Check out this great arrangement of the Johnny Marks' holiday classic. Chris Sharp has styled this chart nicely moving between rock and swing styles. Extensive rhythm part writing makes this piece very playable by any group and the ranges are all within the grade 3 level. This chart will work year after year.

John Ness Beck's Upon This Rock for Orchestra arranged by John Purifoy.Instrumental pack (includes parts for Flute Oboe F Horn Bb Trumpet 1 2 & 3 Trombone Tuba Timpani Violin 1 & 2 Viola Cello and String Bass).

This arrangement comes from the Alive Forever collection arranged by Travis Cottrell. He has arranged the new modern hymn by Keith Getty and Stuart Toenend with a more traditional statement of The Solid Rock to makea great declaration that in Christ alone we have the assurance and strength that we need for each day. Choirs and congregations both will enjoy this music. CD Accompaniment Trax available. Orchestration is flexible and includesscore and parts for Rhythm Acoustic Guitar Trumpet 1 & 2 Alto Sax Trumpet 3 Trombone 1 & 2 Tenor Sax 1 & 2 Trombone 3/Tuba Bari Sax Percussion Horn 1 & 2 Flute (Oboe) 1 2 & 3 Clarinet and Strings (Synth). Duration:ca. 5:25

A collection of Christmas arrangements which can be played by the entire string group or by individual soloists with optional CD accompaniment. Each song is correlated with a specific level in the Essential Elements Method books.Includes: Frosty the Snowman • A Holly Jolly Christmas • Jingle-Bell Rock • Jingle Bells • Let It Snow! Let It Snow! Let It Snow! • Rockin' Around the Christmas Tree • Silver Bells • The HanukkahSong • Up on the Housetop • We Wish You a Merry Christmas • White Christmas.Available for:00868010 Conductor with CD / $24.9500868011 Violin / $5.9500868012 Viola /$5.9500868013 Cello / $5.9500868014 String Bass / $5.9500868015 Piano Accompaniment / $10.9500868029 Opt. Percussion Accompaniment / $4.95

ACT has been described as both a musical onslaught and also a playful tour de force an impressive and skilful work for full Orchestra. When Wallin’s Clarinet Concerto was performed by the ClevelandOrchestra in 2002 the composer was so buoyed by the warm reaction of audience and musicians that he was inspired to create this work for Orchestra to summon all its forces as one entity in forward motion together. Of the genesisof this piece Wallin wrote that ‘The foundation of mankind’s success is our ability to cooperate. For me one of the most amazing examples of human collaboration is the symphony Orchestra'. RolfWallin is a renowned Nordic composer whose work encompasses elements of classical training jazz early music and avant garde rock while incorporating a wide range of techniques and expressions.

Chorale (2001 02) for orchestra is a kind of musical meditation on the chorale Es ist genug from Bach?s cantata O Ewigkeit du Donnerwort itself a harmonisation of J R Ahle?s 1662 hymn. Nick Kimberley?s preface outlines the context of the Bach original and refers to Alban Berg?s use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works Lindberg?s Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. ?I make an analogy with the rise and fall of the tide. When the tide is in the sea-bed is invisible; but when the tidegoes out you see the rock formation on the sea-bed.?Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen?s debut with the Los Angeles Philharmonic.

As seen in the mind-boggling Trans-Siberian stage show! This powerful piece soars and asks to be played large. Sure-fire excitement for any holiday program! The rock rhythm section contributes to an intense and very hip musical experience. An optional part for electric guitar can be used to add interest to the performance. This arrangement includes parts appropriate for a community or professional orchestra. The bowings are those that would be expected by professional players. Instrumentation: Full orchestra, timpani (G-B-D-E), drum set, opt. electric guitar, opt. piano, opt. electric bass. (3:25) / Orchestre

Overture for Orchestra-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera

Gentle rocking rhythms and expressive vocal lines enhance the richness of the music in this setting of the Reger art song by John Leavitt. German or English lyrics.Available separately: SATB SA Instrumental ePak (score andparts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Percussion 1 & 2 Harp Violin 1 & 2 Viola Cello and Bass) and ChoirTrax CD. Performance Time: Approx. 2:00

Demonstrates the way classical musicians and rock or jazz musicians improvise both separately and together.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Overture No. 1 to the Opera Fidelio-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.