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Selected Studies For Oboe Vol. 2
Oboe
-
Intermediate/advanced
Hal Leonard
Artiste: Yuri Maizels_Yuri Maizels. This collection of etudes, duets, and exerci...
(+)
Artiste: Yuri Maizels_Yuri Maizels. This collection of etudes, duets, and exercises was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers, Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars), Wiedemann, Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty, becoming more challenging melodically and rhythmically, with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathing and intonation. This collection of studies, in three volumes, can help a high school student or young professional to master technique, breathing, and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War, he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov), to study the oboe. In 1964, he graduated from the College of Music with multiple degrees in oboe performance, oboe teaching, and conducting. During his career, Yuri Maizels played in major orchestras, working with such well-known conductors such as Yuri Temirkanov, Mariss Jansons, Yuri Simionov, Valery Gergiev and others. / Niveau : 4 / Etudes et exercices / Etude / Hautbois
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Selected Studies For Oboe Vol. 1 (MAIZELS YURI)
Oboe
Hal Leonard
Par MAIZELS YURI. This collection of etudes was written, compiled and edited by ...
(+)
Par MAIZELS YURI. This collection of etudes was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers, Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars), Wiedemann, Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty, becoming more challenging melodically and rhythmically, with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathing and intonation. This collection of studies, in three volumes, can help a high school student or young professional to master technique, breathing, and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War, he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov), to study the oboe. In 1964, he graduated from the College of Music with multiple degrees in oboe performance, oboe teaching, and conducting. During his career, Yuri Maizels played in major orchestras, working with such well-known conductors such as Yuri Temirkanov, Mariss Jansons, Yuri Simionov, Valery Gergiev and others. / Etudes et exercices / Etude / Hautbois
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Sexe-Tuor (FELDMANN WALTER)
Oboe
[Sheet music]
Carus Verlag
Version 1. Par FELDMANN WALTER. «sexe-tuor» was originally a failed attempt to...
(+)
Version 1. Par FELDMANN WALTER. «sexe-tuor» was originally a failed attempt to compose a solo oboe piece for my noyé cycle. For the solo the name 'le sexe du noyé' was intended, and the few measures of sexe-tuor were my first attempt to compose a piece in which more complex rhythms would result in a kind of proportional multiplication of individual fragments from the sextet [hence the French sextuor] le retour du noyé. This proved to be monstrously complicated and absurd. Thus, the ten measures of the «sexe-tuor» fragment represent a capitulation in the face of these complications, presented as the interruption of an immovable column of air in a frozen multiphonic sound. In the event, the solution to the problemwas quite simple: Beginning with the composition of le sexe du noyé the proportionalities of the pitch levels and rhythmic values revealed significant rhythmic possibilities. sexe-tuor remains as it is: a solo piece that can function in another compositional context, as an intermezzo between other, larger works on a concert program. The 90 second piece of music can be played in two versions: either for solo piccolo or solo oboe./ Répertoire / Hautbois
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