SKU: HL.50038940
UPC: 073999707731. 8.0x10.75x0.121 inches.
SKU: HL.50039790
6.75x10.5 inches.
SKU: HL.48184637
UPC: 888680842994. 9.0x12.0x0.049 inches.
Louis Nicolas Clerambault: Basse et Dessus de Trompette (Maitres classiques No.9) (Organ).
SKU: HL.48013924
UPC: 073999139242. 9.0x12.25x0.106 inches.
Contents: Toccata * Fuge * Kanon * Melodia * Capriccio * Basso Ostinato * Intermezzo * Praludium * Fuge.
SKU: HL.49018085
ISBN 9790001168892. UPC: 884088520106. 9.0x12.0x0.203 inches. German.
St. Nicolas Church in Leipzig: the 9th of October 1989 saw the last great peace prayer with the Beatitudes, followed by the momentous non-violent peace demonstration. The famous film composer Enjott Schneider created a touching monument to the events of Leipzig by setting the Beatitudes from the Sermon on the Mount to music.In his motet for mixed choir, string trio, bassoon and organ, he captures the extraordinary mood of that day musically in three movements (I In Not - In time of need, II Barmherzigkeit - Mercy, III Hoffnung - Hope).The demanding, yet impressive choral work is perfect for church services.
SKU: HL.48187263
UPC: 888680827427. 6.75x10.5x0.04 inches.
Gabriel Fauré: Messe basse (Choral-Female accompanied).
SKU: BT.ALHE23304
French.
SKU: BA.BA07679-67
ISBN 9790006528851. 32.5 x 25.5 cm inches.
Continuo realization: Andreas Kohs.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CA.4060409
ISBN 9790007219383. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and parts available separately - see item CA.4060400.
SKU: CA.4060449
ISBN 9790007219437. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score and part available separately - see item CA.4060400.
SKU: BR.EB-9300
ISBN 9790004187647. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109World premiere: Stuttgart, Hospitalkirche, March 28, 2018.
SKU: BA.BA05897-67
ISBN 9790006563104. 32.5 x 25.5 cm inches.
Chorale settings form a central part of Telemann's oeuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting the words of the chorale. The so-called Ausfullungsbass (a vocal bass added to the principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg's churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.* First Urtext edition based on Georg Philipp Telemann Musical Works* An attractive addition to the repertoire with a view to the Telemann Year 2017* Bilingual Foreword (Ger/Eng)* Uncluttered idiomatic piano reduction.
SKU: BA.BA01220
ISBN 9790006409204. 14.5 x 21 cm inches.
72 nicht ausgesetzte Kirchenlieder des 17. Jh. (Melodie und Bass) fur Klavier (Orgel) als Ubungsstucke zum Basso-continuo-Spiel.
SKU: CA.4060419
ISBN 9790007133214. Key: C major. Language: Latin.
SKU: CA.4060403
ISBN 9790007092078. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app. Score available separately - see item CA.4060400.
SKU: CA.4060400
ISBN 9790007091385. Key: C major. Language: Latin.
When Joseph Haydn assumed the position as music director of the Court of Esterhazy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing his first and most extensive Missa solemnis. The title Missa Cellensis (later also known as the Cecilian Mass) and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterhazy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque number mass. In contrast to previous mixed versions based on various sources, the new edition follows the authentic (original) version using the most reliable sources. This work is now available in carus music, the choir app.
SKU: CA.2719015
ISBN 9790007200787. Text language: Latin.
Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and part available separately - see item CA.2719000.
SKU: CA.4068909
ISBN 9790007220389. Key: D major. Language: Latin.
Beethoven described his Missa solemnis as his greatest work several times, a work which, coming from the heart, was to touch and move audiences. The surviving sources enable us to recognize how intensively and how long he worked on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings, and the premiere took place, for good reason, in a concert hall. The chorus plays a key structural role in the work, and in the process has to master some extremely demanding sections. The leading Beethoven expert Ernst Herttrich has produced an Urtext edition based on the available sources, and reflecting the latest state of scholarship. Score and parts available separately - see item CA.4068900.
SKU: CA.2731116
ISBN 9790007201586. Language: Latin.
The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.
SKU: CA.2100311
ISBN 9790007197674. Language: Latin.
Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score and part available separately - see item CA.2100300.
SKU: CA.1038215
ISBN 9790007191061. Language: German/Latin.
Score available separately - see item CA.1038200.
SKU: CA.2731515
ISBN 9790007201739. Key: C major. Language: Latin.
Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.
SKU: CA.1036415
ISBN 9790007190422. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.
Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.
SKU: CA.1038315
ISBN 9790007191139. Language: Latin/English/German.
Score available separately - see item CA.1038300.
SKU: CA.2731509
ISBN 9790007201685. Key: C major. Language: Latin.
Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.
SKU: CA.3850213
ISBN 9790007054601. Language: all languages.
Score available separately - see item CA.3850200.
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