SKU: CY.CC2494
Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. He was a most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as sincere expression(s) of genius.
The Three Etudes for Trombone and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression.
Mr. Sauer has once again brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the Trombone world. Those who do will be richly rewarded with the depth of musicanship found in these works.
SKU: CY.CC2591
Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano.The three movements are titled:1. The Periwinkle (La Pervenche)2. The Brook (Le Ruisseau)3. The Evening (Le Soir)The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
SKU: CY.CC2903
Ralph Sauer has artfully arranged Three French Vocalises for Trombone and Piano by three well-known composers from the 20th Century:Darius Milhaud, Arthur Honegger and Joseph Canteloube.Each has a unique style and total about 5-6 minutes in length. Their modest ranges make them appropriate for moderately advanced performers.
SKU: CY.CC2635
The Delius Three Preludes were originally composed for the Piano and are titled:Scherzando, Quick and Con Moto.Scherzando is a beautiful, lyrical and spritely work.Quick, as it's name implies is fast and lyrical, evoking water.Con Moto is lively and undulating in feeling.The three movements total about 4 minutes in length and can be played by advanced performers.
SKU: CY.CC2404
Paul Marie Theodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine Francois Marmontel and Louis Diemer. His main influence was Cesar Franck.
SKU: CY.CC2348
Gabriel Pierne was a composer & conductor who studied with Franck and Massenet. His music is typically in the French style, having charm, clear technique and beauty of melodic line. The Three Pieces are titled:1. Serenade, Opus 7; 2. Piece in F minor; 3. March of the Tin Soldiers. This suite is suitable for advanced performers and will add a lovely charm to your recital or concert. Mr. Sauer has produced a lovely suite made up of exquisite gems from Monsieur Piernes pen.
SKU: CY.CC2813
Drei Stucke (Three Pieces) for Trombone and Piano by Alexander Zemlinsky is an early work composed in 1891, and originally scored for Cello and Piano. It has been beautifully arranged for Trombone and Piano by Eric High.The three movements are titled:I. HumoreskeII. LiedIII. TarantellAbout 8 minutes in length, it is appropriate for advanced performers.
SKU: CY.CC2565
Haydn composed over 100 compositions, each in three movements, for his wealthy employer Nicolas Esterhazy, who played the six-string instrument called a Baryton, which in shape looked much like our modern day cello, but, of course, with six rather the cello four strings. His original scores were composed of three lines: the solo part, an inner filler part for viola and a bass part. I have realized the piano part. These transcriptions were created to give the solo trombonist an experience with classical music.The music is in an elegant style and a joy to perform as arranged by Mr. Trevarthen.The six works included in the collection are as follows:No. 2 in G (Theme and Variations)No. 26 in FNo. 49 in FNo. 55 in FNo. 77 in FNo. 95 in B-flatThe works are between 6 and 9 minutes in length each and suitable for moderately advanced performers.
SKU: CY.CC2961
ISBN 9790530057803.
Tchaikovsky composed Souvenir d'un lieu cher Op. 42 in 1878 for Violin and Piano. Melodie is the third of three movements of this lovely work. Later, in 1884 the movements were published separately and eventually Glazunov arranged the three movements for Violin and orchestra.The music is poetic, expressive, joyous and refreshing with a wink or two. Professor Mixdorf has beautifully arranged this 3-minute work for advanced performers.
SKU: CY.CC2890
David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length:1. Swift 2. Longing3. Exit MusicSwift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax.Both the solo and accompaniment parts are written for advanced performers.The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by Pianist Larry Wallach.Here is what Mr. Ewazen has said about Situation Update:I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Updateâ€Â. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle withenergy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force andrightly deserves to take its place as a significant addition to the Trombone repertoire..
SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: FL.FX071559
Latin music divided into three parts of 32 mes. each: the first is for students with 1-2 years of experience (only long values and small chromatisms are used), the second is for those who have 2 or 3 (add dotted quarter / eighth notes and intervals of fourths), the third is for those at the end of the first cycle (flow from eighth in addition). This piece can follow the students for three years and / or allow 3 students with different levels to play together.
SKU: CY.CC2773
A wonderful collection of Traditional Christmas Carols in a jazz style for Trombone and Piano arranged by British arranger and Trumpeter, Keith Terrett. The Carols included are: Ding Dong Merrily On High, Silent Night, We Three Kings, Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas. The Trombone part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is moderate. Mr. Terrett makes use of different mutes for a wide range of colors.
SKU: BT.DHP-1125294-400
ISBN 9789043141802. 9x12 inches. English-German-French-Dutch.
Performance pieces for piano and trombone in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book ? arrangements of well-known tunes as well as original compositions ? are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team ? after all playing together is almost always at the heart of music!Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en trombone waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek ? zowel bewerkingen van bekende liedjes als originele composities ? zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team ? in de muziek draait het immers vrijwel altijd om samenspel!Es gibt immer Bedarf an Stu?cken fu?r Klavier und Posaune, in denen die Stimmen fu?r beide Spieler ähnlich schwer sind. Die 20 Stu?cke in diesem Buch ? die sowohl bekannte Melodien als auch originale Kompositionen umfassen ? richten sich an Instrumentalschu?ler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt SpaÃ?. Two is a Team ? denn schlieÃ?lich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!La littérature musicale semblerait être dénuée de morceaux de concert pour piano et trombone dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil ? arrangements dâ??airs connus et compositions originales ? sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec dâ??autres est un des grands plaisirs quâ??apporte la pratique de la musique !Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile unâ??esecuzione con lâ??accompagnamento del piano.
SKU: CY.CC2940
ISBN 9790530057582.
Brahms' 21 Hungarian Dances were completed in 1869 and sent to his publisher without opus numbers. Only three of the works are original compositions. The music mostly of one to five minutes in length was Brahm's biggest seller, originally for solo Piano, but once they were arranged for piano four hands, they exploded in popularity.James Miller has beautifully arranged five of them (1, 5, 7,8 and 9) for Trombone with Piano accompaniment and are appropriate very advanced performers.The sound clips are of Mr. Miller from his solo CD album, Coast to Coast, featured on CD Baby.
SKU: CY.CC2938
ISBN 9790530057575.
Originally written for Cello, Ralph Sauer's brilliant arrangement of the Pergolesi Sinfonia (Sonata) for Trombone and Piano (or Harpsichord) has become a standard work in the solo repertoire. This new edition which replaces the previous one comes with some notable changes. Below is Mr. Sauer's description.This new edition of the Pergolesi Sinfonia in F is an update of the original version which was first published 40 years ago (!) and is now permanently out of print. Movements one, two, and three are essentially the same. I have corrected a few errors in the keyboard part and also revised some of the notationâ€â€notably, grace notes are now placed correctly. (The original publisher insisted that they should be placed after barlines, causing confusion as to whether they were to be played on the beat or before the beat.)In the last movement, there are now two places where the keyboard takes over the solo line. In addition to providing much needed rest for the trombonist, it gives a change of color and a chance for the keyboard player to be the soloist for a few measures.The original version of the last movement is also included as an appendix for those who would rather perform the original.Ralph Sauer
Los Angeles, 2017
SKU: HL.48185571
UPC: 888680854089. 9x12 inches.
“Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for Open Air, therefore, makes for a well-informed compilation. As suggested by the title, Open Air focuses on breath control. With a typical performance lasting around three minutes and ten seconds, this Trombone work is a delightful, alternative piece for young trombonists. Open Air is a delightful addition to the intermediate Trombone repertoire.&rdquo.
SKU: CY.CC2829
Massenet's Three Pieces for Piano, Four Hands Opus 11 was published in 1867. Two of the pieces were adapted for Cello in 1877. Mr. Sauer has arranged these two pieces for Trombone and Piano:1.  Andante sostenuto2. Allegretto vivo scherzandoThe Andante is flowing and lyrical and the Allegretto is a lively 6/8 dance in A-B-A form.The two movements total about 5 minutes and are appropriate for advanced performers.
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