SKU: JK.00352
Doctrine and Covenants 4:2-3, Doctrine and Covenants 20:17-19.
Powerful choral medley (TTBB) combining music and lyrics from four beloved children's songs--I Hope They Call Me On a Mission, I Will Be Valiant, We'll Bring the World His Truth, and Called to Serve.Performed in the October 2014 Priesthood Session of LDS General Conference. Also available as SATB arrangement #01754.Composer: VariousArranger: T. Chemain Evans and Ryan K. EggettLyricist: VariousPerformance Time: 4:45Reference: Doctrine and Covenants 4:2-3, Doctrine and Covenants 20:17-19
SKU: HP.9026
UPC: 763628190262.
Eight familiar favorites by various writers Here is the ninth volume in our successful series of settings for men's choir. Included are eight top-selling, contemporary titles arranged for TTBB voices. There are selections for Christmas, Lent, Pentecost, Communion, and general occasions throughout the year.
SKU: HP.8952
UPC: 763628189525. By Various Writers.
Nine familiar contemporary titles by Various Writers Here is the 8th volume in our successful series of settings for men's choirs. Included are nine top-selling titles arranged for TTBB voices. There are selections for Christmas, Lent, Pentecost, Communion, and general occasions throughout the year.
SKU: HP.9026C
UPC: 763628990268.
SKU: PR.312416820
UPC: 680160050376. 8.5 x 11 inches.
Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year. I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners. They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences. This correlation between speech and music distinguishes folk songs of one region from another. I learned all songs by heart and sang them back in the exams every week. They melted in my blood and became my natural music language. The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire. The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi). I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.  From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music. The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come. In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes. They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.
SKU: AP.49718
UPC: 038081568058. English.
Changing meters of 10/8 and 6/8 are sure to grab your attention in this contemporary Christmas choral. Rhythmic four-part voices sing mostly in Latin (with occasional joy to the world interjections) and with various choral textures. Staggered Glorias kick it off with exuberance and joyfully return before the final flourish. It's an inspired surprise when the addition of a descant cleverly combines themes we've heard before. Invite a snare drum player to join (part included) to reinforce the triumphant tone.
SKU: BP.BP2238B
Printed product. Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include: The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.
SKU: HL.14034924
UPC: 884088806149. 6.75x9.75x0.019 inches.
Lodovico Grossi da Viadana (c.1560 - 1627) was an Italian composer, teacher, and Franciscan Friar. He is known for the important contribution he made to the development of Baroque music, being one of the first people touse figured bass as a means of notating a basso continuo line. From 1594 onwards he was choirmaster at various Italian cathedrals, when his O Sacrum Convivium was most probably written. It is an arrangement of theancient Christian prayer for TTBB Male Voice Chorus, and is a perfect anthem for any Eucharist service.
SKU: HP.8952C
UPC: 763628989521.
SKU: HL.50493052
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