Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status.   It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.

It is created out of nothing and develops into sound. This choral improvisation on the kyrie from 'Messe à trois voix' by André Caplet gives the singers space to shape the piece themselves while nevertheless being self-contained. A short concert piece for experienced musicians. / Choeur SSAA A Cappella

from the movie The Wedding Singer-This clever and charming song was featured in the film The Wedding Singer starring Adam Sandler. Aaron Dale's arrangement is simple easy to learn in just a few rehearsals and was recorded by 2008 International Quartet Champion O.C. Times on their Let's Fly album. Fun to sing for any show singing Valentine set or any environment where general crooning may be appropriate.

Let your women's choir loose in this swinging spiritual! It is easy and fun to sing building to an impressive ending. A good closer or encore in your concert program! Duration: ca. 1:45.

For Children's and Female Voices. Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.

(J'entends le Loup)-An incredibly dynamic adaptation of this beloved French folk song. Quick and rhythmic the work reflects the determination and liveliness of the girl in the poem who won't let others dictate her love or her future. Meter changes body percussion and the dancing oboe and piano parts all work together in this challenging arrangement. Sure to be a favorite of choirs and audiences alike! With piano oboe opt. frame drum and body percussion. Duration: ca. 3:45.

A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Requiem? for soloists (SA) female choir (SSAA) and Organ the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged while the original baritone solo now resounds in the alto. The Organ arrangement takes all three versions of the ?Requiem? into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation ofthe instrumental parts.However the Organ part is tailored to the arrangement rather than trying to imitate the sound of the Orchestra. This vocal score is compatible with the performance material of the original work (BA9461). - Arrangement for female choir (SSAA) based on the Urtext of ?Gabriel Fauré The Complete Works? - Includes an idiomatic Organ reduction.

Franz Schubert was an Austrian composer who was extremely prolific during his lifetime despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the most frequently performed composers of the early nineteenth century.Schubert composed his ‘Mass No. 2 in G major’ in less than a week (March 2 to 7 1815). Kyrie the second of the 6 movements is arranged here byWilliam Hermann for SSAA choir and Piano accompaniment. Performance time of this piece is approximately 3:10.

Inspirational lyrics, a lush accompaniment, and well-crafted vocal harmonies. What more could you ask from this thrilling new arrangement by Mark Hayes? A real tour de force that is equally moving with either the full piano accompaniment or the complete orchestration. / Choeur SSAA

DR Pigekoret-Sange for Pigekor 4 redigeret af Phillip Faber og Jakob Faurholt (2017). Fra forord:Med serien Sange for pigekor ønsker vi at fokusere på bredden i ligestemmig sang og præsentere de bedste satser fra DR PigeKorets repertoire. Vi har samlet nye og gamle danske sange og dette hæfte spænder fra Carl Nielsen til Agnes Obel og Marie Key. DR PigeKoret har siden etableringen i 1938 været formidler af den danske sangskat og har med bestillinger af både originalværker og arrangementer været med til at forny den ligestemmige sang. DRs nodearkiv bugner afværker og arrangementer for pigekor og hvert år kommer der endnu flere til. Et udvalg af disse sange præsenterer vi i denne serie i håbet om at de kan være til glæde og inspiration for andre ligestemmige kor. Alle satserne i serien er blevet sunget af DR PigeKoret eller DR JuniorKoret og bag i hæftet findes der noter til et udvalg af sangene. Phillip Faber og Jakob Faurholt

Written for the famous Tapiola Choir. With its different style elements this playful setting also draws on the traditional American swing style making it a fun audience piece in any program! Available: SSAA a cappella.

The SSA/SATB arrangement of this Carly Simon song as arranged by Craig Hella Johnson has been sung and enjoyed by hundreds of thousands. Now skillfully adapted and arranged by Emily Crocker both men's and women's choirs can now experience this vibrant concert-pop work. The ranges and parts have been carefully scored for the most successful results.