All the wonder and joy of the holiday season are clearly present in this fresh new work for schools community and church choirs everywhere! Scored in a ?Holiday Pops? style for orchestra choir and optional soloist this 30-minute work is divided into nine sections each titled for a letter in the word C-H-R-I-S-T-M-A-S. Combine your SATB and/or SSA choirs with orchestra a smaller chamber group or with the spectacular CD accompaniment for a wonderful salute to the season. Sections and songs include: C - It Must Be Christmas; H - Hark! Hear the Children Sing (Sing We Now of Christmas What Child Is This Masters In This Hall); R - Rejoice! Rejoice! (O Come Emmanuel Rise Up Shepherd and Follow); I - I Hear the Bells (I Heard the Bells on Christmas Day Carol of the Bells); S - Snow!; T - 'Twas the Night; M - Merry Merry Christmas (Deck the Hall Bring a Torch Ding Dong Merrily on High Fum Fum Fum Hallelujah Chorus Jingle Bells); A - Angels We Have Heard On High Sheep May Safely Graze); S - Savior (Joy to the World Gesu Bambino).

from The Peanuts Movie-?Show the world what you can do/Prove to them you've got the moves/I don't know about you/I feel better when I'm dancing!? From The Peanuts Movie this peppy tune by Meghan Trainor positively defies you to keep still!

Arch Gwyn (Arranger). Par ARCH GWYN. La série acclamée par la chorale Programme est très appréciée par les chefs de choeur pour sa largeur de répertoire et de pratiques pour l'optimisation éditions. La série a été re-conçue et offre maintenant un nouveau look élégant sur toute la gamme. Chaque volume est publié à une plus petite et plus maniable ' in-octavo 'taille (254x176mm) et coloris distinctif aider à distinguer entre genre et accordage supérieure et inférieure. Cinq nouvelles publications maintenant étendre davantage l'immense étendue du répertoire./ Feuillet / SSA

Choral Highlights-Motown: The Musical has electrified Broadway with a show that is loaded with great singers overwhelming energy and a jubilant celebration of the music that transformed America! This 12-minute medley showcases 15 top hits: Ain't No Mountain High Enough; Ain't Too Proud to Beg; Baby I Need Your Lovin'; Do You Love Me; I Can't Get Next to You; I Can't Help Myself (Sugar Pie Honey Bunch); I Heard It Through the Grapevine; I'm Losing You (I Know); My Girl; Papa Was a Rollin' Stone; Please Mr. Postman; Reach Out and Touch (Somebody's Hand); Reach Out I'll Be There; Signed Sealed Delivered I'm Yours; Stop! In the Name of Love.

Phillip Neil Martin's Human Drum for three voices (SSA). Duration: 3 minutes Composed: 2006 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. Human Drum was a collaboration with the Juice Vocal Ensemble. The piece began in the recording studio where I recorded Juice singing notated fragments I’d popped together and also their own improvisations. I then edited and cut up all the audio into very tiny fragments in a myriad of ways to make a short rhythm-based electronic 3 part vocal piece. This forms part of my larger work Voices of the Asylum for voices human beatbox electronics fashion andspace. The final track bares very little resemblance to the original recording studio session. Several weeks after I had finished Human Drum Juice asked me to transcribe the audio so they could sing the piece live (which wasn’t easy to do after all the cutting and processing!) therefore coming full circle! There are now two versions of Human Drum the studio electronic track and the ‘live’ notated version. Human Drum is dedicated to the Juice Vocal Ensemble with affection. First performed by Juice Vocal Ensemble on 3rd May 2007 at York Spring Festival Sir Jack Lyons Concert Hall University of York.

Gabriel Og Maria af John Høybye. Juleoratorium for lige stemmer (SSA) recitator soli fløjte orgel klaver og bas (trommer/percussion ad lib.). Tekster af Britt G. Hallqvist. Programnote: I 1985 udkom Gabriel og Maria - 7 sange til jul for kor og rytmegruppe.Det var nyt på den tid at skrive kormusik - oven i købet til kirkelige tekster - der skulle akkompagneres af jazz/rock-musikere og hvor korsangerne skulle udfolde sig i stilarter som bossa samba og jazzvals. Men sangene blev hurtigt populære og allerede i deførste år efter udgivelsen blev de en fast del af mange kors julerepertoire både herhjemme og i Skandinavien (i en svensk-sproget udgave) - ja helt til USA kom de (i en engelsk-sproget udgave).Tæt på 25 års jubilæet er det nu tid til en revideret ny-udgivelse.Selve sangene er der ikke lavet om på - men storformen er ændret således at værket nu fremstår som et lille juleoratorium med recitationer og orgel-mellemspil. En enkel ny sats er kommet til: Lovsangen Stjerner og vinde og skyer og de instrumentale mellemspil (soli for fløjte/sax piano eller bas) er udbygget på forskellig måde. Normalt er det instrumenterne der akkompagnerer koret. Men i de instrumentale mellemspil er rollerne byttet om. Nu er det koret der med riffs scatsang og forskellige akkordbaserede figurer 'akkompagnerer' de improviserende solister.Fløjten vil - med passende oktaveringer - kunne erstattes af saxofon (sopran og/eller alt). Det forudsætter dog at saxofonisten er i stand til - også - at spille med smuk 'klassisk' klang. Recitationsteksterne er taget fra Cecil Bødkers bog: Marias barn (Gyldendal).Orgelsatserne fungerer som stemningsgivende ledsagelse til recitationen og bortset fra nr. 17 spiller

Players gonna play haters gonna hate but I'm just gonna shake it off! Taylor Swift's irresistible #1 hit from 2014 is pure pop delight! SSA and 2-part choirs just can't get enough of this brilliant young artist! Duration: ca. 3:45 ScorePlay - click to view score with recording.

It's the hottest ticket on Broadway and one listen to the fun 60s-style score will tell you why. From the up-tempo opener Welcome to the 60s through the contagious You Can't Stop the Beat Mac Huff takes us on an 18 minute romp through this new Marc Shaiman/Scott Wittman hit. Includes: Welcome to the 60s Good Morning Baltimore Mama I'm a Big Girl Now It Takes Two I Know Where I've Been and You Can't Stop the Beat.