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Robert Elmore: Rhumba Organ: Organ: Instrumental Album
Organ
Gentry Publications
A contemporary selection it features extensive pedal work as well as exciting ...
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A contemporary selection it features extensive pedal work as well as exciting use of rhythms and brilliant organ colors. Rhumba is an excellent piece for the advanced organist and makes a great concert encore!
10.99 GBP - Sold by Musicroom UK
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
Organ
Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
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Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
25.53 EUR - Sold by LMI-partitions
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Jazz Inspirations for Organ Vol. 4: Organ: Instrumental Album
Organ
[Sheet music]
Barenreiter
Jazz swing samba rhumba and more all found their way to the organ long ago. N...
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Jazz swing samba rhumba and more all found their way to the organ long ago. Not only do the melodies harmonies and rhythms of these styles enrich the organ’s concert literature they can also be meaningfully incorporated in the liturgy. The series “Jazz Inspirations” for Organ offers a delightful and personal combination of many forms and highly contrasting styles at a moderate level of difficulty. Volume 4 presents a new array of stylistic and thematic focuses: “Funky Praise” and ”Ich lobe dich von ganzer Seelen” (“I praise thee with all my soul”) can be found alongside a “Little Shepherd’sChachacha” and the familiar carol “Kommet ihr Hirten”. It even contains two compositions from the American organ scene. Jazz swing and much more for the organ Authoritative editors and composers Pieces of a moderate level of difficulty Bilingual Foreword (Ger/Eng)
34.50 GBP - Sold by Musicroom UK
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Pelle Gudmundsen-Holmgreen: Still. Leben: Organ: Instrumental Work
Organ
[Sheet music]
Wilhelm Hansen
STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write f...
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STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write for the organ without the use of iron blocks extra stopping assistants etc .... unusual difficulties that belonged to my earlier organ music. I setmyselfthe task of Miting a ''handier'' kind of music for the organ.Once I had finished STILL. LEBEN I didn't think I had achieved what I was looking for. True the two movements did not involve odd things but 'handy' isn't really the word for them either. So I wrote the three movements in COUNTERMOVE to tidy up even more.And since I didn't think that was enough either I wrote the really simple pieces under the title IN TRIPLUM.Thethree series (eight pieces in all 2 + 3 + 3) sound very different but they all take their point of departure from the nature and tonal resources ofthe organ.Everywhere there is polyrhythm or hierarchical layering polychromaticism diatonics and melody (the last of these only sparingly and in some of the movements).Pelle Gudmundsen-Holmgreen
18.99 GBP - Sold by Musicroom UK
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Alfred Hollins C.B. Hawley: Christmas Cradle Song: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
Christmas Carol Song begins as a slightly grand adaptation of American composer ...
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Christmas Carol Song begins as a slightly grand adaptation of American composer C B Hawley’s Christmas Cradle Song in a dotted 6/8 rhythm to which the Adeste Fideles is added. English Organist and composer Alfred Hollins was active in the late 19th and early 20th centuries. Blind from birth Hollins was fortunate enough to attend the innovative Royal Normal College for the Blind outside London whose music-intensive curriculum suited his gifts. For more than forty years he was the Organist at the Free St George’s Church in Edinburgh and he travelled the English-speaking world repeatedly on concert tours.
7.99 GBP - Sold by Musicroom UK
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Symphonische Toccata (JOST CHRISTIAN)
Organ
Schott
Für Orgel. Par JOST CHRISTIAN. There is no other work more closely associated w...
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Für Orgel. Par JOST CHRISTIAN. There is no other work more closely associated with the organ than Johann Sebastian Bach’s Toccata in D minor. During my compositional preparation, I repeatedly found myself returning to this work. I had a number of different formal models in mind, but felt myself gravitating towards the rhapsodic character of toccata form so that my new composition for organ ultimately became a toccata developing from a pedal point on the fundamental note ’D’. As is appropriate to the volume of a large modern organ, my concept focuses on symphonic tonal layers whose suggestive maelstrom originates from the inner strength of repeating elements and their register- like augmentation, culminating in the unleashing of polyrhythmic progressions. (Christian Jost)/ Répertoire / Orgue
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Francis Jackson: Three Pieces (Procession Arabesque Pageant): Organ:
Organ
[Sheet music]
Novello & Co Ltd.
Composer's Note: In writing these pieces I had in mind certain difficulties whic...
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Composer's Note: In writing these pieces I had in mind certain difficulties which worry most organists from time to time; and in order to combine as it were business with pleasure I thought it worthwhile to concentrate upon one aspect of organ technique in each piece even at the risk of making them a little more difficult than others in this series. In Procession the main difficulty lies in the pedals Arabesque on the other hand could hardly have had a simpler pedal part: its object is to exercise the left hand in producing a smooth running semi-quaver pattern Pageant with its cross-rhythms is designed to produce well-disciplinedhands and feet that can when required work in conflicting rhythms. I have kept the registration schemes as simple and straightforward as possible.
10.99 GBP - Sold by Musicroom UK
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Funky Organ Grooves: Organ: Instrumental Tutor
Organ
[Sheet music + CD]
-
Intermediate
ADG productions
A totally groovy collection of riffs turns grooves and vamps specially compile...
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A totally groovy collection of riffs turns grooves and vamps specially compiled for the Organ player by Andrew D. Gordon.This generous selection of grooves will add swing bounce and funky syncopations to your playing with everything from four-bar riffs to more substantial progressions that will squeeze a host of unusual and addictive rhythms from beneath your fingers. All examples are grouped by style covering Blues Funk Gospel Jazz Latin and Reggae sounds. There is guidance to help you choose appropriate voice selections as well as a guide to some of music's funkiest Organ stars.The book is complete with a CD featuring recordings of everyexample to help you really capture the 'feel' of each unique groove.
17.95 GBP - Sold by Musicroom UK
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Concerto da chiesa (SCHROEDER HERMANN)
Organ
Schott
Par SCHROEDER HERMANN. Concerto da chiesa' is the last organ work by Hermann Sch...
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Par SCHROEDER HERMANN. Concerto da chiesa' is the last organ work by Hermann Schroeder (1904-1984). It was composed a few months before his death. The premiere was performed by Clemens Ganz, then organist at the Cathedral of Cologne, in memory of the esteemed teacher and college colleague. The work marks the end of a tirelessly prolific life with more than one hundred organ works of various characters, genres and possibilities of use in liturgy and concerts. The title 'Concerto da chiesa' reveals that this is a work for concerts, not for being used in services. The three-movement composition is an unmistakable 'Schroeder' work: emphasis of linearity according to high baroque standards, conciseness and sometimes impulsive gestures of the themes and rhythms, layers of parallel chords within a freely tonal modern harmony, not forgetting the plasticity of form and the motor functions which are surprisingly energetic for an eighty-year-old./ Répertoire / Orgue
21.65 EUR - Sold by LMI-partitions
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