Guitar - easy

SKU: BT.REG9781898466710

Exam Material. Book Only. London College Music #REG9781898466710. Published by London College Music (BT.REG9781898466710).

ISBN 9781898466710. English.

This volume covers all the material required for three Bass Guitar grades and includes useful advice and tips about preparing for London College of Music Bass Guitar examinations. Whether or not you intend to take a bass guitar exam the handbooks will help you develop your playing, increase your knowledge of specialist bass guitar techniques and provide a sound theoretical basis to enable you to achieve your full potential as a bassist.

Guitar - Level 3

SKU: LM.25154

Composed by Delia Estrada. Delia Estrada. Classical. Score. 7 pages. Editions Henry Lemoine #25154. Published by Editions Henry Lemoine (LM.25154).

ISBN 9790230951548.

ANONYME : Deux basses dances du XVIe siecle - The Sick Tune - ATTAIGNANT : Basse dance - Recoupe - Tourdion - ASKUE : A Jig - BACH J.C. : Danse - CUTTIN : The Squirrel's Toy - MOZART L. : Bourree - RAMEAU : Menuet - TELEMAN : Gavotte.

Guitar - beginner

SKU: FJ.G1062

Composed by Michael Trowbridge and Philip Groeber. Bass Guitar Method or Supplement. Guitar Method. Book. The FJH Music Company Inc #98-G1062. Published by The FJH Music Company Inc (FJ.G1062).

ISBN 9781619282285. UPC: 241444392980. English.

This comprehensive book guides the beginning bass student from the music stand to the band stand by concentrating on important concepts.

About Hal Leonard Guitar Method

The world-famous Hal Leonard Guitar Method is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. The Hal Leonard Guitar Method provides a complete system to playing success which includes three levels of instruction and a myriad of play-along supplemental songbooks that let students play great songs while they're still learning to play.

Guitar

SKU: UT.CH-403

Composed by Luciano Chillemi Piero Bonaguri. Classical. Score. Ut Orpheus #CH 403. Published by Ut Orpheus (UT.CH-403).

ISBN 9790215328631. 9 x 12 inches.

This short introductory text to the practice of figured bass for guitarists certainly has no claim to discuss the topic thoroughly. It arose both from the desire to share practical experience gained in the field and from a pedagogical concern towards young guitar students.
As can be seen from the Introduction, an initial practical knowledge of the figured bass performed on the guitar can help the student to develop a greater awareness of the harmonic possibilities of the instrument and to fill that gap which is too often visible between the theoretical-harmonic knowledge acquired in the theory courses and instrumental practice.
The practical examples provided in this text also arise from the authors’ didactic experience gained from teaching this subject in the conservatories of Bologna and Rovigo.

Stories from the Gospel of Luke. Composed by Marty Haugen. This edition: Guitar/Bass/Percussion edition. Drama. Sacred. Guitar, bass and percussion parts. 71 pages. GIA Publications #5440G. Published by GIA Publications (GI.G-5440G).

By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG5DS) Contains 10 finger/transcribed solos based on "standard" chord changes by the great Barry Galbraith. Recording contains Mark Slifstein playing the transcribed solos with Milt Hinton on Bass and Barry comping behind you. Turn off the Slifstein channel and solo with Barry and Milt comping! Turn off the other channel and comp with Milt behind Mark. You can also listen to both channels and simply enjoy the trio!

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

Guitar

SKU: UT.CH-394

Composed by Luciano Chillemi Piero Bonaguri. Classical. Score. Ut Orpheus #CH 394. Published by Ut Orpheus (UT.CH-394).

ISBN 9790215328518. 9 x 12 inches.

Questo breve testo introduttivo alla pratica del basso continuo per chitarristi non ha certo pretese di esaustività; esso nasce sia dal desiderio di condividere un’esperienza pratica maturata sul campo sia da una preoccupazione pedagogica nei confronti dei giovani studenti di chitarra.
Come scritto nell’Introduzione, una seppur iniziale conoscenza pratica del basso continuo realizzato alla chitarra può aiutare lo studente a sviluppare una maggiore consapevolezza delle possibilità armoniche dello strumento e a colmare quel gap che troppo spesso si ravvisa tra le conoscenze teorico-armoniche acquisite nei corsi teorici e la pratica strumentale.
Gli esempi pratici di realizzazioni fornite in questo testo nascono anche dall’esperienza didattica degli autori maturata dall’insegnamento di questa materia nei conservatori di Bologna e Rovigo.

Guitar (Guitar)

SKU: HL.14021531

Music Sales America. Swing. Book with CD. Editions Musicales Francaises #EMF100064. Published by Editions Musicales Francaises (HL.14021531).

9.0x12.0x0.154 inches. French.

Les caracteristiques de la guitare sont telles qu'il existe un nombre quasi-illimite de possibilites (positions, doigtes, techniques de liaison) pour jouer une meme phrase melodique. Cet ouvrage a donc pour but de donner quelques exemples de phrases et d'arrangements des Standards du Jazz issus de repertoire Swing et Be-Bop a l'aide d'un CD d'accompagnement. Vous trouverez dans cette methode deux types de themes et d'arrangements: * Les themes Be-Bop: Ils sont arranges pour deux guitares, une basse et une batterie. * Les themes Swing: Ils sont arranges pour guitare, basse et batterie. La guitare joue les accords et la melodie simultanement. The guitar idioms give an endless comnbination of fingerings, neck positions and legato techniques to play one single musical line. The purpose of this book is to provide examples of phrasing and arranging of swing and be-bop standards. You will find two types of tunes * Be-Bop tunes: These tunes are arranged for two guitars, a bass and drums. * Swing tunes: These are arranged for guitar, bass and drums. The theme and chords are played by one guitar only.

Guitar - Advanced

SKU: DY.DO-1551

Composed by Yorgos Nousis. Score. Les Editions Doberman-Yppan #DO 1551. Published by Les Editions Doberman-Yppan (DY.DO-1551).

ISBN 9782897963316.

PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.
The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.
Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.
The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme.
The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity.
Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.

PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).
Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.
La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.
La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème.
La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité.
Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.

Guitar solo - Intermediate

SKU: DZ.DZ-4313

Composed by Michel Dalle Ave. Score. Les Productions d'OZ #DZ 4313. Published by Les Productions d'OZ (DZ.DZ-4313).

ISBN 9782898522307.

Lakes Road is a piece for solo guitar.
Composed in a style very popular with many guitarists of the 70s: Finger-picking. This is distinguished by an often joyful melody built on alternating bass, thus creating a sustained and dynamic rhythm.
This composition is in line with this style,
reminiscent of Ragtime, a musical genre originating
from Louisiana originally written for piano.

«Lakes Road» est une pièce pour guitare seule.
Composée dans un style très prisé par de nombreux guitaristes des années 70 : Le Finger-picking. Celui-ci se distingue par une mélodie souvent joyeuse construite sur des basses
alternées, créant ainsi un rythme soutenu et dynamique.
Cette composition s'inscrit dans la lignée de ce style,
rappelant le Ragtime, un genre musical originaire
de la Louisiane initialement écrit pour piano.

(Mastering Jazz Guitar). By Jody Fisher. For Guitar. This edition: Standard Notation Only. Book; CD; Guitar Method or Supplement; Method/Instruction; Technique Musicianship. Complete Method. Jazz. Advanced. 96 pages. Published by Alfred Music