shaw.

A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA divisi chorus. The sublime harmonies of this piece were released on the album 'A Tender Light' that also featured his piece composed for the Royal Wedding. The moving melodies and dramatic dynamics of the vocal parts in A Spotless Rose create a subtle solemnity in the wash of the beautiful soprano and alto parts. Featuring a Piano part for rehearsal only the unaccompanied soaring of the choir will make a truly lasting impression on any audience. In the September 2015 issue of the Organists' Review DavidLindley writes that this piece 'encompasses a wide dynamic range and some high tessitura for sopranos as the music celebrates 'Mary purest maid' contrasting with the slow-moving chordal setting of the rest of the text.'

A terrific setting of Mother Julian of Norwich's text for unccompanied SSAA choir by Betty Roe. A dynamic and driven piece that audiences and performers are sure to enjoy!