Sleepsong is a rich Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge.Released by Secret Garden in 2005 the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit You Raise Me Up. This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012.The piece is perfect for choruses looking to take their singing forward with specific directions for staggered breathing throughout offering an added challenge forensembles. Although designed to be sung A Cappella the arrangement includes a piano reduction for easy rehearsal.

Amoureux de Variété Internationale Et Divers, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil. Composée par Beatles The cette partition Yesterday Ssattbb/Piano est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Voix. / Voix / Chanson En Séparée

Arrangé pour chorale SSATBB A Cappella par Gene Puerling. / Voix / niveau : Intermédiaire / Partition Séparée

Setting the text of Richardâ??s brother Thomas Music scored for unaccompanied SSATBB choir was commissioned by Judith Godsland for Commotioâ??s 20th Anniversary Concert in September 2019.

Glorieux écriture chorale est la clé de cette conduite, décor contemporain. La sélection du festival parfait ou pour toute ouverture de concert, à l'école ou à l'église, en général ou un jour férié (offre paroles de rechange pour l'utilisation de Noël). / Choeur SSATBB

Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.

In 1802 Beethoven wrote a cycle of six lieder on the poetry of Christian Gellert. The fourth of these Die Ehre Gottes Aus Der Natur became popular as Choral work in a hymn-like setting arranged for various voicings. The English words were provided by Rev J Troutbeck and their rhythm respects the original German. Creation’s Hymn gained a great following in its time and is still a frequent feature on Choral programs.

This Festival Piece is a grand and stately choral work with music by Vaughan Williams based on the melody of the traditional English Hymnal Sine Nomine. Adapted and arranged for TTBB Choir and Piano accompaniment by Dwight Elrich this attractive setting is perfectly balanced for Male voices and makes for a real choral treat!

With its sumptuous, layered harmonies this beautiful choral arrangement of White Christmas is the ideal piece for choruses seeking an impressive centrepiece for their festive programme. Arranged for TTBB choir with piano accompaniment by Christopher Hussey, you can add some luxurious, jazz inspired splendour to your seasonal repertoire this Christmas! / Choeur TTBB Et Piano

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for TTBB choir brings this standard to the Novello Choral Pops series - the perfect number for choirs seeking a stylish, soulful number to add to their repertoire. / Choeur TTBB Et Piano