SKU: BT.DHP-1115113-400
ISBN 9789043139205. 9x12 inches. English-German-French-Dutch.
In Double Bass Starter you will find a variety of tunes for beginner double bass players - young as well as old. It is a fantastic album, with a solid methodical structure. A range of styles is featured, from classical to jazz and pop. The tunes can be picked or bowed. The CD features demo tracks together with play-along tracks for each piece. In Double Bass Starter zijn verschillende stukken voor beginners op de contrabas verzameld. Het is zowel een geweldig speelboek als een goed doordachte aanvulling op het gebruikelijke lesmateriaal. Allerlei stijlen passerende revue - van klassiek tot pop. Alle stukken kunnen zowel pizzicato als con arco worden gespeeld.In Double Bass Starter sind vielfältige Stu?cke fu?r Anfänger auf dem Kontrabass versammelt. Es ist zugleich ein fantastisches Spielbuch und sehr lehrreiches Zusatzmaterial fu?r den Unterricht mit einem durchdachten methodischen Aufbau. Allerlei Stile kommen darin an die Reihe - von Klassik u?ber Jazz bis hin zu Pop. Alle Stu?cke können sowohl gezupft als auch gestrichen werden.Die CD bietet sowohl Demo- als auch Play-Along Tracks an.Double Bass Starter propose de nombreuses pièces de style divers (classique, jazz ou pop), arrangées pour contrebassiste débutant. Chaque partition contient un large éventail de compléments pédagogiques qui sâ??intégreront facilement votre méthode dâ??apprentissage. Ce fantastique ouvrage offre la possibilité de jouer en pizzicato ou en legato. In Double Bass Starter troverete una variet di pezzi per avviare i principianti allo studio del contrabbasso. Oltre al materiale pedagogico utile a supportare l'insegnamento, vengono anche trattati tutti i generi musicali dalla classica al jazz al pop.
SKU: BT.YE0030
An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).Programme Note:As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.
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