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Spanische Und Portugiesische Volkslieder - Voice And Piano
Piano, Voice
Schott
Instrument : voice and piano Nombre de Pages : 64 Das Volkslied Europas in mehr...
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Instrument : voice and piano Nombre de Pages : 64 Das Volkslied Europas in mehr als 500 echten und typischen Beispielen, großenteils zum ersten Mal im Originaltext mit deutscher Übertragung veröffentlicht. Sämtliche Lieder mit unterlegtem Klaviersatz und eingehenden Anmerkungen zur Entstehungszeit, stilistischen Herkunft und zur strukturellen Eigenart. Content : Fandango - Malaguena - La Cana - Bolero - Nana - Cancion de cuna - Alalá - La Virgen de Cobadonga - Dime, artillerito, donte vas? - Passacalle o marcha-alborada - Cancao do Figueiral - A moda gallega - Lo mal de l'amor - Cansó de sega - Cansó ploma de perdíu - Los estudiants de Tolosa - La filadora - Lo mestre - La criada del hostal - La nina desenvuelta - Desengany - Aves, frutas y viento - Layeta - Villancico-Baile de Nadal - Cansó de Nadal - Presents al nino Jesús - Ay au pena ren andia - Ainhara - Izar ederra - Chorinuo kaiolan - Argizagi ederra - Adios, ene maitia - Chorietan buruzagi - Errefusa
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Jesus Carried the Cross (WILLMINGTON EDWIN M)
Piano, Voice
[Sheet music]
Hal Leonard
Par WILLMINGTON EDWIN M.. Jesus Carried the Cross is text that takes the soloist...
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Par WILLMINGTON EDWIN M.. Jesus Carried the Cross is text that takes the soloist and listener on a journey with Jesus, who carried, bled, and finally died on the cross. Utilizing a minor melody and building key changes, the music expresses a growing drama on the journey. An optional C instrument part may be printed from the JubalHouse.com website for added interest. / Date parution : 2022-07-28/ Répertoire / Chant et Piano
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David Lanz Kristin Amarie: David Lanz & Kristin Amarie - Silhouettes of Love:
Piano, Voice
Hal Leonard
In earlier days Grammy-nominated Pianist David Lanz was also a singer songwrite...
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In earlier days Grammy-nominated Pianist David Lanz was also a singer songwriter. However the combination of his strengths as a Pianist and composer led him into the instrumental genre that he is most well known for.?Now with the stunning voice and artistry of composer and lyricist Kristin Amarie ? says Lanz ?I have again found my lyrical path and the perfect collaborator to bring that to life.? This folio includes all 13 songs from Lanz
18.99 GBP - Sold by Musicroom UK
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Salve Regina Rv 616, Rv 617, Rv 618 (VIVALDI ANTONIO)
Piano, Voice
-
Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VI...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano
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Giner Bruno : Charlie. Voix Piano.
Français
Piano, Voice
[Sheet music]
Dhalmann
La partition Giner Bruno : Charlie. Voix Piano. de Giner Bruno a été composée...
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La partition Giner Bruno : Charlie. Voix Piano. de Giner Bruno a été composée pour Musique de chambre et plus particulièrement pour Quintette. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Dhalmann. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique.' La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ? (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). / Quintette
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The International Book of Christmas Carols: Voice: Vocal Album
Piano, Voice
[Vocal Score]
-
Easy
Walton Music
164 easy arrangements with chords of carols from around the world complete with...
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164 easy arrangements with chords of carols from around the world complete with lyrics in the original language as well as English. This special collection also includes historical background information on the observance of Christmas through the years and notes about specific carols to give added understanding. Songs are included from England Italy Latin America Spain Scandinavia Poland Czech Republic and more.Note on the arrangements:'We have worked to make this book both flexible and useful. The Piano accompaniments have been kept simple but much effort has gone into making them musically interesting and satisfying. Chordindications are given for every carol so that the accompaniments may be played on Chord Organs Accordions Guitars Ukuleles and other fretted instruments. A detailed chart demonstrating how to finger chords for fretted instruments is given at the back of the book.We have been careful to keep the voice ranges of the songs comfortable and the texts singable. Since harmony parts always add much pleasure to singing we have retained traditional four-part arrangements of the most familiar carols and hymns. For the others we have provided a second part to go along with the melody (printed in smaller notes) that may be sung or played on the Recorder Flute Violin or on other non-transposing instruments.' - Walter Ehret George K. Evans
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Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
Piano, Voice
[Vocal Score]
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Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The pre...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi?s first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.
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Singers Library Mus Thr2 Mez Bk&CD
Piano, Voice
[Sheet music + CD]
Alfred Publishing
For aspiring and professional singers who love Broadway, Alfred's Singer's Libra...
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For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's 'Aida') * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My Eng / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano
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Tchaikovsky Peter Iljitsch - Songs Band 1 - High Voice And Piano
Piano, Voice
Boosey and Hawkes
Twenty Romances Instrumentation : high Voice and Piano Description : The editi...
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Twenty Romances Instrumentation : high Voice and Piano Description : The edition is part of the ABRSM singing exam syllabus (grades 7,8). Contenu : At the Window Op6 No1 - Can it be day? Op47 No6 - Lullaby in the Storm Op54 No1 - Nightingale Op6 No4 - Spring Op54 No9 - The Cuckoo Op54 No8 - At the Ball Op38 No3 - Cradle Song Op16 No1 - Had I only Known Op47 No1 - Last Night Op6 No1 - Serenade Op63 No6 - So soon forgotten - The bride's lament Op47 No7 - The Fearful Moment Op28 No6 - Twas in the early Spring Op38 No2 - Why? Op28 No3 Nombre de pages : 116 Langue : Russian - English Format : New Edition portrait
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Sergei Rachmaninov: Vocalise Op34 No.14: High Voice: Vocal Work
Piano, Voice
Boosey and Hawkes
Rachmaninov's work for Soprano or Tenor soloist detatches the singer from the ne...
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Rachmaninov's work for Soprano or Tenor soloist detatches the singer from the need for text creating a quasi-instrumental musical structure that explores the nature of the voice itself. For accomplished performers and with an equally challenging Piano accompaniment.
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The Top Ten Jazz Songs To Play On Piano: Piano: Mixed Songbook
Piano, Voice
[Sheet music]
Amsco Wise Publications
Part of the popular ‘Top Ten’ series this collection contains ten c...
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Part of the popular ‘Top Ten’ series this collection contains ten carefully selected pieces in the jazz style. There is such variety within the genre we call 'jazz' it seems almost impossible to do itjustice in just ten songs but we've given it our best shot. We've unforgettable standards like Duke Ellington's 'Take The A Train' and 'Fly Me To The Moon' as popularised by Frank Sinatra; elegant tunes fromthe 1930s such as 'The Way You Look Tonight' and 'The Very Thought Of You'; classic numbers from the late 50s and early 60s 'So What' and 'Cantaloupe Island' - and we make no apology forstretching the jazz definition to accommodate the gorgeous 'Girl From Ipanema'! Some of the pieces are arranged for Piano and Voice; others are purely instrumental but every one possesses that special somethingthat has earned it a place in our collection and indeed in the heads and hearts of countless jazz lovers around the world. Each piece in The Top Ten Jazz Songs To Play On Piano is accompanied byinteresting background notes to give you that extra bit of insight.
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The Art Of Song: Selected Songs - Voice And Piano (par 10 Minimum)
Piano, Voice
Peters
Instrumentation : High voice - Pf Content : Brahms: Die Nachtigall(The N...
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Instrumentation : High voice - Pf Content : Brahms: Die Nachtigall(The Nightingale), Marienwürmchen (Ladybird),Sandmännchen (The Little Dustman),Vergebliches Ständchen (Fruitless),Die Henne (The Hen);Mozart: Wiegenlied, An Chloë;Mendelssohn: Gruss (Greeting);Schubert: An Sylvia (To Sylvia); Heidenröslein (The Wild Rose); Schumann: Schmetterling;Beethoven: Die Ehre Gottes (All Nature Sings God's Praises)
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Cy Coleman: Sweet Charity: Voice: Vocal Score
Piano, Voice
[Sheet music]
-
Intermediate
Campbell Connelly and Co
Piano-Conductor's Score-The Vocal/Piano-conductor's score for the Broadway stand...
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Piano-Conductor's Score-The Vocal/Piano-conductor's score for the Broadway standard about the adventures of a girl who wanted to be loved. Based on a screenplay by the legendary director Federico Fellini adapted from his film Nights Of Cabiria.The show has been dazzling audiences since the premiere in New York 1966 and a revival in 1986 saw the show receive four Tony awards. The more recent revival in 2005 with Christina Applegate was nominated for several Tonyawards. A dance-hall hostess searches for her ideal love with a string of troublesome results!This Piano score contains full details of instrumentation and also serves as a complete vocal score.
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Liebeslieder - Love Songs + Cd
Piano, Voice
[Sheet music + CD]
Carus Verlag
80 Arrangements For Weddings And Celebrations. What would love be without music ...
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80 Arrangements For Weddings And Celebrations. What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? This beautifully-produced song book is illustrated with the sumptuous paintings of Gustav Klimt, for whom love was one of the great themes of his life. The song book contains a CD with recordings of all the songs in instrumental versions so you can sing along with the pieces and get to know them. A piano book is published alongside the song book, containing all the songs in idiomatic, playable accompaniments. Whether it's for an engagement or a wedding, for Valentine's Day or an anniversary, Liebeslieder makes an ideal present for those newly in love or still in love, and who also love music./ Répertoire / Chant et Piano
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Heather Sorenson: Midnight Faith: Voice: Album Songbook
Piano, Voice
Shawnee Press
Midnight Faith is an eclectic collection of both original vocal and instrumental...
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Midnight Faith is an eclectic collection of both original vocal and instrumental music all threaded together by the common (and sometimes subtle) theme of nighttime. In this project not only does Heather Sorenson incorporate her signature singer-songwriter style of writing she also explores different genres including folk jazz original classical and modern Christian music. This music book is the companion product to the newly released album and it includes a fully realized Piano accompaniment and vocal score. From upbeat to reflective Midnight Faith contains selections suitable for recitals concerts and churchservices.Songs include: 'Travel Light; Let Me Walk You Home'; 'Now I Lay Me Down to Sleep'; 'Nightlights'; 'Midnight Faith'; 'Things We Remember'; 'Raise Your Hands'; 'I Have Loved the Stars Too Fondly'; 'Be Still My Soul'; 'Day Is Dying in the West'.
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Catone In Utica
Piano, Voice
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
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The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
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Catone In Utica
Piano, Voice
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
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Malcolm Singer: Dragons! The Musical: Voice: Classroom Musical
Piano, Voice
[Script]
Golden Apple Productions
Dragons! is a dramatic and comical musical for Key Stages 2 and 3 by poet Nick ...
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Dragons! is a dramatic and comical musical for Key Stages 2 and 3 by poet Nick Toczek and acclaimed composer Malcolm Singer.Fergus is different from all the other kids - he is turning into a Dragon! He and hisimaginary friends are taken through their paces at the School For Dragons where they are taught to speak Dragonese and how to become hard as nails! Soon he discovers that he's not the only person he knows who is a dragon andthat in fact these firey fiends are everywhere!Dragons contains nine original varied and challenging songs and includes optional solos and instrumentals. The play has a super rhyming story and the songs are alsosuitable as a song-cycle for young choirs.Teacher's Book: Catalogue number GA11627
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Cole Porter: Make it Easy: Cole Porter: Piano Vocal Guitar: Artist Songbook
Piano, Voice
[Sheet music]
-
Easy
Faber Music Limited
One of the most enduring songwriters of all time the music of Cole Porter has b...
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One of the most enduring songwriters of all time the music of Cole Porter has been transcribed for countless instruments over the years. It's impossible to imagine the world of Jazz without such sophisticated standards as Love For Sale and Night And Day whilst modern film television and advertising is overflowing with reworkings of Ev'ry Time We Say Goodbye You Do Something To Me and I Get A Kick Out Of You.Now it's your turn! Twenty Porter classics have been cleverly arranged for the early Piano player in accessible and easy versions. The complete songs are presented with full lyrics chord symbols and helpful suggested fingering. Thisis your chance to add the timeless music of Cole Porter to your repertoire at an early stage and experience the wonderful benefits of mastering these true favourites.
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