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Mandolin (17)
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Instruments Cuivre (15)
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2 Euphoniums et Piano ou Orgue… (15)
Viola and orchestra (15)
Clavecin (15)
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Flûte Traversière, Violon, I… (14)
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Solistes SATB, Choeur SATB, 3 … (14)
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2 Choeurs Mixtes Et Orchestre … (14)
Flûte Traversière, Cordes Et… (14)
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Choeur de Femmes (14)
Choeur Mixte (SATB/SATB) Basse… (14)
Solo S, Flûte Traversière, 2… (14)
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Alto, Ténor, Choeur Mixte et … (14)
Solistes ATB, Choeur SATB, 2 F… (14)
Treble (Alto) Recorder, Piano (14)
Flute, Harpsichord (14)
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Solistes SATBar, Choeur SATB, … (13)
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Tenor Saxophone and Piano (13)
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Piano and Orchestra (12)
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Cor ou Hautbois et Trompette, … (12)
2 Violons, Basse Continue et O… (12)
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Flute Quartet: 4 flutes (12)
Bass Trombone and Piano (12)
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Solistes ATB, Choeur SATB, 2 H… (11)
2 Violins and Basso (11)
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4 Cellos (11)
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Solistes SATB, Choeur SATB, Ha… (11)
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Ensemble à Cordes (11)
Banjo (11)
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Solistes (STB), Choeur Mixte (… (10)
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Choeur SSATTB et Basse Continu… (10)
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4 Clavecins Et Cordes (10)
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Music Theory (10)
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Alto (Partie séparée) (9)
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Tenor, Basse, Choeur Mixte Et … (9)
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3 Parties Solo, Choeur Et Orch… (9)
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Voice, Guitar (9)
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Musical Awakening (9)
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Pocket, Study conductor (8)
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Trio à Cordes (8)
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Organ and Brass Quartet (8)
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Solo instrument and Organ (8)
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Cor en Fa (7)
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Johann Sebastian Bach: Ascension Oratorio BWV 11: Orchestra: Score
Orchestra
Barenreiter
Urtext edition-Vocal score and performance material available for sale.Lavishly ...
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Urtext edition-Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
12.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Brandenburg Concerto No.3 In G Major BWV 1048: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G Major BWV 1048. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Brandenburg Concerto No.3 In G Major BWV 1048: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G Major BWV 1048. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Suite No 3 D Major BWV 1068: Orchestra: Miniature Score
Orchestra
Eulenburg
From early in the 17th century until the form engaged the interest of Johann Seb...
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From early in the 17th century until the form engaged the interest of Johann Sebastian Bach various notable German composers - including Rosenmüller Fischer Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture' whose name betrays its French theatrical origins. From Bach himself only four such suites have survived thanks to the diligence of C.F.Penzel a student at the Thomasschule from 1751 who made copies of Bach's MSS which he found there. Thus neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in D major recent criticism suggests that it mayoriginally have been written for strings only and dates in its final form from around 1731. Penzel's copy of the suite includes significant variants to be played by a solo violin (marked Violino Concertato) which are included here in the Appendices.The score is newly-edited from the extant sources consisting of sets of parts (some in Bach's autograph) and copyist's scores are preserved in the Staastbibliothek zu Berlin - Preußischer Kulturbestitz Musikabteilung mit Mendelssohn-Archiv. This edition replaces the former Eulenburg miniature score edited by Wilhelm Altmann.
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G Major BWV 1049: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G Major BWV 1049. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Cantata BWV 211 Schweigt Stille: Orchestra: Study Score
Orchestra
Barenreiter
Cantata No.211: Schweigt stille plaudert nicht (Be quiet chatter not) BWV 211....
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Cantata No.211: Schweigt stille plaudert nicht (Be quiet chatter not) BWV 211.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander are among the best-known and most frequently performed of Bach’s secular cantatas.Written in or around 1733 the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the soprano aria “Ah how sweet the coffee tastes lovelier than a thousand kisses milder than Muscatel”.Both cantatas reveal Bach’s mastery in their unusual subject-matter formal design andmusical workmanship. Now they appear in separate editions based on the “New Bach Edition” with straightforward and easy-to-play piano reductions by Andreas Köhs.- Urtext of the “New Bach Edition”.- Straightforward and easy-to-play piano reduction.- Vocal score (BA10211-90) performance material (BA10211) and study score (TP1211) available for sale
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BEST OF BACH - ARR. JERRY BRUBAKER - SCORE and PARTS
Orchestra
[Score and Parts]
Alfred Publishing
From the Birthday Cantata, this familiar tune is filled with the infectious melo...
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From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. The Best of Bach can be played with just strings or by adding any combination of winds up to full orchestra instrumentation. (3:07) / Partitions classique / Ensemble et orchestre / Orchestre / ALFRED PUBLISHING
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Johann Sebastian Bach: St Matthew Passion BWV 244: Orchestra: Study Score
Orchestra
Barenreiter
Version of 1736 (final version)Bach’s St. Matthew Passion passed through ...
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Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale
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Johann Sebastian Bach: Brandenburg Concerto No.6 In B-Flat BWV 1051: Orchestra:
Orchestra
Barenreiter
The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musica...
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The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside the version known today.Full scores study scores and performance material available for salefor all 6 concertos.
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Johann Sebastian Bach: Cantata No. 1 - BWV 1: Orchestra: Study Score
Orchestra
Barenreiter
Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1...
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Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1. Cantata for the Feast of Annunciation Day.The cantata ? Wie Schön Leuchtet Der Morgenstern? BWV 1 was written for 25 March 1725 when the Feast of the Annunciation of the Blessed Mary coincided with Palm Sunday. It forms the conclusion of Bach?s cantata cycle of 1724/25.The anonymous librettist retained the outer verses 1 and 7 of Philipp Nicolai?s text (1599) which is assigned to the feast of Epiphany according to old tradition but was also sung at the Annunciation of the Blessed Mary. Verses 2 to 6 form the basis for the Tenor and Bassrecitatives and the Soprano and Tenor arias.Bach?s composition has a particularly festive brilliance with his use of 2 Horns 2 Oboes Da Caccia and the two concertante solo Violins. The Violins? lively figurations clearly reflect an image of the shining morning star.- Urtext of the New Bach Edition.- Original German text with English singing translation.- Idiomatic and easy-to-play Piano reduction.- Performance material (BA10001) vocal score (BA10001-90) & study score (TP1001) available for sale.
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Johann Sebastian Bach: Bist du bei mir: Orchestra: Parts
Orchestra
Hal Leonard
The treasured song from the notebook of Anna Magdalena Bach in an arrangement by...
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The treasured song from the notebook of Anna Magdalena Bach in an arrangement by Emily Crocker. Has an optional 2nd part a beautiful English text and a rich optional string orchestra accompaniment. Available: Unison/2-part Instrumental Pak. Performance Time: Approx. 2:30.
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Johann Sebastian Bach: St. John Passion BWV 245: Orchestra: Study Score
Orchestra
Dover Publications
Bach's Majestic St. John Passion is one of the most moving of all settings of th...
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Bach's Majestic St. John Passion is one of the most moving of all settings of the events leading to Christ's crucifixion death and resurrection. This glorious masterpiece is reprinted here from the Bach-Gesellschaft edition originally published in 1863 by Breitkopf & Härtel. The work appears in full score with bar-numbered movements for easy reference. Lists of instruments and voices.Reprint of the Breitkopf & Härtel 1863 edition.
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Johann Sebastian Bach: St John Passion BWV 245: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
-
Advanced
Barenreiter
Study Score Format 22.5 x 16.5cmThe St. John Passion was first performed in Leip...
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Study Score Format 22.5 x 16.5cmThe St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work.Our edition uses the final version IV asits basis with alternative movements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information.- Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.
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Johann Sebastian Bach: The Complete Cantatas Chorales and Motets: Orchestra:
Orchestra
[Study Score / Miniature]
Barenreiter
19 Bände im Versand-Schuber- The Barenreiter study scores are a prime exam...
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19 Bände im Versand-Schuber- The Barenreiter study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices! Barenreiter presents the Complete Cantatas Chorales and Motets in a handy readable and affordable paperbackformat. The special ediion of 19 volumes (including an index) exclusively offers the authoritative musical text of these masterworks. Each volume is printed on high quality paper and has a durable sewn binding A must for everyone who is passionate about Bach's music. These scores are the last word in Bach scholarship and an extraordinary publishing achievement
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Johann Sebastian Bach: The Four Orchestral Suites BWV 1066-1069: Orchestra:
Orchestra
Dover Publications
The four orchestral suites of J.S. Bach are superb examples of the composer's i...
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The four orchestral suites of J.S. Bach are superb examples of the composer's innovative mastery of the many dance forms popular in the courts of the 18th century. Reproduced from the authoritative Bach-Gesellschaft edition this volume contains: Suite No.1 in C major (BWV 1066) for two Oboes Bassoon Strings and Continuo Suite No.2 in B minor (BWV 1067) for solo Flute Strings and Continuo - renowned for the 'Badinerie' Suite No.3 in D major (BWV 1068) for three Trumpets Timpani two Oboes Strings and Conituno - well known for the lovely 'Air on G String' Suite No.4 in D major (BWV 1069) for three Trumpets Timpani three Oboes Strings and Conituno.All works appear in full score. At a moderate cost this high quality edition is ideal for study purpose.
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Johann Sebastian Bach: Double Concerto For Two Violins In D Minor: Orchestra:
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Barenreiter
for two Violins Strings and Basso continuo-In 2001 Bärenreiter issued a newly ...
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for two Violins Strings and Basso continuo-In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more.Full score & parts (BA5188) 2 Violins and Pianoreduction (BA5188-90) and study score (TP284) available for sale.
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Johann Sebastian Bach: Fantasia And Fugue in C minor (Elgar): Orchestra:
Orchestra
[Sheet music]
Novello & Co Ltd.
J S Bach composed the Fantasia and Fugue in C Minor in approximately 1723 when h...
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J S Bach composed the Fantasia and Fugue in C Minor in approximately 1723 when he was in Weimar. Elgar proposed an Orchestration of the work dividing the work into two parts with Richard Strauss in the 1920’s. In the end Elgar created the entire Orchestration himself and it was given its premiere in 1922 almost two centuries precisely since Bach wrote the original.
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Arc...
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Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Viola. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach ...
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Viola. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives B...
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Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Set Of Winds. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archive...
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Set Of Winds. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Johann Sebastian Bach: Orchestral Suite - Overture No.1 In C BWV 1066:
Orchestra
[Sheet music]
Barenreiter
J.S. Bach?s Four Orchestral Suites belong to that select group of works one coul...
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J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.
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Johann Sebastian Bach: Orchestral Suite - Overture No.3 In D BWV 1068:
Orchestra
[Sheet music]
Barenreiter
J.S. Bach?s Four Orchestral Suites belong to that select group of works one coul...
(+)
J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.
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Johann Sebastian Bach: Orchestral Suite - Overture No.4 In D BWV 1069:
Orchestra
[Sheet music]
Barenreiter
J.S. Bach?s Four Orchestral Suites belong to that select group of works one coul...
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J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.
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Johann Sebastian Bach: Brandenburg Concerto No.1 In F major BWV 1046: Cello:
Orchestra
Barenreiter
Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition...
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Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Editionnow give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
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Mass In B Minor Bwv 232
Orchestra
Barenreiter
Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présente...
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Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.:Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris.Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets.' / Orchestre
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Johann Sebastian Bach: Two Preludes & Fugues (JS Bach): Orchestra
Orchestra
Boosey and Hawkes
(Full score). Bach Js
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Johann Sebastian Bach: Mass In B Minor BWV 232 - Revised Edition: Mixed Choir:
Orchestra
Barenreiter
Organ-The New Bach Edition (NBA) volume of J. S. Bach?s Mass in B Minor BWV 232 ...
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Organ-The New Bach Edition (NBA) volume of J. S. Bach?s Mass in B Minor BWV 232 has been the definitive edition for generations of singers and musicians. However the Bach Archive Leipzig in conjunction with Bärenreiter are constantly striving to bring new discoveries of editorial research to the fore. It is precisely for this reason that a new revised edition of the Mass in B Minor will now appear. The Urtext performing edition is based on the first volume of the new 15 volume series New Bach Edition-Revised (NBA rev).
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G BWV 1049: Harpsichord:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G BWV 1049.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.
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Johann Sebastian Bach: Brandenburg Concerto No.2 In F BWV 1047: Ensemble:
Orchestra
[Sheet music]
-
Intermediate
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.2 In F BWV1047. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlierversions perhaps even along side the version known today.
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